Saturday, May 12, 2012

Comedy review: Chris Cox

LAURA WESTBROOK

Chris Cox gives Laura Westbrook an insight into how he can "read minds."

Chris Cox: Fatal Distraction
Whitireia Performance Centre, Wellington, May 8

From the moment I stepped into the venue and was handed a pen I knew this show was going to be full of audience participation. This was not traditional comedy where the comedian stands on stage with just a mic for company: This was a set, with props.

Chris Cox is the mind reader who can't read minds. However, he does a good job of making me believe he can do just that. The lanky Brit bounces on stage, charms the crowd with his self-deprecating humour and soon you're swept along on a baffling, but thoroughly enjoyable hour of entertainment.

He's honest that he can't actually read minds and uses techniques such as reading body language, word association, and you know those props on stage aren't random, but his abilities are still, well, mind blowing.

The thread that runs through the show looks at the question, "What if?" giving it a structure with an unexpected poignancy.

There is comedy but the most interesting part is the audience participation - for the more timid out there he doesn't humiliate - and how he manages to get people to scratch their heads and say out loud "What the...?"

Such as how did he know that man's phone number? And how did he know this woman wanted him to break-dance? Be prepared to throw your thoughts at Cox and see what comes back.

If you're looking to sit back and let some good old-fashioned comedy wash over you this probably isn't the show for you. However, if you want to experience something extraordinarily unique, go see Cox.

Just be prepared to leave with one question echoing round your mind - how did he do that?

Details:

Chris Cox perfoms in Wellington at the Whitireia Performance Centre, May 8 to 12.

More information on www.comedyfestival.co.nz

- © Fairfax NZ News

Film Review: The Kid with a Bike

GRAEME TUCKETT

REVIEW: THE KID WITH A BIKE (M) (87 min)

Directed by Jean-Pierre Dardenne, Luc Dardenne

Starring Cecile de France, Thomas Doret

The winner of last year's Cannes Grand Prix, The Kid With a Bike is a tough and sparingly realised gem of a film. Simple, brief, but perfectly done.

The Kid is 11-year-old Cyril.

He's a resilient boy, used to holding his own and more on the pretty grim housing estate he has grown up on. But when his dad abandons him, and leaves to the care of an institution, Cyril's facade of self-possession begins to crack.

A stolen bicycle sets him off on a near obsessive quest to understand and overcome his old man's staggering act of selfishness.

Into Cyril's fractured life comes Cecile de France, the local hairdresser, who finds herself caring for Cyril a few days a week, and who quickly realises just what a damaged and challenging kid he can be.
This is wonderful film making.

The Dardenne's brother's script is incapable of ringing a single false note. Within this deceptively simple fable, there is a world to be found. Cyril's journey is the journey of every child who ever lived, but magnified, intensified, and made crueller than it ever should have been.

It's an audacious film that will consciously refer to and knowing update Vittorio de Sica's Bicycle Thieves. The Kid With a Bike is a good enough film to get away with it.

This is a luminous and unforgettable film. Go and have a look.

Also opening this week, Chinese Takeaway is a well done and very watchable Argentinean comedy drama, starring Ricardo Darin as a man who takes in a young, lost, Chinese student with his own quite tragic tale to tell. Language and cultural barriers yield some fine comedy, while the film avoids the saccharine that the inevitable American remake will not.

Recommended.

- © Fairfax NZ News

Plenty more to come for NZ Music Month

The Whiskey announces more celebratory gigs

BRIDGET JONES

Just a week in and local venue The Whiskey has announced the second-half of their mammoth New Zealand Music Month celebration.

The Ponsonby bar is hosting the series of 99 local acts shows over 25 nights and the latest additions to the line-up include Cut Off Your Hands, Hollie Smith, Iva Lamkum and Tiki Taane.

This year will be the third annual instalment of the month-long, intimate celebration - the venue has a capacity of only 100 people.

Along with the music, organisers are testing out a few new features including a Vodafone RedRoom VIP experience and sponsor Becks is hunting for New Zealand's next big thing to perform on the closing night of the mini-festival.

The Whiskey owner Andrew Bruce says the turn out so far has been impressive, with a handful of shows selling out before May 1.  He says there are still a couple of secret shows still to be announced.

"The response to the first ten nights has been amazing. This next release will no doubt continue the momentum, and I can't wait to announce the remaining acts we have in store," he said.

The Whiskey Live:

May 8 - Don McGlashan with Lisa Crawley (DJ Art Heist)
May 9 - Annabel Fay & Bulletproof with Jamie McDell (DJ's MayaVanya)
May 10 - OPSHOP with Jonny Love (DJ Clarke Gayford)
May 11 -  People of Paris with Sons of Vegas & Black White Dynamite
May 12 -  Hello Sailor with Coast (DJ Thane Kirby)

Latest announcements:


May 15 -  Nathan Haines with Jennifer Zea (DJ Jason Eli)
May 16 -  Cut Off Your Hands with Cool Rainbows (DJ Arash)
May 17 - Hollie Smith with Seth Haapu (DJ Manuel Bundy)          
May 18 -  Tiki Taane, Aaron Tokona (Cairo Knife Fight & AHoriBuzz) with Iva Lamkum (DJ Bobby Brazuka)
May 19 - Weird Together - Nick D & Dick Johnson with Boy Crush (DJ Uncle Barnie)
May 22 - Peter Urlich Sextet with Nairobi Trio (DJ Phoebe Falconer)

Tickets for the new shows go on-sale at 2pm on May 9 via Ticketmaster.

- © Fairfax NZ News

Courtney Love chants with Lohan

Courtney Love is teaching Lindsay Lohan how to chant like a samurai.

The outspoken singer has previously claimed to be troubled star Lohan's sober coach. Lindsay's representative denied the claims, but it seems the 25-year-old actress is still seeing the older star socially.

Love has claimed they are getting together later this week so they can chant.

"She is coming to my house to chant. But, I don't speak to her very much. We have a mutual friend. There's like seven women coming to chant on Friday. [It's] a women's group," she told Access Hollywood.

"She's coming to chant, which is good for her. It was for samurais so it's very good if you're a fighter. This is like, if you're a fighter, you just cut through it and it's about cause and effect. I think talking about one's religion on television is just fine."

Love has been devoted to chanting for some time. She is adamant it has improved her life, explaining it is immediately obvious when she hasn't stuck to her daily regime.

"It's like doing sit-ups, it blows sometimes," she said. "You can tell when I'm not doing it, I get in trouble and then [when] I am doing it, I don't get in trouble. I have a great day, really great things happen and it's really good for me."

The 47-year-old star went on to discuss her love life. She is thought to be single at the moment and implied she has made a decision not to be totally open about her relationships.

She was appearing on the show alongside Linda Perry, with the pair promoting the LA Gay & Lesbian Center's An Evening with Women.

When Love was asked about romance, Linda stepped in and insisted she wouldn't be talking about it.

"The answer I'd love to give you would be hilarious, but she'd kill me," Love interjected.

"I'll give you a clue, I was saying something off 30 Rock that was vulgar about it and the person said, 'Court it isn't that word, you sound like Liz Lemon [30 Rock character].' Cos I said, 'Oh are we blanking?' And he said, 'That is gross.' I don't know how to say that word 'dating'. I'm not dating anyone."

- Cover Media

Artist's rock'n'roll visions

HANNAH FLEMING

Artist Erica Sklenars is living the rockstar life without having to play an instrument.

The New Plymouth woman recently returned home after accompanying New Zealand rock band Thought Creature on a five-month tour of Germany.

Despite not playing an instrument, the 26-year-old toured with the band as a video jockey.

Her role was to create audio- visual experiences that accompanied the band's music during live performances.

Sklenars said she used a mixture of original footage and clips she had found, mostly with a sci- fi, monster-creature theme.

"The clips play through a computer program which I then have hooked up to a keyboard so I can play it like an instrument," she said.

"It's like I play on stage with the band, it's really fun."

Sklenars said the band went to Germany without a plan or any bookings, but slotted into the music scene well.

"We ended up playing at a few festivals around Germany and different venues, from DIY squats, to larger rock'n'roll clubs and big techno clubs."

On her way to completing a masters in fine arts, Sklenars began working with performance video, which eventually led her to develop an interest in music collaboration.

"I really enjoy working with musicians. I enjoy meeting people and creating collaborations when I discover I like what they do, and they discover they like what I do."

As well as using a keyboard to project images and video, Sklenars has used overhead projectors with oils and liquids, and an old spinning wheel she adapted into a visual machine.

"The spinning wheel uses Victorian animation techniques to project moving images, and I have lots of different image wheels I change between."

Through her own art practice, the Wellington-based artist uses performance video to explore the dynamic of humour in contemporary feminism.

She has contributed her live performances to a number of exhibitions, including one at Wellington's Enjoy Gallery and The Film Archives.

Sklenars said as visual synching with bands became more common, she hoped to continue exploring that avenue and continue her own art practice.

"Ideally I'd just like to be able to keep making stuff, and survive," she said.

- © Fairfax NZ News

Review: Get (Even) Better Work Stories

JEFF TOLLAN

Vitale Joseph, Daniel Shenton, Jarred Bosecke, Tito & Ants Heath: Get (Even) Better Work Stories.
Wellington, Meow, May 10.

If you feel like you've got a job that's akin to vigorously rubbing a cheese grater against your head, Daniel Shenton, Jared Bosecke, Tito, Vitale Joseph and Ants Heath reckon they can beat it.

From the weird to the wonderful, the quintet take to the mic to prove they invented the definition of ''bad job'' in an hour-and-a-bit-long show.

Heath certainly managed to warm up the crowd in breath-taking fashion. But in the first 20 seconds it was apparent that this might not be the kind of show you'd take the grandparents to or head to yourself if you're a bit of a prude and offended by a bit ... OK, a lot ... of swearing.

He had the audience in fits of laugher describing his experience of driving Wellington's cable car stoned and the pitfalls of switching to the drug speed while in control of something that only meanders along at 13kmh.

The rest of the crew were good, but I'm not sure any of them could hold a candle to Heath's energy.

At the end of the performance I did felt a little bit iffy. I had expected a lot more laughs. Don't get me wrong - there were plenty and the audience were constantly giggling.

Perhaps it was my terrible choice in beer (tasting like it had been distilled in a compost heap) that put a dampener on the evening. There could have been a lot more people there to boost the vibe.

Perhaps I shouldn't have gone completely sober - it was 10pm after all. But there was a bit of a gap between what I expected and what I actually saw.

Still, one can't deny that it was a good show and in spite of all my rambling there were some extremely funny stories from the five performers.

If you've got a blank space in the calendar and are after some down-to-earth New Zealand comedy then these guys would certainly give you some laughs.


Details:

Wellington: Wednesday, May 9 to Saturday. May 12 @ 10pm

More information on www.comedyfestival.co.nz

- © Fairfax NZ News

Top 10 superhero movies

The 10 best superhero movies of all time

The Avengers have assembled to save the world and smash box office records. Joss Whedon's film is arguably the best super hero movie of all times, but who else deserves a place in the top 10?

We've seen them all and have chosen our top ten.

1. The Avengers (2012)
The punters who made this a box office success are not wrong: Marvel's The Avengers is a superb superhero film, bypassing the annoying origin stories for big, boisterous fun. Featuring iconic Marvel's Iron Man, The Incredible Hulk, Thor, Captain America, Hawkeye and Black Widow, the newly crowned King of superhero films entertains everyone from hard-core fans to your average person on the street.

2. The Dark Knight (2008)
The second of Christopher Nolan's Batman trilogy, starring Christian Bale and a stellar Heath Ledger, has set the standards high for this year's follow up The Dark Knight Rises.

3. Iron Man (2008)
The first movie to introduce Robert Downey Jr as witty playboy and genius Tony Stark was followed by Iron Man 2 in 2010 (not bad, but just not that good); A third Iron Man movie is set to be released in 2013.

4. Spider-Man 2 (2004)
The second of Sam Rami's Spider-Man blockbusters, starring Tobey Maguire and Kirsten Dunst. Will the new Spidey movie, due in a couple of months, be able to top this one?

5. Watchmen (2009)
Zack Snyder's heartfelt, stylised adaptation enthralled with its compelling sound, images and characters.

6. X-Men 2 (2003)
The second of Bryan Singer's X-Men movies has strong characters (and quite a lot of them, too), awesome special effects and costumes and is worthy of a place in the top ten.

7. The Incredibles (2004)
The only animated superheroes to live up to our standards: Hilarious and fresh fun for kids as well as grown up superhero aficionados.

8. Captain America: The First Avenger (2011)
Director Joe Johnston delivered a light, clever and deftly balanced ad movie. Apart from obviously being part of The Avengers, Captain America is set for a return in 2014.

9. Kick-Ass (2010)
Although seen by some as too brutal and violent, we think Kick-Ass, well, kicked ass.

10. Blade (1998)
Vampires and superheroes. What else could a girl possibly wish for?

What are your favourite superhero movies? Which ones are the worst of all time?

- © Fairfax NZ News


Travolta lawyer debunks sex claim

John Travolta's lawyer hit back at "ridiculous" new claims of sexual advances levelled at the actor by a third man, as a first accuser backtracked on the date of an alleged Beverly Hills incident.

Cruise ship worker Fabian Zanzi claimed on a Chilean TV show, Primer Plano, that the Hollywood star offered him US$12,000 (NZ$ 15,328) to have sex while on a cruise in 2009.

It was unclear whether Zanzi had filed a legal action against Travolta, who is already the subject of a sexual assault lawsuit by two unidentified masseurs in Los Angeles.

"This is just another ridiculous claim by someone hopping on the bandwagon to get his 15 minutes of fame with a story about something that supposedly happened over three years ago," Travolta's lawyer Martin Singer said in a statement on Friday.

"At that time Zanzi's supervisors did not believe him, confined him to his cabin and subsequently fired him, according to media reports. Significantly, we never heard of this guy before. The fact that we are only hearing about him now through tabloid gossip stories three years later speaks volumes," Singer added.

Meanwhile, the masseur known as John Doe No. 1 who filed the first sexual assault lawsuit against Travolta last week was reported on Friday to have admitted that he got the date wrong of his alleged, unwanted encounter with the actor at the Beverly Hills Hotel.

Travolta's lawyers have insisted that the two-time Oscar nominee, who has been married for 20 years to actress Kelly Preston, was in New York City on the day of the alleged incident in California. A restaurant receipt and photos have appeared on celebrity websites to bolster their claims.

Celebrity website RadarOnline.com, quoting unnamed sources close to the case, reported on Friday that the day on which the alleged Beverly Hills assault took place was earlier than the original January 16 date stated in the masseur's lawsuit.

The lawyer for John Doe No. 1 on Friday, told Reuters in an email that he no longer represented the masseur, and did not return calls seeking further comment. The new attorney for the plaintiff could not be reached.

A second masseur, also unidentified, joined the US$2 million lawsuit this week, claiming Travolta had touched his genitals and approached him for sex at an Atlanta hotel on January 28.

Singer has called all the claims absurd, ridiculous and fictional.

Travolta, 58, is one of Hollywood's most beloved stars after roles in "Saturday Night Fever", "Grease" and "Pulp Fiction". He also gained worldwide sympathy when his autistic son Jett, 16, died after a seizure in 2009.

- Reuters

Friday, May 11, 2012

Houston family gets reality show

A reality show featuring Whitney Houston's relatives, including daughter Bobbi Kristina and mother Cissy, is in the works.

Houston representative Kristen Foster confirmed the Lifetime show, The Houston Family Chronicles, on Friday.

It will focus on Pat Houston, sister-in-law and manager of the late singer. Pat Houston is also helping care for Whitney Houston's only child, 19-year-old Bobby Kristina.

The show promises to feature Bobbi Kristina and Cissy, as well as Houston's cousin Dionne Warwick, gospel singer CeCe Winans and other members of the Houston family.

"The tragic loss of Whitney Houston left a void in the hearts of people all over the world, but certainly none more so than her beloved family," said Rob Sharenow, executive vice president of programming at Lifetime, in a statement. "In this series, the multi-generations of the Houston family will bravely reveal their lives as they bond together to heal, love, and grow."

Lifetime said The Houston Family Chronicles will air this year but released no firm date.

Whitney Houston drowned in a bathtub in Beverly Hills, California, in February at age 48. Authorities said her death was complicated by cocaine use and heart disease.

Pat Houston, Whitney Houston's brother Gary and Bobbi Kristina spoke about Houston's death in an interview with Oprah Winfrey on Winfrey's OWN network in March.

Cissy Houston, also a singer, put out her first new music in over a decade on iTunes this week. Cissy, Gary and Bobbi Kristina are expected to appear Saturday in Newark, New Jersey, at a gospel tribute to the late superstar as part of the annual McDonald's Gospelfest concert.

Bobbi Kristina was part of Being Bobby Brown, the Bravo TV show that featured her parents in an unfavorable light as their antics were on full display for one season. Whitney Houston later expressed misgivings about doing the show, and Brown recently told Matt Lauer of NBC's Today show that Being Bobby Brown had served as a wake-up call about how serious the couple's drug use had become.

In a phone interview Friday, Brown said he was unaware of the Houston family show and his daughter's involvement.

"I haven't heard about that and I definitely question it," he said. "But I know my daughter will make the right decisions in her life. She was brought up right."

Brown also said he was planning his own reality show that would reflect his drug-free lifestyle and his new life (he is engaged).

"I'm much smarter, much more of a man I can say than the other show," he said. "I have a different life.

- AP

Hudson family slayings suspect guilty

A Chicago jury has convicted Oscar-winner Jennifer Hudson's former brother-in-law of murdering her mother, brother and seven-year-old nephew in what prosecutors' described as an act of vengeance by a jilted husband.

Hudson, who expressed her undisguised disdain for William Balfour when she took the witness stand and who endured weeks of excruciating testimony about the October 2008 killings, was visibly overcome with emotion as the verdict was read. Hudson's eyes filled with tears and she shook her head and bit her lip. Afterward, she looked over at her sister, Julia Hudson, and smiled.

Balfour, who faces a mandatory life prison sentence, showed no emotion.

Jurors deliberated for three days before reaching their verdict against Balfour, a 31-year-old former gang member who was the estranged husband of Hudson's sister at the time of the triple murders.

With no surviving witnesses to the Oct. 24, 2008, slayings or fingerprints, prosecutors built a circumstantial case against Balfour by calling 83 witnesses over 11 days of testimony. Witnesses said he threatened to kill the entire family if Julia Hudson spurned him.

Balfour's attorneys proposed an alternate theory: that someone else in the crime-ridden neighbourhood on Chicago's South Side targeted the family because of alleged crack-cocaine dealing by Jennifer Hudson's brother, Jason Hudson. During the 30 minutes in which they called just two witnesses, however, they presented no evidence to support that theory.

The verdict came shortly after jurors sent the judge a note saying they were split. The jury did not say it was giving up, though.

"We are trying," jurors said in their note.

Jennifer Hudson, who was in Florida at the time of the killings, attended every day of the two-weeks of testimony, sobbing when photos of her relatives' bloodied bodies were displayed to jurors during closing arguments. Known for wearing tony designer dresses on Hollywood's red carpets, Hudson wore toned-down clothes at the trial, often all black.

Hudson, 30, rose to prominence as a 2004 "American Idol" finalist. But she became a bona fide star for her performance in the film adaptation of the musical, "Dreamgirls," for which she won the 2007 Academy Award for Best Supporting Actress.

Hudson was the first witness prosecutors called to testify, and during her more than 30 minutes on the stand she talked about her murdered family members and spoke endearingly about her nephew, Julian King, whom she called Tugga Bear. She said she knew Balfour since the eighth grade but always deeply disliked him.

Balfour had lived in the Hudsons' three-story Englewood home after marrying Julia Hudson in 2006. He moved out in early 2008 after falling out with his wife, but witnesses told jurors he often stalked the home.

The killings occurred the morning after Julia Hudson's birthday, and prosecutors said he became enraged when he stopped by the home and saw a gift of balloons in the house from her new boyfriend.

After his estranged wife left for her job as a bus driver on the morning of Oct. 24, 2008, prosecutors said Balfour went back inside the home with a .45-calibre handgun and shot Hudson's mother, Darnell Donerson, 57, in the back; he allegedly then shot Jason Hudson, 29, twice in the head as he lay in bed.

Prosecutors said Balfour then drove off in Jason Hudson's SUV with Julian - Julia's son, whom she called Juice Box - and shot the boy several times in the head as he lay behind a front seat. His body was found in the abandoned vehicle miles away after a three-day search.

The defense tried to counter the portrayal of Balfour as an embittered husband by noting Julia Hudson continued to have sex with him until just days before the killings.

In heated closings Wednesday, public defender Amy Thompson, almost shouting, said prosecutors had failed to prove their case.

Prosecutor James McKay shot back that the defense was exploiting a popular misunderstanding that circumstantial evidence is lesser evidence.

- AP

Five favourite Tim Burton movies

CHRISTY LEMIRE

There was a time when Tim Burton was considered an exciting filmmaker, when his aesthetic seemed daring, inventive and unmistakably his own.

But that seems like a while ago after seeing Dark Shadows, his eighth collaboration with Johnny Depp and their weakest yet.

Still, as you know, we like to be glass-half-full around here. So while Dark Shadows feels like a visual and thematic recycling of Burton's previous work, it does give us the chance to look back on the director's five best films. Cue the Danny Elfman score:

- Edward Scissorhands (1990): Burton and Depp's first film together and one that still strikes a wistful, poignant tone after all this time. I still can't decide whether this fairy tale is sweetly dark or darkly sweet. Either way, Depp is delicate and lovely as the misunderstood title character, the creation of an inventor who died before his work was complete, leaving Edward to fend for himself in the outside world with scissors for hands. While many initially fear him as a monster, he's actually a gentle creature who falls hopelessly in love with Winona Ryder's idealized, fair-haired teenager. Burton's candy-colored vision of suburbia finds just the right satirical tone, and the ending gets me every time.

- Pee-wee's Big Adventure (1985): Burton's first full-length feature easily remains one of his best. It's colorful and playful, constantly surprising and endlessly quotable, with Elfman's lively score perfectly complementing the film's non-stop escapades. Speaking of originality, there's the character of Pee-wee Herman himself, Paul Reubens' oddball man-child with the nasal voice and the too-tight gray suit who goes on a cross-country quest to find his beloved, stolen bike. He's so innocent and guileless, you're more likely to want to protect him than think he's creepy. And admit it: This is how you learned that there's no basement at the Alamo.

- Beetlejuice (1988): The ultimate crystallization of Burton's signature style. The comic-horror tone he sets here provides the basis for comparison to everything else that followed. This movie is such a trip and such a blast. Michael Keaton (who would go on to be Burton's Batman) does some of the best work of his career here as the crass, wisecracking spirit who helps the newly deceased Geena Davis and Alec Baldwin haunt their own home. The effects look a little cheesy in retrospect but the subversive sense of humour remains firmly intact. Beetlejuice makes the macabre seem downright adorable.

- Tim Burton's Corpse Bride (2005): One of only a handful of animated films Burton's made over his three-decade career - although a feature-length version of "Frankenweenie" is due out this fall - this is one of the best examples of the emotions of Burton's films matching the visuals. Combining painstaking stop-motion animation with digital technology, he's come up with a film that's wondrous, strange and poignant. Yes, it does look a lot like Edward Scissorhands and Beetlejuice, and it features an all-star voice cast led by Burton regulars Depp and Helena Bonham Carter, but this medium brings these familiar details beautifully to life. Even creatures that are disgusting in reality are cute and sort of charming here.

- Big Fish (2003): "If Fellini had directed 'Forrest Gump.'" That's how I described this movie when I reviewed it. Looking back, it seems like even more of a departure for Burton in that it's light and dreamlike, even hopeful. But as a fantastical tale, it absolutely makes sense within his oeuvre. He gets a little too carried away with the quirkiness of his characters, but his film is consistently dazzling, with some individual images that will take your breath away. And it features an excellent cast led by Ewan McGregor, Albert Finney, Jessica Lange and Alison Lohman. It's time for Burton to take more chances like this again.

- AP

Film Review: Dark Shadows

GRAEME TUCKET

REVIEW: DARK SHADOWS (M) (103min)

Directed by Tim Burton.

Starring Johnny Depp, Michelle Pfeiffer, Eva Green.

It's before my time, but I don't think the television show Dark Shadows ever screened in New Zealand.

I stared agog at YouTube all morning, and reading up on the show, and I'm pretty sure that the walkshort and cardigan wearers who were programming our telly back in 1968 would have quite spat their tea all over the cat if they'd been exposed to it.

Vampires, werewolves, ghosts, possessions, reincarnations... I 'd always kind of assumed that Dark Shadows was a kids' show; competition for The Munsters perhaps. But, no, this lunacy was conceived as a daytime soap opera.

It played in half hour episodes, five days a week, and pitted its undead beasties and their romantic tribulations up against Days of Our Lives and As the World Turns.

Tim Burton and David Lynch would bunk off school just to watch it, and I reckon if I'd been living in Los Angeles back then, then I might have too.

It's hysterical, camper than a boy scout jamboree, and oddly poignant and touching. I'm only surprised that it's taken 40 years to get around to making a big screen version.

Whether or not this Dark Shadows will please the die-hard fans of the show, I can't guess. The tone will be too jokey for some, but if you're a fan of Burton, and especially of his collaborations with Johnny Depp, then I'm guessing you'll enjoy this film a great deal.

Burton and Depp are the Scorsese and De Niro of extravagantly staged lunacy. Dark Shadows is their eighth film together.

And after the relative low of last year's Alice in Wonderland, it is a wonderful return to form. Depp, of course, plays Barnabas Collins, the undead scion of the Collins family, back from the grave after a 200 year internment to restore the mansion and fortunes of his descendants.

But the writers' first genius stroke is to set the film not in 'the present day'  which was surely the original idea  but in 1972, complete with lava lamps, macrame, swingers parties, The

Carpenters on the television, and Alice Cooper on the record player. Depp drops into this world like Edward Scissorhands all grown up.

The eternal black clad outsider with the old world manners and the peculiarly clipped tenor diction that has the local women quivering in their bell bottoms.

It's a fabulous characterisation, easily fascinating and robust enough to hang an entire film from, and that is exactly what Burton does.

Depp dominates every frame, with only Eva Green, madder than a sack of cobras, and sporting the red dress to end all red dresses, ever threatening to score a point off him.

Around Depp and Green, Michelle Pfeiffer and Helena Bonham Carter work well, while Chloe Grace Moritz (Kick Ass, Let Me In) continues her march to stardom like the astonishing wee talent she is.

It's an episodic film, occasionally marred by a sense that the cat are marking time waiting for the next big set piece to begin.

But when it moves, it moves very well indeed. Seth Grahame-Smith (Pride and Prejudice and Zombies) know his source material and genre inside out, and crafts a script that strikes a nice balance between affectionate and satiric.

Longtime Burton collaborators designer Rick Heinrichs and costume designer Colleen Atwood work here is as jaw droppingly over the top as ever, while Burton's direction is as meticulous, flamboyant, and intensely detailed as it will always be.

One note though.

There is a surprising amount of murder, bloodshed, and eroticism to this film, read the warnings on the M sticker, and don't take the under 10s please.

- © Fairfax NZ News

Review: Annabel Fay

SUZIE HART
Annabel Fay

NEW STYLE; Annabel Fay performs at The Whiskey in Ponsonby for NZ Music Month.

Kiwi songbird Annabel Fay put on a show of two halves at The Whiskey last night, giving fans a taste of what's to come in 2012.

Rocking her vibrant red 'do and leather pants, Fay kicked off casual with an acoustic set of her best-known tracks, and chucked in a Stevie Nicks cover for fun.

She warned us it wasn't the first time we would hear River, but assured us the second version would be not-as-we-know-it. Stay tuned.

When she'd had enough of the "old stuff" Fay told the tightly packed crowd she'd been working with P Money on her third Album Brave the Rain, due out in August.

After a quick costume change - "I just took off my jacket" - she joined the stage with a drummer and Jay Bulletproof on the decks and announced it was time to party.

With backing beats by her new crew, we were treated to the title track from her new album as well as Hold On, her new single released on Tuesday, and Warrior, the single yet to come.

And we heard River again, given a new life with drums and Jay Bulletproof's tunes.

As well as P Money and the boys on stage, she revealed another influence too - she wrote a song with 80s electronic band Enigma.

It was Fay like we hadn't heard her before but it seemed to come very naturally, and her audience seemed to enjoy the switch.

Fay is one of 99 Kiwi acts to play at the intimate Ponsonby bar during New Zealand Music Month, and it seems the showcase is uncovering a few future stars.

One of those is Jamie McDell, the cute teen songwriter who loves the beach and writing about the emotions of everyday life.    

For someone performing her "very first proper show ever" as she called it on her Facebook page today, she did a cracking job - I heard her dad say he was proud - and will be a voice to listen out for in the coming months.

ANNABEL FAY  

WHEN: The Whiskey, Ponsonby

WHEN: Wednesday, May 9  

- © Fairfax NZ News

Review: Paper Lace takes you back

COLIN MORRIS
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HITS AND COVERS: The re-formed Paper Lace - Phil Hendricks, left, Phil Wright, Cliff Fish and Paul Robinson - proved crowd pleasers. Wright and Fish were part of the original band.

Smash Hits 70s - Paper Lace and Eve Graham

Opera House, Wellington, May 7

Reviewed by Colin Morris

Nostalgia is a seductive liar. So said George Wildman Ball. That said, I approached this concert knowing very well that I had lived though the 70s but I was determined not to wear rose-coloured glasses.

To be fair, I've never owned a New Seekers or a Paper Lace album, and as immensely hummable as the tunes were they had no social bite, no modicum of a musical trend other than to tag on the shirt tails of Mud, The Sweet, Gary Glitter and Status Quo.

It didn't surprise me that this was a nearly full house; the baby boomers (of which I am one) were here for a good time. Paper Lace knew about pace and chose good songs in between their few hits, Billy Don't Be a Hero, The Night Chicago Died and Dreams Are Ten a Penny, which was a nice stroll down memory lane.

But their covers were really excellent  Band on the Run, Free Ride, Make Me Smile (Come Up and See Me) and a crowd-pleasing Daydream Believer.

The second hour featured Eve Graham (dressed in a gorgeous silver outfit that would have done Shirley Bassey proud) and husband Danny (Kevin) Finn, whose harmonies and those of Paper Lace propped up Graham's vocals  sadly lacking in the mid range.

Another female to add counterpoint would have helped and for that reason alone I would have preferred Paper Lace to close the show. However, it was The New Seekers songs that stood out rather than the covers.

An odd selection of big-band numbers plus The Skye Boat Song lacked power, but the audience was won over with the hits: Never Ending Song of Love, Look What They've Done to My Song Ma, Nickel Song and of course I'd Like to Teach The World to Sing (in Perfect Harmony).

Surprisingly, the two hours flew by, given that these were pop songs that lasted at best no more than three minutes each. The audience certainly got their money's worth and were generous in their applause.

- © Fairfax NZ News

Women battle over Coleman estate

Gary Coleman's ex-wife wants a judge to award her the child TV star's estate.

Shannon Price testified Monday in 4th District Court that even though the two divorced in 2008, they kept living together and presented themselves to the public as married until his death May 28, 2010.

The Diff'rent Strokes actor was taken off life support after suffering a head injury in a fall at his home, according to a copy of his death certificate in court records. He was 42.

Another woman, Anna Gray, says Coleman named her a beneficiary and executor of his estate in 2005. Gray managed Coleman's affairs for a number of years and was his ex-girlfriend.

The trial started on Monday and was to continue Tuesday.

Gray, representing herself, asked Price why she took her name off the deed to the couple's house in Santaquin, Utah.

"It was y'all's home and y'all made the payments, but you thought that Gary should be liable for it?" Gray asked.

Price, 26, said she had to take her name off the deed as a condition of divorce.

Price said she met Colemen on the Utah set of the movie Church Ball in 2005. A marriage license says they wed Aug. 28, 2007, at Nevada's Valley of Fire State Park. They divorced less than a year later under a sealed court order.

It's not clear how much Coleman's estate is worth, but court papers mention a US$324,000 (NZ$406,575) house and a pension, among other possible assets. Price said they shared bank accounts, and her lawyers say Gary Coleman listed Price as his wife for Social Security benefits as late as 2010.

Coleman's parents, Willie and Edmonia Coleman, have asserted no claim on his estate, court papers say.

Price's lawyer, Mitchell Maughan, said the case is more about future rights to Coleman's name and brand than assets.

"He was not a zillionaire," Maughan said.

Price said her relationship with Gary Coleman had ups and downs, but "we couldn't be without each other" even after divorce.

Neighbour Audra Wright however, testified that the marriage was far from perfect, the couple's house was a mess, and the two kept separate bedrooms.

Wright said Price frequently complained about fights and financial problems.

Once, Price asked, "'Did you ever see a black guy with a black eye?'" Wright testified. "She called Gary over and said 'Show her your black eye.'"

Instead of holding hands, Price would grab Coleman by the wrist and pull him along.

"I think that made him look like a child," Wright said.

- AP

Iggy Pop mellows with age

Punk music pioneer Iggy Pop - famous for onstage mayhem like smearing his sinewy torso with olive oil and diving headfirst into crowds - is mellowing in old age with a solo album of crooning classic covers, half of them in French.

But at 65 years old it's all part of pushing new boundaries, and making sure he's not categorised as nothing but a punk icon.

"I don't want to get in a box. I'll get in a box when I'm dead," he said, explaining his decision to defy record companies, who would have preferred he make a punk-rock tribute, and independently record songs by Frank Sinatra and Edith Piaf.

A world away from his own raw standards like The Passenger and I Wanna Be Your Dog, his new CD Apres, released this week, features slow covers of Sinatra's Only The Lonely, Piaf's La Vie en Rose and Beatles hit Michelle. Five of the tracks are sung in French.

Pop's French, which he likes to practice on the staff at the upscale Bristol hotel in Paris, is surprisingly smooth for the man who inspired a generation of badly behaved rockers and still sports long blond hair and wild eyes.

"When I did the stuff that was punky, people were more surprised than with this," Pop said, sporting his trademark skinny leather pants and a black shirt slashed to the navel to expose his wiry, tanned chest.

"When I was 16, 17, I was listening to Sinatra and Ravel and Debussy and Bo Diddley so it's kind of all the same to me. I just wanted to do something like this once," he told reporters, perched incongruously on a pristine chair at the Bristol.

"I wanted to do this before I die."

PASSING TIME

Even crooning, Pop's voice is deep, gravelly and just a little bit irreverent. Plus, he says, he doesn't rule out doing some stage diving if he performs the tracks live.

Born James Osterberg and raised in a trailer park in Michigan, Pop formed groundbreaking rock band The Stooges in 1969. They recorded three albums before breaking up in a haze of drug addiction and Pop, who had already invented the stage dive and raucous antics like smearing peanut butter over his chest mid-gig, launched a solo career.

His 16th solo album, Apres is on sale online via private French-based shopping club vente-privee.com after Pop decided to try breaking free from record labels he finds too confining.

"Pretty much they're just throwing 'mierda' at the wall to see what'll stick," he says of today's record executives. "It was just nice to do it this way."

The French tracks, like Serge Gainsbourg's lilting La Javanaise, follow Pop's 2009 foray into the French language in his album Preliminaires.

French songs often go deeper lyrically than Anglo-American ones, he said, describing the three basic English constructions as essentially: "If you ever leave me I'm going to fucking kill you", "Oh no, please don't go" and "Wow look at her ass."

French music aside, Pop's tastes today range from 1920s to 1970s jazz and blues through to heavy metal and Jamaican dancehall. Early influences on The Stooges included North African, Tourag and Bedouin music and Lebanese bellydancing.

While he has been back touring with The Stooges since they reunited in 2003, growing older is prompting new experiments.

Asked how he deals with the passing of time, Pop said: "I'm a little edgy about how to use it and whether to waste it. There's how you spend your time and the manner of your decline and death. I think about that stuff."

Then there are the accountants, he said, with a wink to his jewel-bedecked Nigerian-Irish wife, Nina Alu, a former flight attendant he's been with for a decade.

"You get to my age and you have professionals telling you: 'Now Iggy, the actuarial tables say you may live to be 87'," he said. "Well how much money do I have to save to be 87 and not work any more? Couldn't I just spend it all now and die in four years?"

- Reuters

Thursday, May 10, 2012

Tenacious D aim to revive hard rock

To hear Tenacious D tell it, hard rock music is dead and they plan to resurrect it. That's no joke.

Comedy-rock duo Tenacious D, formed 18 years ago by actors Jack Black and Kyle Gass, drop their third album, Rize of the Fenix, next Tuesday, aiming to save what they see as a dying musical genre.

Six years after their last album, The Pick of Destiny, they claim to be bringing back "the majesty and the genius" of hard rock while exploring deeper, darker themes on their album. And despite what they see as a bias against their music by some critics because they mix satirical comedy with song, they are completely serious about their newest endeavour.

"Since we had our last album, rock and roll completely died. Thank God for The D, riding in on their white stallions to rescue rock and roll," Black told Reuters in a recent interview.

"What killed it? Was it Axl Rose in the library with a wrench, or was it Lady Gaga in the pantry with the pliers? We don't know but we'll figure it out," he added.

The title track, Rize of the Fenix is a rousing country rock-themed ode to the band's attempt to "rise again" that expresses Tenacious D's desire for a chart-topping song, while Black's favourite, Senorita, is a Mariachi-style tale of a damsel in distress named Conchita.

"We've dug deep for a lot of the jams, such as Throw Down, our major anti-organised religion song, and Senorita, a story about a man who falls in love with a woman who can't let go of her abusive relationship. It doesn't sound funny ... we're exploring some deeper, darker material," said Black.

But there is comedy. After all, what would Tenacious D be, without a sense of humour. The songs are divided up by skits such as Flutes and Trombones, which features Black and Gass getting into a fight over instruments, while Classical Teacher sees Gass getting classical guitar lessons.

Still, Black and Gass say they have serious ambitions to crack the mainstream music market, and they have sought advice from Dave Grohl of the Foo Fighters on how to write a hit song.

"I've always wanted to have one of those hits on the radio, but we haven't really been able to crack that code. I think we're trying this time a lot," said Gass.

Black is adamant their third album is "in all seriousness, better than any album out there right now."

"RIZE" TO SUCCESS

Tenacious D was formed in 1994 by Gass and Black in Los Angeles where the duo performed their "mock rock" routines in local bars.

Initially, the success of the band was spurred by Black's skyrocketing fame as a comedic actor in movies such as High Fidelity, School of Rock and Peter Jackson's King Kong. Gass, also an actor, hasn't seen the same level of success in Hollywood, but the duo insist their chemistry remains unaffected by Black's Hollywood A-list status.

"I go and do some other stuff, but I always come back to the D, because it's the best stuff, it's the stuff I get the most satisfaction for ... On Tenacious D island, all things are equal, me and Kyle are on level-playing fields," said Black.

In 1997, Black and Gass performed in an HBO TV show based on their journey as a band, producing three half-hour episodes and two short sketches each that aired through 2000.

As their fame grew, the joke morphed into a serious endeavor, and in 2001, the duo released their debut self-titled album. It featured a backing band comprised of Grohl on drums, The Vandals' guitarist Warren Fitzgerald, Redd Kross bassist Steven Shane McDonald and Phish keyboardist Page McConnell, and it eventually went platinum, led by the song Tribute.

The second album, The Pick of Destiny, was combined with a Tenacious D film of the same name and a world tour, but failed to achieve the same level of success of the first album, although the film became a cult hit through DVD sales. To date, the band has sold more than 3 million albums worldwide.

Still, there is a sense of frustration for Black in Tenacious D not being taken seriously as a credible rock band. He feels critics overlook their talents due to the satirical content, but he has faith the band's loyal fans see them differently.

"I do love (Jack White's) Blunderbuss, I love the Foo, I love Tom Waits, his new record is incredible ... and Goyte ... but our album is better than all of those, and because we're clowns, we don't get that kind of love," he said.

"In a hundred years' time, no one will remember Gotye or the rest, but the shining beacon of The D -- they're going to start religions after us."

- Reuters

The music that hangs from your walls

We try to be very grown up now, so we have art on our walls - not posters! We Brian Wilson have paintings and drawings and prints. We have photographs and plates. But we have a few posters too - or rather I do. I'm not sure that Katy claims ownership of any of the posters. At best, co-ownership of a couple perhaps.

Most of the musical ephemera that hangs on the walls is relegated to my space - around my desk. That's an important part of Blog on The Tracks really - because it informs the space where this blog takes place, where it's created nightly. And there are other images around the house with something of a music theme in the other artworks we have and hang.

I do believe that Every Picture Tells a Story, as Rod would say.

So I thought I'd talk you through some of the music-related pictures that hang on the wall in my house - why they're there, what they mean (to me); where they've come from.

It's not all trashy posters - there are artworks too, but art is where (and how) you find it and in some cases what you make of it. So we have some found art items too - photos and posters that are framed, that take on something (a prescience, maybe, as well as a presence).

Brian Wilson is a big deal for me - so the one-off drawing that we have by artist Matthew Couper (one of my dearest friends, one of the people I've known the longest in the time that he and I have been on this Earth) very kindly gave me the image you see to the right there. So cool. Brian with the fire helmet. I might even tell you all that I've played a bootleg of SMiLE that I was given by a mate many moons ago while staring at that picture. The whole album. Yeah, well, maybe I won't tell you that actually.

Let's move on.
HLAH
I have this Head Like a Hole poster on my wall above my computer because, well, it's the first time that Blog on the Tracks was quoted for a poster - and this quote appeared on a giant version of this poster on the Real Groovy window when the shop was still in Wellington. So I have a copy of the (smaller) poster in a frame above my desk. Well, why not. Right?
Finn McCool
Directly underneath that HLAH poster is a cartoon (above) that a man drew in a pub one night. The pub was called the Shepherd's Arms. The band playing was my band - or rather the band that I was playing in at the time, over a decade ago. An Irish band called FConan Mockasininn McCool. This guy sat with his pint and drew a cartoon of the band - he gave us a copy and the bass player had copies made to give to each of us. I've hung on to it. Memories flood back when I look at that: gigs all around the country, sometimes, if we didn't get paid on the night, I would borrow money for gas - and one time I used half of that for cigarettes and nearly broke down as a result. I gave up smoking the next day because I was ashamed that it had come to that - choosing cigarettes over petrol.

Wellingtonians might recognise the man turned side-on with his fiddle cocked to his ear. Well, maybe not, it's a cartoon after all. But that is Alastair of Alastair's Music. What a wonderful shop that is - and what a wonderful man he is. Alastair is a great musician, a great friend of mine but something of a hero also. I drove around the country between gigs listening to great stories, sharing tales with Alastair. There was so much to learn and he has much to teach. One of the best parts of being in a band is the people you get to hang with - and I have such great memories of working with Bruce and Tony and Alastair - of chatting with them between sets, between gigs. We all have such different stories and we had a shared-story for a while there.

We stole this Connan Mockasin poster off the wall outside the gig (see right). I say we but actually it was Katy. She was quite proud of herself. You block-mount a postSlasher (or frame it) and suddenly you have a piece of art. It's that simple. Block-mounting is a lot cheaper than framing and for certain pictures/posters it actually works better. I think Connan is one of the great New Zealand musicians - I very much look forward to seeing what he does next.

A friend had an exhibition of images of guitarists that she had doctored - I guess the gag was that the heads of the guitarists were covering the headstock. Well, that's how I figure it. And it was a joke that I liked. I picked up the Slash one - because to my knowledge he's never (really) been a Telecaster guy. I liked that inaccuracy/incongruity. It's now pinned to a bookcase that only contains rock-music books. So, yeah. There you go.

One of my favourite bits of music-related art is the photo below - a photograph of the blackboard that Brian Eno used as part of a lecture. Check it out - you can see how fluid his thinking is as he's explaining world music - where music comes from in the world and where it's going. I like it because I like Eno. And because some very dear friends thought of me when they saw this abroad, snapped the photo and framed it up to give to me for my 30th birthday. Nice.

Brian Eno

You can hang vinyl on the wall - there are even special wall-frames. (Currently my vinyl wall-frame houses the B.B. King album that I wrote about recently; a very special treat.)

KickWell, picture-discs were made to be hung on the wall, right? So I have a few picture-discs - most of them I have picked up in bargain-bins. And only one of them hangs on the wall. It's INXS' Kick. I guess I have this hanging on my wall simply because I always have. I've owned the picture-disc for nearly 20 years and it's followed me from flat to flat, house to house, surviving the student days and some time in storage. I wrote about it here as part of the Vinyl Countdown - that explains more fully my connection to the music; I was such a fan of the Kick album as a youngster. What a great set of pop-songs. Maybe it hangs on my wall now because that's preferable to ruining the memory by playing the music. That's probably it. Something like that.

There are a few things directly above my desk - some more music posters and photos and a cartoon that I clipped from the New Yorker - I'm sure I've used it as a blog-image before (see left). It seems apt.
Blogging Dogs
And I told you all the other week about the Lil' Band O' Gold set-list well I have a Wilco one too. I used to have more - but those are the two that hang in place because they're two gigs that I've really enjoyed; two of my favourites from recent years. Both of them are long set-lists too. I like the idea of bands working hard; not phoning it in. Work matters.

You  make your own memories - and an image on the wall is part of that memory; informs that memory. The souvenir. My walls were covered in posters when I was a kid. Guitarists, drummers...I had postcards and set-lists and photos. Every inch of wall space was covered and there were posters on the ceiling too.

I toned it down a while ago. Katy probably had a hand in that. But sometimes the music hanging from the wall is a trigger for a deeper appreciation - my parents bought me a Prince Tui Teka tour poster print and that not only hangs in pride of place, it inspired one of my favourite posts that I've written for Blog on the Tracks.Stereo Bus

But just as often it's there for a simple memory - something that might only mean something to you. Something for you. We have a Stereo Bus poster - a very plain/boring poster - tucked behind the door of the study, on the side of the bookshelves. It might not mean much to anyone, but we're both fans of the band and it was great to see the reunion earlier this year; the band's first Wellington gig in some years. And of course I had interviewed Dave Yetton earlier. We loved the gig - but that's not the reason we have the poster. We nabbed it; asked for it even, because it was the first night out for Katy and me as new parents. The first time we left Oscar with his adoring grandparents. That was a big deal for us. He was two months old, almost to the day. So that's the reason for that poster.

And though there are more I could tell you about - and you may or may not be interested - I'll end with another actual artwork - an ex-voto, again by my good friend Matt Couper. I have actually shared this image before when I shared the catalogue essay/response that I wrote for one of his shows; the show that featured this image. We're now so very proud to have the original hanging in our kitchen. It takes a quote from the lyrics of one of my favourite albums: Songs for Drella. The quote is Andy Warhol saying "it's work, all that matters is work". I like that message. You sign up for it and you do it. You commit to it. Work hard. Live it. Hand in your work. Keep working. Keep thinking about the things that matter. And keep painting or writing or singing or acting or working to frame the images that we collect; making the wonderful gig posters that give people a feeling of connection to the music.
Lou Reed
There is so much more to life than work. There's so much more to life than music. But I love doing my best to combine the two and have a good time. And I'm very proud to walk past that daily reminder - acknowledging that my artist friend works hard too. This has been today's attempt at work. If might not have worked for you. But it matters to me so I'll be back next week with more. Remind me to tell you all about speaking to Joe Walsh this week. What a treat! I'll be writing a story about that for The Dominion Post soon.

Meanwhile, have a great weekend - check out the lovely Willy DeVille in New Orleans reissue. And tell me about the musical images you've collected; the art and posters; the photos and set-lists. What music hangs from your walls? And what does it mean to you?

Keep up with Blog on the Tracks on Facebook and follow on Twitter.

You can email me with blog-topic suggestions or questions.

J Lo dances to Kiwi beat

South Aucklander choreographs global star

JESSICA TASMAN-JONES

A South Auckland hip hop dancer is choreographing moves for one of the world's biggest pop stars, who herself sings about being "from the block".

Last month Parris Goebel got a phone call from Jennifer Lopez's agent asking if she would work with the superstar singer for her upcoming world tour.

Goebel is now in the midst of rehearsals and trying to keep her cool around the singer and American Idol judge whose hits include Jenny From the Block, and On The Floor.

Lopez, 42, last month announced a world tour for the northern hemisphere summer.

She was put on to Goebel through her choreographer boyfriend Casper Smart, who at 24 is almost half her age.

Smart showed her YouTube videos of the South Auckland dancer who at just 20 already owns two dance studios, one in Penrose, the other in Hamilton.

Father and manager Brett Goebel says his daughter's career took off when she formed the group ReQuest in 2007 which currently has nine female members.

She began dancing around age three, starting with jazz ballet before moving into hip hop around 14.

ReQuest has won world hip hop titles, taken out season five of the America's Top Dance Crew television series and some of their YouTube videos have earned hundreds of thousands of hits.

Goebel's first encounter with Lopez was when she landed in Los Angeles on April 30 and Brett says she'll be working with the singer most days.

"There are different rehearsal sessions, so there's some with just dancers, and then Jennifer will come in."

He says according to his daughter, Lopez is lovely and "down to earth".

"She said she's passionate about music and dance. And she said Jennifer's key thing is people enjoy themselves when they hear her music."

Brett says he is ecstatic for his daughter but says she's put in the hard yards to get this far.

"She's worked hard for the last five years to get to this point, so she's pretty much reaping what she's sown."

He says her goal is to be one of the world's leading choreographers.

"That's no longer a long term goal, that'll pretty much happen in the next year.

"She wants to do music videos, tours and concerts, television. She just wants to do a variety of work."

Goebel will be in Los Angeles for two months before she jetsets to Rome for hip hop teaching and then Las Vegas later in the year for the world hip hop championships.

- © Fairfax NZ News

Review: Vance Fontaine

JEFF TOLLAN
Greg Ellis

IN COMMAND: Greg Ellis as Vance Fontaine

Greg Ellis: Vance Fontaine in Command Performance
Wellington, Bats Theatre, May 8

They marketed the show as one of the great solo improv talents returning to the capital. Greg Ellis as Vance Fontaine strides onto the centre stage and - with hair slicked back like Elvis - it is interesting first impression.

The wide collar, white suit and sequin shirt - and, God, that hair ... mesmerising - will have you wondering what you're in for. But, whatever Ellis drags out of the bag will leave you with aching sides and a laugh so hard you'll be fearful of wetting yourself.

His character is a lounge singer and is the first Kiwi to make it big in Vegas. An on-the-spot fabrication of his life story, these are Vance Fortaine's unsung songs.

Ellis' muse is the audience; he calls on them to give the locations, the jobs, the medical episodes (in last night's case: irritable bowel syndrome). What you get in one show, you won't get in another.

Played out in the intimate setting of Bats Theatre in Wellington's Kent Terrace, nearly every row was packed and, while a small crowd can lead to some uncomfortable silences, Ellis didn't have any problem keeping the laughs coming.

In fact, like a bottle of wine, the entire performance kept improving as the show went on and the noise of the crowd gave the impression their numbers were three-fold.

Possibly the best part of the hour-long show was seeing Ellis talk and sing about inventing dubstep then singing his way from R&B to death metal.

''The first thing man does after he invents dubstep is regret it,'' he says over the clapping and whistling. Even dubstep DJ Skrillex would be proud of that on-the-spot performance.

This man and his musical entourage is definitely a must-see. The effort and skill they put into the show, the fact they can switch from one music genre to another at the proverbial clicking of fingers is impressive, no matter what you think of them. And with it lacking profanity, save the occasional f-bomb, it's even the kind of show you could drag grandma to.

If you miss Ellis's Command Performance, you've missed a lot. Don't let the thought of music or sequin shirts put you off. This is a side-splitting show.

Details:
Wellington: Bats Theatre, from 6.30pm, Tuesday May 8 to Saturday May 12
Auckland: The Basement, from 8.30pm, Tuesday May 15 to Saturday May 19

More details on www.comedyfestival.co.nz

- © Fairfax NZ News

The GC loses pulling power

While TV3's new reality show The GC is arguably still the most talked about TV programme at the moment, viewers already seem to be losing interest.

Last Wednesday, the show that follows a group of young Maori living the high-life at Australia's Gold Coast, premiered as TV3's most popular show, watched by 370,660 viewers.

Yesterday this number had dropped by more than 80,000 to 289,480 viewers, according to television website throng.co.nz.

The GC, screened at 8pm, was up against TV One's Animal Rescue (527,010 viewers) and TV2's 2 Broke Girls (456,890 viewers).

Read our recap of yesterday's episode.

- © Fairfax NZ News


Kaiser Chiefs' NZ debut

BRIDGET JONES

After a stint at the Coachella music festival, the Kaiser Chiefs are set to rock Auckland's Powerstation. Bridget Jones speaks to them ahead of the gig.

They might have eight years, five albums, and a handful of awards under their belt, but this is the first New Zealand visit for the Kaiser Chiefs.

The Leeds-born band burst onto the stage in 2004 with a sound reminiscent of how pop music used to be - loud, brash and fun. And while the band have missed out on playing to a Kiwi crowd so far, tonight's sold-out show at The Powerstation is set to change all of that.

"It's weird because most places we go, we've been to before a few times, so it's kind of cool coming here for the first time, for a sold-out show - I'm looking forward to it," says keyboard player Nick "Peanut" Baines.

"This time we thought it would be rude not to come [to New Zealand], upsetting for you guys," agrees Simon Rix, bass player.

The seed of the band was planted when Baines, Rix and drummer Nick Hodgson met at primary school, and with front man Ricky Wilson and guitarist Andrew White on board, the five-piece have produced some of the catchiest pop anthems of the past decade, including Oh My God, Ruby and I Predict A Riot.

So it's no surprise then that the band's most recent release is Souvenir: The Singles Collection. Baines says their title as a singles band is something they are proud of.

"Looking at the track list on Souvenir we've got a lot of singles and we're not a band who are ashamed to play them."

While greatest hits albums are often saved for the end of a band's career, Rix says the proof is in the pudding for Kaiser Chiefs.

"We got the CD and it's great that there's a song on every page [of the liner notes] - in fact there's too many songs for the booklet - proves to me we've got enough singles for the album.

"And when we play a gig, everyone's always telling us we're going to have an amazing greatest hits collection.  So we thought it would be good to just to do it."

And far from winding things up, Kaiser Chiefs are enjoying being back in the game after taking almost two years off at the end of 2009.

Part of the return to form was reinventing how they release music. Their last studio album, The Future is Medieval, was released online as a collection of 20-odd songs their fans could select from, creating their own unique album from the track list to cover art. It was, in essence, the world's first bespoke album.

"It just sort of reinvigorated us. We didn't want to take nearly 18 months off and just come back with a CD with 11 songs on it - we felt like that would be a bit underwhelming. Once the idea came about, it really re-energised us as a band. It ticked a lot of boxes for us," says Baines.

Rix explains from Facebook to Twitter, the music industry has changed noticeably even in the band's eight-year career.

"I think it's difficult nowadays, you've got to do something different because just doing an album, I'm not sure if it's enough anymore. People have got very short attention spans. 

"When you start, it's really exciting putting your record out, getting your first single on the radio - all that stuff is really exciting. But when you get down the line a bit, you take it for granted and you've done it before. So it's always exciting to do something new and interesting.

"I don't know if we need to keep re-inventing the wheel or not, I can't quite work it out.  Or whether you just have a bit of fun," says Baines.

Souvenir: The Singles Collection 2004 - 2012 is out now.

KAISER CHIEFS

The Powerstation, Auckland, May 10  

Follow @AucklandNowNZ

- © Fairfax NZ News

Ben Buchanan's vinyl art works at Dowse

ben xs

VINYL COUNTDOWN: Ben Buchanan works on Forever in preparation for its unveiling at the Dowse Art Museum on Saturday.

Even before being completed, Ben Buchanan's giant Forever on the walls of the Dowse Art Museum is simply stunning.

At first glance the viewer is not only hypnotised by the mandala-like symmetry, the hued patterns or the prominent black abyss at its centre, but the sheer scale of the artwork. Many viewers will feel as if they have been enveloped or absorbed by it.

It occupies at least three walls in a section of the gallery as part of the show Solo: Four Wellington Artists. By the time it's unveiled on Saturday, Forever will also have spilled out on to some of the floor and further along the walls, bending around corners as if it's a rapidly growing organism.

Wellington-based Buchanan has created the work using hand-cut signwriter's vinyl. The sticky sheets, which come in a wide variety of colours, are most often used for billboards. But Buchanan, who occasionally also creates works in paint, has made the modern medium  which is also popular with some other artists  one of his trademarks.

For about a month ahead of the show, sections of Forever were made on 12 panels in Buchanan's Mt Victoria studio. But a large proportion has been created from scratch in the gallery and then placed on the walls and floor. It will exist as a work only during the four months of the exhibition.

"Its' about infinity," Buchanan says, as he chooses another sheet of vinyl, makes a few cuts with a ruler and scalpel and then places it on the wall. "It's the idea that I could keep doing it forever. It could keep expanding outward. It's kind of the same with these works. There's always more I can do. There's always another colour I can add and every part of it changes the overall effect."

It's impressive enough to see Buchanan create on the spot as he also talks about this art. But it's almost jaw-dropping when he explains that he doesn't work from any preliminary drawings, sketches or blueprints. That includes plotting designs and measurements on graph paper or using a computer program.

"I would, I just don't know how to," he says.

Instead, Buchanan's works always spill straight out of his head as he creates them. "I've just kind of got a system of making something and I just go ahead and do that. I don't do any preparatory drawings. I just see what happens when I get into the space. I just use what's available to me, which is vinyl and a scalpel and a ruler. That's all I really need to make this.

"It's just the same as choosing paints. Rather than mixing them, it's just about playing with the colours [and] putting the colours together. I've got a plan of what it looks like, but it changes as I go, which is what keeps it interesting for me. It's a response to the space. I wasn't going to go up to the roof [of the gallery for Forever] but I've decided to do that now."

Buchanan has been working with vinyl since 1998. "The main way I got into it was that I was painting a lot [at the time]. I was masking a lot of edges while painting and spending a lot of time using masking tape  more time using the masking tape than the actual painting. When I started using vinyl it was like 'Ah. I've been doing this already'. So it was kind of really easy for me to start doing it and it was a quicker way to make a painting."

Buchanan has occasionally mixed vinyl and paint in the same work, but for the past five years he has concentrated almost exclusively on vinyl. The sizes vary  some can be very small pieces. But other large gallery works have included Sleeping for the Dunedin Public Art Gallery in 2009. Buchanan has exhibited widely and many of his works are in private collections. "I never do any figurative work. I'm not interested in any explicit narrative in the work. I really like the abstract nature of this."

Dowse Art Museum curator Emma Bugden, who has overseen the group exhibition, first saw Buchanan's work in Auckland. She was later keen to commission Buchanan to create a site-specific work for the gallery after one of his smaller works was displayed in the space last year as part of a Wallace Art Awards exhibition. "Ben's work is very physical and very architectural ... and deeply perplexing. We hung his [previous] work right there in the middle of this room. I spent six weeks looking at his work and I kept thinking 'wouldn't it be amazing if it just kept on going?'. And I kept thinking, 'it could'. It just looked like it didn't want to stop."

The Details

Solo: Four Wellington Artists, Dowse Art Museum, Lower Hutt, May 12-August 19.

- © Fairfax NZ News

Johnny Depp finally turns vampire

Working with director Tim Burton, Johnny Depp has played many eccentric characters in the movies, from lonely monster Edward Scissorhands to eccentric filmmaker Ed Wood and the Mad Hatter of Alice in Wonderland.

But there was at least one strange being they hadn't tried - a vampire - and that's about to change.

The odd couple of Hollywood can check that character off their list on Friday with the debut of comedic thriller "Dark Shadows," based on the classic TV soap opera that ran from 1966 - 1971 about vampires, werewolves and witches populating a ghostly manor house in the countryside.

In an era that seems made for sexy bloodsuckers with six-pack abs - TV's True Blood and The Vampire Diaries as well as the Twilight movies - Depp and Burton took an opposite approach. They hark back to the 1970s with a tongue-in-cheek homage to the original TV show that, among its many storylines, told of a vampire in a dark and never-ending search for his long-ago love, Josette.

"Tim and I talked early on: a vampire should look like a vampire," Depp told reporters recently. "It was a rebellion against vampires that looked like underwear models."

Depp plays well-dressed, well-heeled vampire Barnabas Collins who is turned into an otherworldly being in 1750 from a curse by spurned lover Angelique Bouchard (Eva Green), a witch who then buries him alive.

He wakes up in 1972 to learn his family home has fallen into disrepair and the lives of his descendants - played by Michelle Pfeiffer, Johnny Lee Miller and Chloe Grace Moretz - are in disarray. He is determined to restore them all to their former glory when he learns his old nemesis, now named Angie, rules the town in which they all live.


Depp said he used to watch the TV show when he was a boy and always dreamed of bringing it to the big screen. It wasn't until he and Burton worked together on the macabre musical Sweeney Todd: The Demon Barber of Fleet Street that Depp discovered Burton also was a fan of the show. There was no question that Dark Shadows would be yet another collaboration.

Yet rather than creating an updated version set in present day, Depp and Burton set their sights on the 1970s, and let the eccentricities of that era crash with Barnabas' 18th Century comfort zone.

"I wanted Barnabas to come across as ... this very elegant upper echelon, well-schooled gentleman who's cursed in the 18th century and brought back to probably the most surreal era of our time - the 1970s - and how he would react to things," said Depp.

"Not just with technology and automobiles and such, but actual items of enjoyment for people like pet rocks, fake flowers, plastic fruit, troll dolls, lava lamps and the macramé owls."

Staying true to the original TV show was important, too. "Dark Shadows" screenwriter Seth Grahame-Smith studied DVDs of the series, books written about the characters and the plot lines.

While it only lasted five years on TV, Dark Shadows, like other TV shows, developed a loyal following while it was on the air and played for years in re-runs. And a 1970 horror flick based on the show performed well in theatres.

At his first meeting with Depp and Burton, Grahame-Smith recalls Depp pantomiming the vampire's movements, while Burton was suggesting that Barnabas' fingers need be one joint longer.

"A lot was born in those early meetings," he said. "What I needed to know about the tone, I relied on them because they were there watching the shows as kids and loving the show. They still have that knowledge of it and that love for it."

So much love in fact, that as Depp began exploring different ideas for playing Barnabas, he decided "it had to be rooted" in original actor Jonathan Frid's stoic portrayal of the vampire.

Depp called Frid's version of Collins a "classic monster," reminiscent of the types found in horror magazine Fangoria coupled with "a kind of rigidity to him - that pull up the back, this elegance that was always there."

If anyone appreciated Depp's take on Collins, it was Frid himself, who died last month at age 87. (He makes a cameo appearance in the film alongside original cast members Kathryn Leigh Scott, Lara Parker and David Selby).

"He had written me a letter a couple of years before and signed a photograph to me - that sort of passing the baton to Barnabas - which I thought was very sweet," said Depp, recalling that Frid also brought his original Barnabas cane for the cameo.

Burton described that day of shooting as "like having the Pope come visit ... part of the reason we were there is because those people inspired us."

Dark Shadows opens in theatres today

- Reuters

Wednesday, May 9, 2012

McKellen promises show with Kiwi flavour

STEVE SCOTT
RESPECTED: Sir Ian McKellen.

RESPECTED: Sir Ian McKellen.

British actor Sir Ian McKellen is downing his pointy hat and travelling New Zealand's "Middle Earth" to raise funds for the repair of the Issac Theatre Royal in central Christchurch.

In 2010, McKellen (Gandalf in Lord of the Rings), performed as Estragon in Samuel Beckett's Waiting For Godot at Isaac Theatre Royal.

The earthquake-damaged theatre is undergoing restoration.

Ian McKellen On Stage with Shakespeare, Tolkien and You! a national New Zealand solo theatre tour includes a show in Hamilton this Saturday.

McKellen feels a close association with Christchurch and its theatre, and is devastated at the condition of the city.

"I was allowed to go into the centre of Christchurch into the red zone where locals have not been allowed and it is a very curious atmosphere," he said.

"There are no people walking around and it is devastation wherever you look. It is very bewildering. Then you come across a building like the Isaac Theatre Royal which clearly needs help.

"It is rescuable and can then remain a memory of what the city used to look like."

While McKellen's tour is sponsored with support from ASB Bank "every cent from the box office and every cent you drop in my bucket is going to the theatre".

He promises his shows will have a real Kiwi flavour.

"I have done quite a few solo shows in the past, one about Shakespeare, one about being gay but this one is very much in response to the times; it will be a real Kiwi effort where the focus is on spontaneity."

McKellen wants to have fun and said if punters wanted to ask about a specific play, role or anything they just need to shout out.

"I will do a bit of acting including Shakespeare, Lord of the Rings and I will talk about anything anybody wants to know."

A globally respected actor for more than 40 years, writer and blogger, McKellen also has a passion for promoting legal and social equality for gay people worldwide.

Campaigning for many years, McKellen said: "there has been enormous changes. "We are now in a period of flux where old laws are seen to be cruel and unnecessary, and they are gradually dropping off the constitutional tree as it were."

And he said, New Zealand led the way for change.

"New Zealand had gotten to grips before many other civilised places of this unnecessary problem so rooted in the past where people saw gay people as so different and that they had to be treated differently by the law.

"I have done a few bits in the UK and I have noticed a great deal of change for the better."

But he said some parts of Britain had a long way to go.

"There are some places there where gay people are thought to be second-class citizens and they are treated like that by the law.

"So the battle goes on but not in New Zealand."

His favourite battles are those featured in Lord of the Rings when as Gandalf, he rides his horse Shadowfax over the misty mountains.

McKellen said he enjoys his many roles and whether he is playing Gandalf, Richard III, King Lear or acting as con-artist Mel Hutchinson in Coronation Street, he is not a snob.

"The first performance I ever saw from a glimpse backstage was of singers and stand-up comedians.

"I have always been in awe of comedians like Billy Connolly who at the moment I am working with. I also saw a lot of pantomime when I was a kid but I have never been a snob about it.

"I never thought Shakespeare is best; he is but he is not the only thing you need in a theatre, you need everyone from Roger Hall to Flight Of The Conchords."

McKellen's first real break on to the big screen was his lead role in Richard III in 1995.

"Richard III was performed at the National Theatre in London with great success. We were touring it around the United States, so I said to the director `wouldn't this make a great movie?'

"He said, well if you are going to do a movie you had better write a script."

Using Shakespeare's words and "with a few cuts and changes", McKellen produced the film Richard III which also starred Maggie Smith, (The Best Exotic Marigold Hotel).

"But I will never do it again. As a producer you spend too much time talking to people you don't really like, trying to squeeze out a few extra dollars from them," he said.

Once it was complete, McKellen said he was very, very pleased with it and Richard III became the launching pad for many more successful film roles.

"Up until Richard III, most people thought `Oh McKellen he just shouts a lot in theatres'.

"But when I delivered that film they thought `oh maybe we can trust him with other stuff'."

Offers followed thick and fast and McKellen featured in a host of movies, including The Da Vinci Code, Lord of The Rings and X-Men: The Movie.

"I am a very lucky guy at this end of my life to suddenly discover those wonderful parts to play.

Whether acting in films or performing theatre roles, McKellen said it was all about discipline.

"And what separates the differences in discipline is the level of intensity with which you deliver a performance.

"Obviously something that would be appropriate for Clarence Street Theatre in Hamilton would not necessarily be appropriate in front of a movie camera in Wellington.

"It's all the same really but I do like the technique of acting, it intrigues me.

"And I still like to keep in touch with theatre because I miss it, so it will be good for me to get up on the stage and live by my wits for a bit on this tour around New Zealand."

McKellen points out that his show is for everyone "kids included, I know I have some fans who are kids, everyone is welcome to my show, it will be fun".

In Wellington filming Peter Jacksons' The Hobbit, McKellen said his role as Gandalf was nearly complete but he did not finish until July.

And he has great news for Hobbit fans.

"You are going to be thrilled to bits. It looks like no other movie you have ever seen. The definition on screen, the new technology, it really is amazing."

At 73 years of age, McKellen said "I have never been in a musical but there is time, I suppose."

Sir Ian McKellen with Shakespeare, Tolkien and You!

May 12,  7.30pm: Clarence St Theatre, Hamilton

May 13, 2.00pm: Baycourt Theatre, Tauranga

May 20,  2.00pm & 7.30pm: Theatre Royal, Nelson

May 26,  8.00pm: Q, Auckland | SOLD OUT

May 27,  2.00pm: Q, Auckland |  SOLD OUT

June 2,  7.30pm: Aurora Centre, Christchurch | SOLD OUT

June 3,  2.00pm: Court Theatre at Addington, Christchurch  SOLD OUT

June 9,  7.30pm: Lake Wanaka Centre | SOLD OUT

June 10,  2.00pm: Lake Wanaka Centre

June 16,  7.30pm: Hawkes Bay Opera House, Hastings

June 23,  7.30pm: Opera House, Wellington |

June 24,  2.00pm: Events Centre, Carterton | SOLD OUT

- Hamilton Press

 

- © Fairfax NZ News