Wednesday, June 13, 2012

The strange world of Japan's AKB48

AKB48

Members of Japan's girl pop group AKB48 and its affiliated groups attend the annual popularity "election" event at Tokyo's Budokan gymnasium

AKB48 is not exactly a band. It's an army of girls-next-door, ranked by its fans, and after taking Japan by storm it's getting ready to go global.

More than 60 girls and young women, split into four teams, make up what is arguably Japan's most popular pop group. It performs almost every day, has spawned affiliates across the country and has given rise to sister mega-groups in China, Taiwan and Indonesia.

AKB48's big event is an annual vote - by almost 1.4 million fans this year - to determine who gets to record their next single, which inevitably becomes a hit.

AKB48 raked in more than US$200 million in CD sales last year alone.

The girls pranced and sang on stage before last week's vote as their fans waved glow sticks and sang to familiar tunes.

When the winners were announced, the girls cried, bowed deeply, thanked fans for their loyalty and promised to live up to their expectations.

Their singing and dancing aren't always perfect, and the group's ever-changing members are hard to keep track of. But fans are very forgiving to their flaws and view them as their friends or little sisters, not out-of-reach superstars.

There are other mass girl pop groups, such as South Korea's Girls' Generation and KARA, but they are more polished and have a set membership and no elections.

AKB is also much more accessible: Fans can visit their daily shows in downtown Tokyo, attend handshaking events or exchange messages via social media. After each show, all the girls line up outside the theater to see off the fans with high fives and exchange a few words.

''You get to watch them grow. In the beginning, perhaps they weren't very good, but then later you see them evolve and shine on stage,'' said Kao Yi-wen, a Taiwanese student who was among three overseas fans selected to attend last Wednesday's election results at Tokyo's Budokan hall.

Founder and producer Yasushi Akimoto formed the group in 2005, calling them ''idols whom you can go and meet in person.''

Fans get to see a slice of their ordinary lives by reading each girl's blog. The organisers have published DVDs showing backstage scenes, including personal struggles and conflicts among teams.

But performances can seem orchestrated. As the girls sing and dance in unison, fans follow a cheering formula, shouting ''A! K! B! 48!'' Fans know exactly when and what to do - like an experienced Kabuki audience that knows when to yell an actor's name at the right moment during a play.

Now Akimoto is taking the enterprise abroad, creating what are essentially AKB48 clones in Jakarta (JKT48), Taipei (TPE48) and Shanghai (SNH48).

JKT48 is the farthest along. The Indonesian group follows the AKB routine exactly, down to the opening cheers, with the same songs and choreographed dancing. The only difference is the Indonesian translation of most lyrics.

''I wasn't fully confident (AKB) could make sense to anybody but the Japanese, and I thought hurdles would be higher overseas,'' Akimoto said in a recent TV interview. ''But I want to tell everyone that 'let's have confidence.'

Today the world is watching Japan, and we are also watching the world.''

The main group got its name from the location of its theater in the downtown Tokyo district of Akihabara, sometimes called ''Akiba,'' the birthplace of Japanese ''otaku,'' or geek, subculture dominated by comics, anime and video games.

AKB is still shaped by those influences: Many of its members dress in schoolgirl uniforms like characters in comic books, and some members talk in a cartoon-like, high-pitched sweet voice.

Many Japanese, including self-described ''geeks,'' are not seeking a superstar like Lady Gaga, said Takuro Morinaga, an economist at Dokkyo University who is also an expert of Japan's ''otaku'' culture.

''They are certainly cute, but not outstanding beauties,'' he said. ''You can probably find one in your classroom, and that's what makes them likable.''

Core fans are mostly men, but AKB is gaining a following among teenage girls and older women.

Some critics say they come across as sex objects that encourage men to exploit young women. They sometimes perform in itty-bitty bikinis for video clips or pose for photo books.

But others say they have a positive, hard-working image: They are required to devote themselves to AKB, wash their own laundry and aren't allowed to have boyfriends.

The group initially had three 16-member groups - Team A, Team K and Team B - hence the number 48 in its name. It has expanded to at least nine sister groups and teams of ''interns'' around the country - including SKE48, NMB48, and HKT48, representing various cities.

Only people who bought the latest AKB CDs or joined fan clubs are allowed to cast ballots, which can be done online.

People gathered in front of TV screens in downtown Tokyo for last week's election. Morinaga said it ''seems to be monitored even more closely than the real elections.''

The top 16 performers will record the next single, and the number-one vote getter sings in the center position. For most girls, the primary goal is simply to make the top 64, which brings more TV and other media exposure.

Yuko Oshima, the winner two years ago, returned to the top seat with 108,837 votes.

''I really wanted to be up on this stage again,'' the tearful 24-year-old said.

''I was under enormous pressure (to win).''

She praised the younger girls for their ambition and said ''that is what will keep us going.''

Many of the performers - aged 14 to 26 - said they have ''no special talents'' but vowed to improve and continue to pursue their dreams to become a top singer, dancer or actress, and eventually ''graduate'' from the group to go solo.

So far, no AKB alumna has made it big on her own.

Joseph Salmingo of El Monte, California, found AKB48 through the Internet while studying Japanese. He was among the three overseas guests who won tickets to the election by submitting what's considered the most enthusiastic cheers for the girls.

He said he enjoys the drama that he sees in the group - friendships, rivalries and dreams.

''There's just so many of them and each one has their own story,'' he said.

''It's kind of like a reality show.''

- AP

Andy Whitfield doco seeks donations

Filmmakers behind a documentary following Spartacus: Blood and Sand star Andy Whitfield's battle with cancer are asking fans for support.

The Australian actor died last September at the age of 39 only 18 months after being diagnosed with Non-Hodgkins lymphoma.

The film, by director Lilibet Foster, follows Whitfield and his family over the course of more than a year while he dealt with his diagnosis and explored both medical and alternative healing option in Australia, New Zealand and India.

This unprecedented access and his openness and honesty give the audience an intimate look into his personal life.

"It was Andy's hope that by opening his story up to a documentary, he might help or inspire others facing similar challenges, while pushing to accelerate the pace of cancer research around the world,"  the filmmakers say.

"We now need your help to finish it. The money we raise on Kickstarter will fund the additional filming and editing needed to finish the film.".

You can also read more on the film's Facebook page.

Watch the trailer here (but make sure to have some tissues ready).

- Cover Media

Lady Gaga shows her bruises

Lady Gaga has posted a photo of a black eye she suffered during her last New Zealand show after being struck in the head with a pole by one of her dancers.

The 26-year-old singer took the picture while she was staying in Brisbane yesterday and wrote: "Emerging from hours of sleep. Still remiss if I should go outside, with this clonker I may be of questionable styling."

Gaga was performing her song Judas at Vector Arena on Sunday when one of her dancers accidentally hit her on the top of the head with a large metal pole he was moving.

The incident was caught on camera and shows Gaga stagger when struck, before leaving the stage.

According to the website TMZ.com she told the audience: "I want to apologise. I did hit my head and I think I may have a concussion. But don't you worry, I will finish this show."

Gaga's make up artist Tara Savelo confirmed on Twitter the singer had suffered the concussion. 

"Gaga has a concussion but she is going to be OK. She wants u to know she loves u. I'm taking care of her. Cant believe she finished the show."

She went on to perform another 16 songs on Sunday, the last of her three Auckland concerts.  

- © Fairfax NZ News

Fairytale returns with more sparkle

You've probably seen countless renditions of Cinderella - but the Royal New Zealand Ballet's upcoming production of the fairytale is tipped to top them all.

The RNZB - and more than 100,000 Swarovski crystals - will bring the fairytale to life.

The ballet performed Cinderella in New Zealand and China in 2007, making it one of the most popular shows in the RNZB's history - and now it's back.

Renowned British choreographer Christopher Hampson's has breathed new life into the timeless rags-to-riches romance, which will tour seven centres throughout the country from August 2 to September 9.

"As one of the most loved fairytales, Cinderella has been enchanting audiences of all ages around the world for many years," RNZB artistic director Ethan Stiefel said.

"Our rendition of the story lifts the magic from the page and embraces the belief that dreams can come true, whilst elegantly showing off the dancers' talent and versatility."

London-based choreographer Hampson has created five ballets for the company.

"The story is classic... the cruel stepmother, the comedic stepsisters, a handsome Prince and a magical Fairy Godmother.  But composer Sergei Prokofiev has given us more than this.  For me his score shows growth, honesty, humility and love.  It is a tale that shows us a journey from dark to light," Hampson says.

Costume designer Tracy Grant Lord has had more than 100,000 Swarovski crystals woven into her designs, including Cinderella's tutu and the cloak that she wears to the ball and in insect costumes and wings, the stepmother's negligee and the spider's web.

The TOWER Season of Cinderella

Wellington
Thurs 2 – Sun 5 & Wed  8 – Sat 11 August
St James Theatre
Featuring Vector Wellington Orchestra

Invercargill
Tues 14 & Wed 15 August
Civic Theatre

Dunedin
Sat 18 & Sun 19 March
Regent Theatre

Napier
Thurs 23 – Sat 25 August
Municipal Theatre

Palmerston North
Tues 28 & Wed 29 August
Regent on Broadway

Takapuna
Sat  1 & Sun  2 September
Bruce Mason Centre

Auckland
Wed 5  -  Sun 9 September
ASB Theatre
Featuring Auckland Philharmonic Orchestra

More information: http://nzballet.org.nz/cinderella

- © Fairfax NZ News

Bailterspace announce new album

New Zealand noise rock legends Bailterspace are releasing their first new album in 13 years.

Revered as one of the loudest and most intense live bands of all-time, they haven't lost any of their bite or their love of tone, dissonance, and melody.

The band were once described by indie music powerhouse Pitchfork as "simultaneously beautiful, jagged, atonal, and supremely melodic" while another review described their sound as "one part Superchunk, one part Pixies, and one part Dinosaur Jr."

Strobosphere will be released on Arch Hill Recordings (NZ/Aus) and Fire records (USA/Europe) in August.

Originally a member of The Gordons, Alister Parker formed Nelsh Bailter Space with former Clean drummer Hamish Kilgour in 1987.

Shortening the name to Bailterspace, they eventually incorporated his former band mates from The Gordons, including Brent MacLachlan who has remained integral to the band since 1989.  

Often dubbed "the Sonic Youth of the Southern Hemisphere" Bailterspace soon earned fans here as well as overseas.

The band, signed to New Zealand label Flying Nun, relocated to New York in the early 90s and started to release albums also on NY indie label Matador Records.

After announcing a hiatus in 2004, the band never truly stopped working together, occasionally sneaking out to play an unusual show. A career-spanning retrospective, Bailter Space, was released in 2004.

Listen to Bailterspace's new single No Sense  or download it on Bandcamp.

- © Fairfax NZ News