Monday, April 30, 2012

Wrigley's Comedy Festival advice

JULE SCHERER

If you're out and about in Auckland or Wellington in the next couple of weeks, chances are you'll run into a comedian.

With the International Comedy Festival in full swing and hordes of local and overseas comedians roaming the country, Steve Wrigley gives us some valuable advice on how to avoid embarrassment around his species.

"The worst thing you can do around comedians is trying to be funny," he says, "because they can smell it from a mile away.

"There's the smell of desperation when a joke is being tried out."

Wrigley would know. The winner of the coveted 2008 Billy T Award and resident funnyman on TV3's 7 Days is one of the country's busiest comedians and has is part of not one but four different productions at this year's festival.

His favourite of the lot is Kevin The Musical, which he created last year with his wife Cyan Corwine. But he is also looking forward to returning to his roots with his own stand-up show Left out of the Field at Wellington's San Francisco Bathhouse.

"The SFBH is where I started out doing comedy. Me and Ben Hurley (with whom he's doing yet another show, Live and Unleashed) used to run the regular comedy night down there and it always feels like going back to your home ground," he says.

Talking to a comedian, there's one question nagging: Are comics really funny people to hang out with, or are they quite a bore off the stage?

"It is a real fun time for us because the only time we get to see these people is during the festival. But usually everybody is having too much to drink to be making jokes at that stage.

"I guess we all have our down times, the same way plumbers aren't always fixing things, but there are people like Jason John Whitehead, a Canadian who's coming over for the festival - he's one of those people who's funny even when they don't want to be funny.

"And when he's generously frustrated or angry with something I can't help but laugh, it's just the way he talks," Wrigley says.

In fact, angry people in general make the comedian laugh.

"Every time I see somebody losing their temper, particularly online where people are writing real angry comments about something somebody said, it really makes me laugh.

"Or people at a checkout loosing their mind because something is 15 cents more expensive than it was advertised on the shelf and I ask myself: Is this offence really worth this agitation?" he laughs.

Having been part of the comedy circuit for years, Wrigley is no stranger to hecklers.

Most of the time it's all fun and games, but sometimes somebody in the audience manages to rub him the wrong way.

"I did a gig a couple of weeks ago and I came onto stage and this woman just shouted 'you suck' before I even started.

"And I asked her on what she was basing this on and she said: 'Your whole history'.

"So she knew everything about me and I had no idea who she was and then I made fun of her for about 10 to 15 minutes, so pretty much my whole show.

"I couldn't understand why she came to the show, paying 30 bucks just to tell me that she doesn't like me.

"Sometimes you get people who watch comedy and I don't really understand why, they get so angry whenever a comedian who they don't like comes on and they feel the need to passionately tell everybody that they hate what this comedian does and you just don't know what they have done to hate them so much," he says.

Angry people aside, where else does he come up with material for his stand-up routine? Do comedians lock themselves in dark rooms, write like maniacs and emerge with droves of funniness?

"No, I am not really good at sitting down and figuring out how a clever joke works.

"That has never been my strength and I admire comedians who can do that, who can sit down and craft a really clever, really well worded piece of material, but that's not really me.

"I just go out and freestyle, throw a couple of stories in there and have never really written down anything before.

"I just like having fun with the audience and going where the show goes. It keeps it interesting for me as well.

"But I am usually surprised when something gets a laugh from the audience. A lot of my comedy happens by accident.

And when Wrigley's not on the stage himself, who would he go out and see?

"I like Irish comedian David O'Doherty ('the least famous person to ever host BBC's Nevermind The Buzzcocks').

"Ben Hurely is bringing his show back and there's a new guy in town, he's a bit left of the field and very interesting.

"So if somebody wants to go and see somebody they've never heard before, Tom Furniss is your guy," he says.

Steve Wrigley and Cyan Corwine perform in Kevin the Musical, Tuesday to Saturday at Auckland's Herald Theatre. Wrigley also performs his new stand-up show Left Out of the Field at Wellington's San Francisco Bathhouse, from Monday, May 7 to Saturday, May 12; and with Ben Hurley in Live & Unleashed at Auckland's Rangatira at Q, from Tuesday, May 15 to May 19.

Comedyfestival.co.nz

- © Fairfax NZ News

48hour film stars

This year's V48Hour Film Competition marks the 10th anniversary of the competition. Past winners tell Nicola Russell about the fast- forward world of frenetic film-making.

TAIKA WAITITI, Heinous Crime, 2004, Slade in Full, 2006

I won the festival in 2004 with an entry called Heinous Crime. It annoyed a lot of people because I shot it in about four hours, edited in camera, and the entire crew was my girlfriend and I.

We didn't take the competition seriously and that wasn't really appreciated by the more "professional" teams.

I took part in the very first year of the festival. Our group had about 20 people, our first mistake. The second was going an hour out of Auckland to a friend's mansion, spending our production budget on booze and discussing story ideas until Sunday.

The best experience for me was making Slade in Full, for which I won a wildcard award. I did the entire thing by myself: camera, acting, editing, and music.

I started with a beard and progressively shaved bits off for different characters. My favourite memory is tying string from the camera to my leg so it would pan with me when I walked. You never have that amount of fun and freedom in any other filmmaking environment.

I don't think the festival made me a better film-maker but I think it is really good for creativity. You need to embrace the chance to take risks and make huge mistakes. It's one of the only times, as a film-maker, that you'll get to screw things up and not get fired or have your career ended. I'm glad we have the festival; I think it's a great tool for people who want to let loose for the weekend.

I think it's important to enjoy it for what it is. People take it too seriously, they're hell-bent on winning a stupid iMac and it really f----s with the good vibes.

I'm still waiting for that 2004 iMac to boot. Apart from that I'm now writing cutting edge scripts.

ANDREW LUMSDEN (TE RADAR), The Journey, 2004

The Journey was ostensibly a morality tale about two reprobates who during the course of a burglary find a video and watch it. This video sandwiched in the centre of the film, is the "real film", a religious exhortation by Jesse McCloud instructing his followers on how to join him on The Journey, beyond life as they know it.

When we cut back to the burglars watching the video they have mixed themselves a drink with ice cubes which are revealed in The Journey as a suicide mixture. They open their mouths and the ice cubes fall out, splunk splunk into their drinks. Fade to black. Sombre score. Roll credits.

It was my first and only entry in to the competition so it was nice to leave on a high. Probably the weirdest thing was that nothing went wrong. We kept to schedule, there were no fights or accidents and we had a good night's sleep before editing on the Sunday.

One of the prizes was a single ticket to LA. I used it in November 2004, to fly to a town called Pahrump in Nevada to film The Battle for Pahrump, about the US presidential race through the eyes of residents of a small swing state. I went back in 2008 and hope to go back again in November this year so the fortunes of the town and the characters can be seen played out over three elections and eight turbulent years. That will be the best result from the win. Since the film festival I've made a lot of TV, touring my history show Eating the Dog and sadly making no more films. I really should do another.

JARROD HOLT, Brown Peril, 2006 and Only Son, 2010

Brown Peril was the first film the downlowconcept, which is me, Ryan Hutchings and Nigel McCulloch, ever made. Nigel played badminton at some hall and his mum owned a video store, and we worked a story around that.

For Only Son (the first 48 Hour film to score at the Qantas Film and Television Awards) we asked the factory next door if we could film there for the weekend.

The most important thing for us is having a fun weekend, keeping it easy rather than busting a gut running round Auckland trying to get a sunset shot or making a cat look at the camera. That would be a great shot though, a cat staring down the barrel of the lens with the sun setting behind it. A classic.

We knew one actor, Josh Thomson, and he was keen, so we thought we'd have a crack. We've done it every year since 2006 except for 2011 when we were far too busy working on an internal communications video for the factory next door to us.

We like to have a small crew. It's usually just Nigel, Ryan and I, who write and direct together, our editor Glynis and somebody on the camera. We learnt pretty quickly to adapt on the day, because things invariably go wrong. Being nice to people who help you is the number one rule.

I'd hate to imagine what the future of New Zealand film- making would be if Ant Timpson hadn't created this event. It allows people to try things out, fail and succeed in equal measure, and watch their film on a big screen. It's incredible how resourceful New Zealand film-makers can be without a budget in 48 hours.

All those skills you learn in the competition affect the work you do in the future.

We now produce 7 Days and we've just finished our first scripted comedy series for TV3 - Hounds - based around the world of the greyhounds.

JARED KAHI, Lease, 2007

Lease by Lense Flare was about three musical flatmates forced to search for a fourth when the rent is raised. We entered the previous year with way too much confidence and completely bombed. This time our only goal was to have fun. We had no budget and some pretty lo-fi gear, but the V48 hour planets aligned.

Musical is one of the most feared genres, but for a team of mostly musicians, we were stoked. We sat down with an idea and a guitar and Lease wrote itself. We were content at having our film shown at the Civic regionals so when it was chosen as a Peter Jackson's wildcard finalist, and went on to win, it took us completely by surprise.

Making a film from scratch in 48 hours is not easy, but being forced into a corner teaches you to trust your ideas. Winning proved to us that we could be "film-makers".

Inevitably, there are always dramas putting the film to tape or exporting a quicktime file in the eleventh hour. Technical issues always find a way to trip you up, no matter how prepared you are. Then we always make the final frenzied dash for the finish line. Arriving at the venue is utter chaos with cars double parking up on the footpath, people leaping out of the car and sprinting towards the door. Every year some poor team sits on their laptop metres away from the finish line cursing at their slow- rendering film as the final seconds fall off the clock.

We poured all our prize money into buying an edit suite and have since worked on commercial jobs, music videos and our own short films.

V48 Hours launches careers and seeks out raw film-making talent. It gives anyone who loves film and fooling around with a camera a chance to see their film on the big screen. No amount of flash gear or money can guarantee a good story, and the varied panel of industry judges won't be fooled by bells and whistles.

PARRY JONES,

Charlotte, 2009

Charlotte was a line animation about a lonely widower who yearns for his late wife. My father, Morgan Jones, provided the voiceover that created a sad, nostalgic tone at a zero-fee rate.

I worked at Taylormade Media and every year crews would enter the V48Hours. I looked on in restrained envy and then in 2009 took the plunge and came out with a gold tooth.

I drew almost non-stop with a chinagraph on acetate for 21 hours. I think I suffered irreversible side effects. It was great being part of a small team and knowing so many other film- makers from around New Zealand were all in the same basket and by 7pm Sunday - basket cases.

Since the festival I have been doing stop-frame for Pickled Possum Productions, cartooning, carving. I am currently animating a short film for Short Film Otago. It's an essential event for NZ filmmakers young and old and nothing compares to the outpouring of unbridled creativity.

TIM BATT. The Child Jumpers, 2011

Our short, The Child Jumpers was a story about a new fad called Chumping - competitively jumping over kids in public places. The genre was Fad Movie but basically, it was a buddy film and we tried to make the movie equal parts sweet and funny.

I have competed four times before but last year joined the Grand Cheval team for the first time as an actor. When I've competed previously, it's been incredibly stressful, down to the wire (once missing deadline by minutes). Technology has failed, friendships have been tested and tears have been shed.

But last year everyone had their specific role sorted and I learned the importance of roles and trust. Everyone must know what their job is and the rest of the team has to believe in them.

Personally, I don't consider myself a film-maker but everyone, from Oscar-winning directors to high school teams, compete in this competition and the spirit of friendly competition and mutual love of the craft, combined with the time constraints bring out the fantastic shorts we see each year.

The festival takes away the mystique of film-making. It's low stakes - one weekend and a single entry fee so, worst case scenario, you've had a fun weekend, not lost a studio millions of dollars.

I now work full time at Radio Hauraki as Matt's producer on The Matt Heath Drive Show and I am a stand-up comedian. It's my first comedy festival show this year - Smokers, Jokers and Midnight Tokers.

Registration closes on May 10. Shoot weekend is May 18-20.

The grand final at the Civic Theatre, Auckland, is June 30.

More information: www.v48hours.co.nz

- © Fairfax NZ News

Sunday, April 29, 2012

Kanye romance could do wonders

Kim Kardashian's mom reportedly thinks Kanye West's "high profile" could do "wonders" for her daughter's image.

Kim and Kanye have been romantically linked in the past, with reports the long-time friends are now dating.

Kim's mom Kris Jenner is said to be delighted about the union.

"Kris must be aware that Kanye's high profile could do wonders for Kim's image. Added to that, I'm sure she thinks he's a smart businessman and can help Kim with all her product lines, as well as actually being very nice and taking care of her," a family source revealed to British magazine more!

Kanye is also said to be thrilled about the Kardashian's famously close-knit family dynamic.

"I think he loves how Kim's family has embraced him, especially Kris, who's like a surrogate mother to him after his own died suddenly in 2007. It's just another part of Kim's appeal to him," the source continued.

Although Kim's sister Khloé has publicly expressed her delight at the two getting closer, behind closed doors the star is said to have reservations about the burgeoning romance. Khloé reportedly believes the relationship is moving too fast.

"Kanye's great for Kim's ego and I've no doubt she thinks he's brilliant," an insider revealed. "I've heard she's telling friends she's been walking on cloud nine since their romance has heated up. Kanye's clearly besotted with Kim and would do anything for her, including, I think, becoming a father."

- © Fairfax NZ News


Justin Bieber pens paternity song

Justin Bieber is set to release a song about the woman who claimed she had his baby.

The Canadian singer has written a track about Mariah Yeater, who alleged he was the father of her son Tristyn five months ago.

The 18-year-old has denied the accusations and will sing about them on his forthcoming LP, Believe.

"I'm going to be talking about everything I'm going through," he told Heatworld.com

"I've written a song about that whole situation with that girl who said she's having my baby - Mariah Yeater. I've written about my mom, loads of things I'm going through."

Bieber, who recently released his new single Boyfriend, believes he is great to his girlfriend Selena Gomez. He enjoys spending time with her and spoils her whenever possible.

"Yeah, I think I'm a great boyfriend because you have to be honest and patient with girls... 'Cause sometimes they can give you a headache," he said.

"If you spend time doing things from the heart, then girls like that kinda thing. Presents are just something from the store."

Bieber's comments come after he blasted Yeater's claims about the paternity of her child on Twitter. He poked fun at her with a video link to Sacha Baron Cohen's Borat quote "You'll never get this".

"Dear mariah yeeter...we have never met...so from the heart i just wanted to say... (sic)," he said last weekend alongside the link.

- Cover Media

Is Marilyn Manson engaged?

Marilyn Manson has reportedly proposed to his filmmaker girlfriend - after just five weeks of dating.

The 43-year-old eccentric singer is said to be tying the knot with Seraphim Ward, 27. The news comes a day after Ward posted a photograph on Twitter of what looked like an engagement ring.

"Marilyn proposed with a family ring," a friend told Life and Style.

"I think it was his grandmother's. It's Celtic, and Seraphim says it has a magical bonding to the receiver."

Ward has fuelled wedding rumours by taking to her Twitter account to say she is "still speechless and in shock".

Her representative has also spoken about her devotion to the goth rocker.

"Seraphim is in a committed relationship and is over the moon about what her bright future holds with her partner," her representative told Life & Style.

She is currently filming her acting debut in Speed Dragon, also starring Bai Ling.

Manson and Ward fell in love because they have so much in common, according to a source.

"They share an interest in the occult and have bonded fast," the friend said, referring to Ward's fascination with making films about the paranormal. "He's gotten her a house in the Hollywood Hills."

Manson was married to Dita Von Teese for two years before their divorce in 2007. He also got engaged to Rose McGowan in 1999. The singer proposed to Evan Rachel Wood in 2010, but the pair called off their engagement later that year.

- Cover Media