Saturday, May 26, 2012

Film Review: Starbuck

GRAEME TUCKETT

STARBUCK (M) (103 min)

Directed by Ken Scott. Starring Patrick Huard, Julie LeBreton, Antoine Bertrand.

Starbuck is the one about the feckless twentysomething who spent a lot of time donating sperm in the 1980s.

And at $35 a pop, I gotta say it, err, beats any of the part time jobs I had back as a student - only to find out as a 42-year-old that sperm bank incompetence back in the day has led him to father more than 500 children, 142 of whom are now taking legal action to find out his identity.

It's a massive and complex comic premise, with many potential pitfalls and ways to be taken.

Starbuck (the name was our donor's nom de toss), by dint of a really lovely lead performance from Patrick Huard, and enough interweaving of other story lines to distract from the potential moral morass of its main thread, succeeds like a good'un.

This is a smart, truly funny, and occasionally very touching wee film. The fact that similar stories are unfolding around the globe right now only adds to the poignancy and interest. Go and have a look.

- © Fairfax NZ News

Tatum 'stripping totally legit'

Channing Tatum and his Magic Mike castmates "look pretty good" stripping.

The hunky actor stars alongside Matthew McConaughey and Joe Manganiello in the exotic dancing comedy.

Channing portrays Magic Mike, a young stripper who is grappling with establishing a long-term romance and pursuing his dream to design furniture.

According to New York City based male stripper Steve Stanulis, whose stage name is Steve Savage, the actors performed well.

"The bachelorette party, the whole thing is totally legit,"  Stanulis, told MTV News.

"I mean, with the guys coming in as cops and the girls, like, getting all nervous. So, that's pretty authentic. It looks pretty good."

Tatum and McConaughey dance shirtless in several scenes throughout the film.

Stanulis can imagine them performing in strip clubs easily.

"The show looks pretty good, the guys dancing and the whole shtick with each guy coming out with a different routine," he said.

"They're a little overly elaborate, with all the smoke and spinning, but again that's not something you would really see. I mean we're not going to see Fosse. I mean, they did a great job. All the guys look great as well. They're totally believable as dancers."

Magic Mike is set to premier in New Zealand on June 26.

- Cover Media

X-Men set for same-sex wedding

Marvel comic book crime fighters X-Men have put down their weapons and picked up wedding rings for the first same-sex marriage in the superhero world, set for June.

Marvel says Jean-Paul Beaubier, aka Northstar, a Canadian with piercing blue eyes and silver-streaked black hair who can move and fly at superhuman speeds, will propose to his long-time boyfriend Kyle Jinadu in the issue, Astonishing X-Men #50, due on sale this month.

"The Marvel Universe has always reflected the world outside your window, so we strive to make sure our characters, relationships and stories are grounded in that reality," Marvel editor-in-chief, Axel Alonso said in a statement.

"We've been working on this story for over a year to ensure Northstar and Kyle's wedding reflects Marvel's 'world outside your window' tradition."

The pair will marry in the next issue of Astonishing X-Men #51, on sale June 20, and some comic book retailers will be hosting wedding parties on that day, Marvel said.

Northstar and Kyle have been a couple since 2009, but Marvel is not promising the pair will live happily ever after.

In fact, Marvel asks in its wedding announcement: "Will their path to wedded matrimony in New York City be smooth or are there hidden dangers around the corner?"

As if battling evildoers and saving the world weren't enough.

- Reuters

How well do you know Slash?

To celebrate the release of Slash's second solo album we have put together a quiz to test your knowledge about the legendary guitarist.

Courtesy of Sony Music we're giving away two prize packs consisting of the new album Apocalyptic Love and a signed copy of his autobiography Slash. Ten runner-ups will win a copy of the album.

How to enter:

To enter the competition, send an email to competitions@stuff.co.nz  with your name, address, post code and phone number before 10am on Friday, May 18 to go in the draw. Please ensure the email subject line says Slash.

Terms and Conditions: Prize winners will be determined from a random draw of eligible entries received before 10am on Friday, May 18. Only one entry per person will be accepted. Prizes cannot be exchanged for cash or other property.

Winners have to provide an address in New Zealand to send the prize to.

Employees of Fairfax New Zealand's corporate office and www.stuff.co.nz, and their immediate families, are not eligible for the prize. Fairfax New Zealand Limited's Managing Director, Publishing, will make a final determination if any matter is disputed.

Entries belong to Fairfax New Zealand Limited and may be used by the company for marketing and promotions.

- © Fairfax NZ News

Kelly Rowland feels 'stitched up'

Kelly Rowland reportedly feels "stitched up" by The X Factor television bosses.

The former Destiny's Child star announced earlier this week that she was not going to be returning as a judge on the British talent show.

But The Mirror newspaper claims that Kelly isn't happy with how the situation has been handled in light of recent rumours that Dannii Minogue may be returning to the programme.

"It was my decision, I just decided not to sign," Rowland, 31, told a friend.

"She has emails going back months showing discussions so it is stupid of them to say they didn't want her or she was being greedy.

"Simon Cowell has gone on record saying he wanted Kelly back. She loved doing the show so feels a bit let down. She feels stitched up now and it just looks like they are panicking because they don't have a judge."

It is reported that the show bosses wanted Kelly to work more hours for the same money as she received last year while the other judges; Gary Barlow, Tulisa and Louis Walsh received pay rises.

Rowland apparently now wants to sign on for a US TV show, star in a movie and record a new album.

Who would you like to see as new juror on X Factor?

- Cover Media

Chris Martin: Touring is expensive

Coldplay are trying to ensure they don't "go broke" thanks to their latest tour.

The British band are currently completing their Mylo Xyloto Tour around the world, to promote their latest album.

They have been providing audiences with flashing wristbands to wave around during the performances, but frontman Chris Martin has admitted it's been problematic.

"Most of the money we're earning on the tour is put into the wristbands," he explained.

"We have to figure out how to keep it going without going broke because it's a crucial part of the concert."

The group - comprising of Chris, Jonny Buckland, Guy Berryman and Will Champion - first handed out the arm gadgets in Madrid last October. Since then, around 40,000 fans have got their hands on one.

To cut down on costs, the band considered asking for them back once their performance had ended.

"You have to clean everything in case someone picks up herpes or TB. Our lawyers told us we'd get sued, and having been sued a few times we're not keen on that," Chris told British newspaper The Sun.

"It's a little self-indulgent but we love the way it looks when there are 15,000 or 40,000 or however many people with all those lights on them. The technology is still very experimental."

Chris isn't a fan of all kinds of technology though. He becomes anxious when he sees people fiddling with their phones during his shows.

"The only thing I fear is texting. If they are texting they are not enjoying the music," he said.

- Cover Media

Lady Gaga meets Thai 'lady boys'

Lady Gaga has met Thailand's premier "lady boys" at a Bangkok drag show featuring busty dancers who were not born that way.

Diving in to the city's nightlife, the pop diva and an entourage from her "Born This Way Ball" took in a show at the well-known Calypso Cabaret, where she cheered on a transvestite review of Broadway show tunes.

"A million people have to pay to see a Gaga concert, but Gaga paid to see our show!" cabaret manager Nipon Boonmasuwan told Thairath newspaper. When the performance ended, she took the stage to shake hands with the dancers and handed out six tickets to her Friday night show.

Born This Way, the title track of Lady Gaga's latest album, has become a gay anthem. It includes the line, "Don't be a drag, just be a queen". Transvestites and transsexuals are known in Thailand as lady boys.

Promoters confirmed Lady Gaga visited the cabaret on Wednesday (local time), just hours after her arrival in Bangkok.

Lady Gaga's Asian tour has generated publicity and often controversy at nearly every stop.

In Seoul, fans younger than 18 were banned from her concerts after Christian groups complained that her lyrics and costumes were too sexually provocative.

It remains unclear if her June 3 show in Jakarta will take place after Muslim hard-liners threatened violence. Indonesian police initially denied a permit but later hinted the show could go on if she tones it down.

Not a chance, said her manager Troy Carter, who told the Straits Times in Singapore that Lady Gaga "plays the show as it is" and has no plan to self-censor.

- AP

It's wrong to steal, right?

I walked into my corner dairy the other day and there was a cardboard box on the floor. It was full of ex-rental DVDs for sale at $5 each.

I spoke to the shopkeeper and he said no one was renting his DVDs anymore, so he was selling them off.

It felt like a worrying sign for the movie industry. As though the canary in the cage had just fallen off his perch with a death rattle.

I'm a bit worried about the future of the movie industry. The internet has changed everything and there is no going back. Among many people, stealing movies off the internet has become the norm.

I look at what is happening to the music industry with dismay and worry that the same destructive wave is about to break on our movie houses. How high will that wave break and, when it recedes, what will be left?

I worry that if people keep stealing movies off the internet we will just get more horrible films like Transformers 2.

This cinema marquee puts it better:

Torrent

If we steal movies, box office and DVD sales will fall, Hollywood will become extremely risk-averse and we will end up with safe bet, dumb sequels.

Yes, New Zealand gets a rough deal and has to wait for movie releases. Yes, Hollywood movie stars are rolling in cash. Yes, the film industry hasn't been quick enough to catch up with rapidly changing consumer expectations.

But does this give us the right to just grab everything we want, whenever we want it?

The internet has made information free and put it in the hands of the people. It's a beautiful thing. But, there is such a thing as taking the mickey. As Spiderman always whinges, with great power comes great responsibility.

If you steal a movie, have you lost the right to complain about the crap that Hollywood churns out as a result? Is it like losing your right to complain about politicians when you don't vote?

So, as you can tell, I'm worried. I don't like the look of those empty DVD shelves in my local dairy.

Is stealing a movie off the internet sticking it to the man or sticking it to an art form we love?
What do you think?

Follow Charlie Gates on Twitter


Friday, May 25, 2012

Shortland Street celebrates 20 years on air

MARIKA HILL

Shortland Street stars from past and present dazzled fans as they graced the red carpet to celebrate the soap's 20th anniversary.

Champagne was served and stilettos clicked across the floor as our most well-known doctors and nurses partied at Auckland's Viaduct Events Centre on Friday night.

Some characters even the rose from the Shortland Street grave for the lavish affair, including Carmen (Theresa Healey) and Shanti (Nisha Madhan).

Our most famous mumsy receptionist Marj, played by Elizabeth McRae, also returned for the party.

The usual suspects scrubbed up for the event as well, such as Gerald Urquhart (quirky anaesthetist Luke Durville), Beth Allen (Dr Brooke Freeman) and the notorious Jeffries.

More than 200 people gather at the celebration, drinking Moet and gossiping over plot twists spanning two-decades.

TVNZ drama commissioner Kathleen Anderson told the crowd the show is one of New Zealand's most loved and iconic series.

The actors and fans then broke into a massive "Happy Birthday" chorus for the show.

To many people's relief the glitzy event was far from a typical Shortland Street fictional party.
 
No murders, medical emergencies nor scandalous affairs have been reported. Yet.

Shortland Street has beamed more than 5000 nail-biting episodes to New Zealand screens since 1992.

More than 750,000 people tuned in to Shortland Street's 20th anniversary special on Monday night, which featured a helicopter crash in the hospital car park and Dr Chris Warner being framed for murder.

- © Fairfax NZ News

Clement 's rise to the big screen

Jemaine Clement

BREAKOUT ROLE: Jemaine Clement as an alien called Boris the Animal in Men in Black 3. Putting on the makeup for the role could take four hours a day.

Actor and comedian Jemaine Clement has revealed that he is not only keen to make a Flight of the Conchords feature film, but also a vampire comedy set in Wellington.

Clement, 38, plays a major part in Hollywood movie Men in Black 3, released this week and American reviewers have praised his role as a villainous alien.

The New York Times called him "a great and eccentric comic talent who has improved every Hollywood movie he has appeared in".

Clement, speaking to The Dominion Post from the movie's New York premiere, said he and Flight of the Conchords partner Bret McKenzie still hoped to bring the comic music duo to the big screen. But while it will likely have the same cast as their New York-based television series, including Rhys Darby, it will not be the same setting.

"We might be 80s DJs or New Zealand astronauts or in medieval times and we'd be minstrels. It could be really anything ... it will be a different kind of world."

Flight of the Conchords' first national New Zealand tour begins next month. Ticket sales had been so high, new venues had to be added to meet demand, including Auckland's 12,000 capacity Vector Arena.

Clement said he had also completed a feature film screenplay with Boy director Taika Waititi, based on their rarely-seen 2006 short film What We Do in the Shadows, about a group of vampires flatting in Wellington who try to fit into normal society while continuing to feed on humans.

"We've been trying to find some time to do it, but we've found some time to finish the screenplay. Now we just have to find the funding. We've always been planning on doing a bigger, better version. It will definitely be New Zealand-based."

CLEMENT'S OUT OF THIS WORLD SUCCESS

Just a few years ago Jemaine Clement was in the midst of what was then a career high point. After the success of his American television comedy series Flight of the Conchords with fellow Wellingtonian Bret McKenzie, Clement was cast in Hollywood comedy Dinner for Schmucks.

The boy from Masterton, who had worked tirelessly for years in comedy, was playing alongside big name comic actors Steve Carrell, Paul Rudd and Zach Galifianakis in a film executive-produced by Borat star Sacha Baron Cohen.

Clement was enjoying the wrap party for Dinner for Schmucks when he was approached by two of the film's producers. "They said 'We've got this character we think you might be good for in the next Men in Black film'.

"I couldn't really turn it down. They told me a little bit right there – that he [the character] was ruthless and well spoken and that's what they wanted."

The result is one of the biggest films of Clement's career, where he plays alongside Hollywood A-lister Will Smith.

Clement is the chief villain in Men in Black 3 – an alien called Boris the Animal, who speaks with a stilted English accent and has an insect-like parasite living in his right palm that shoots out and attacks people.

Reviews for Men in Black 3 have been mixed, but Clement's performance has been singled out. The New York Times described him as "a great and eccentric comic talent who has improved every Hollywood movie he has appeared in". His Boris, it said, "is played with thunderous mock pomposity".

The Hollywood Reporter said Clement was "full-tilt ferocious in the role, leaving fans to add their own ironic comedy to his performance".

Clement's character has been imprisoned on the moon for 40 years after being captured by Men in Black agent K, played by Tommy Lee Jones. He escapes and time travels back to 1969 to kill the agent. It sets off a chain of events that sees Agent J (Smith) travel back to the 60s. There he encounters a younger version of K played by Josh Brolin and has to battle both Boris and a 1969 version of the villain.

There are scenes where Clement plays both Borises talking to each other.

"Out of all the scenes I did it was the one I was least nervous about because I only had to do it with myself. There's always pressure acting against one of those big names. I don't want to waste their time by messing it up."

Clement is explaining this while in a New York hotel, a few hours before the Men in Black 3 American premiere. He wasn't at the Moscow premiere where a Ukrainian television presenter was slapped by Smith when he tried to kiss him. Nor was he at the German premiere where a model on the red carpet wore only small strips of video tape.

"There's been a lot of press about it," says Clement, who enjoys red carpet premieres.

"It's not as bad as it looks. That's as much of a recommendation as I can give."

But even on the red carpet, Clement has had an element of anonymity due to the extensive makeup and prosthetics required to become the Men in Black 3 villain.

Over the few months before filming he was required to grow a prominent beard. The normally lanky Clement was also told to put on some muscle.

"At first they wanted this guy to have huge muscles, so I started going to the gym. They said `We think you should go the gym because if you don't go to the gym then we'll put on prosthetic muscles and it will take you another hour [to get ready]'.

"I did put on a bit but then they changed the costume and I didn't have to worry about it. But it was good because I was nowhere near what Hollywood thinks of as big muscles. [But] on Cuba St I had quite big muscles."

He was then worked on by Hollywood monster makeup legend Rick Baker, who took about eight hours to prepare Clement in their first session.

It was then reduced to about four hours each day before filming. Clement says the prospect of spending hours in makeup didn't faze him. In fact, looking different was one reason he wanted the part.

"Sometimes I've stayed away from certain auditions because it could change my life if I was in it. But this is like `I can be in it and get to do what I like to do and be disguised as well'. So that convinced me to do it. I'm not sure if I'd do another one with a big makeup [job], but Rick Baker said often people only do one big makeup movie."

Clement says he was already a big fan of Baker's work, including his ground-breaking An American Werewolf in London. "It was probably my first movie that I really loved. I'd often ask him questions about that film, so it was exciting for me."

Even going to see Baker's studio was a treat, he says.

"The front of the studio looked like an office you might see in Petone. It looks like they might make computers or air-conditioning systems or something like that.

"But you walk through the door and part of it's done up like a castle and part of it is this massive studio with them all working on aliens and things they've done before – werewolves, gorillas, and sasquatches. Lots of Eddie Murphy fat suits."

Being in makeup also required patience. There were days when he would have to wait for eight hours in full makeup before doing two hours of filming. He'd spend the down time talking to crew in different departments and nosing around the extensively detailed sets.

Walking around the set as a monster affected other cast and crew. "People kind of recoiled when they'd see me. Even just hanging out at the snack table, you could see people sort of back away from me a little. They were avoiding me. But people got used to that and then they would talk to me.

"Then, when I would turn up for lunch without my makeup on, no-one would talk to me as they didn't know who I was."

But the leads knew who Clement was. "A lot of those action sequences take weeks to do, so I spent a long time both with Josh Brolin and Will Smith, hanging on scaffolding," he says.

And Clement expects he'll have to field questions that include "So what was Will Smith really like?".

"All I can say is that they were all really polite and generous.

"It's made me think. In acting it probably pays to be nice. They always say `Nice guys finish last'. But if you're a jerk, people won't get you back. So those people are all quite easy to get along with and easy to work with."

After promoting the film, Clement returns to Wellington to prepare for Flight of the Conchords' first New Zealand national tour. Most of the shows have sold out. A third show was added to Wellington's Michael Fowler Centre to meet demand, and a show at Auckland Town Hall wasn't enough. Two nights were added at the bigger 12,000-seat Vector Arena.

CLEMENT says he and McKenzie – who in February won the best song Oscar for The Muppets – are surprised at the ticket sales. "When I saw the venues they were planning I thought the Vector was way too big."

After New Zealand, Flight of the Conchords will tour Australia in July. Several shows have already sold out, including one at Sydney Opera House.

After that, he's juggling several projects. He's also well known for his long association with Boy director Taika Waititi.

The two were popular as Wellington comedy duo Humourbeasts and Waititi cast Clement as the lead in his debut feature Eagle vs Shark. Waititi then went on to direct episodes of Flight of the Conchords.

Clement says he also hasn't ruled out a Flight of the Conchords movie, but cautions that it's unlikely to be a big-screen version of their New York-based television series. "We'll try to work on it a bit more and come up with different ideas for it.

It will have the same people in it but we might be 80s DJs or New Zealand astronauts or medieval times and we'd be minstrels. It could be really anything. Rhys [Darby] will have the same relationship and the same people from our show will probably be in it. But it will be a different kind of world."

And regardless of how Men in Black 3 does at the box office, Clement says it's likely to open other doors.

When asked to state his occupation at passport checks, he normally answers "writer". "I always put writer. It's a real mistake to put comedian, and actor – they ask too many questions.

"Usually people ask you what you are making and they say they haven't heard of it. But Men in Black is the first thing I can say that people go `oh yeah, I know that'."

HIS BRILLIANT CAREER: THE RISE AND RISE OF JERMAINE CLEMENT

2011: Voices the villainous bird Nigel in animated feature Rio.

2010: Voices with Bret McKenzie in The Simpsons, Jerry the Minion in animate feature Despicable Me, plays the creepy spook in Kiwi feature Predicament and Kieran the artist in Hollywood comedy Dinner for Schmucks.

2009: Stars as an obnoxious sci-fi writer in American comedy Gentlemen Broncos, from the makers of Napoleon Dynamite.

2007-2009: After years performing live in New Zealand, being a hit on the international comedy circuit and a BBC Radio series, the Flight of the Conchords have a sitcom on American cable channel HBO. The duo win a Grammy for best comedy album and play the 17,000-capacity Hollywood Bowl in Los Angeles and the 12,500 capacity Wembley Arena in London.

2007: Stars as the bumbling Jarrod in Taika Waititi's Wellington-set comedy Eagle vs Shark.

- © Fairfax NZ News

Kunis 'would never date Kutcher'

Ashton Kutcher and Mila Kunis

JUST FRIENDS? Ashton Kutcher and Mila Kunis say they're not dating.

Mila Kunis and Ashton Kutcher are "so not dating."

The Hollywood twosome sparked rumours that they were embroiled in a new romance after they were pictured shopping for furniture on Sunday and going back to the actor's Hollywood Hills home.

But a source has told Us Weekly that there is nothing going on between them and they are just friends from their days starring together on That '70s Show.

"No! They're so not dating," a friend of Kunis' told the publication.

"They've been friends for years. But she would never ever. Definitely nothing going on there."

The source added that the pair were out with "three other people" when they were seen leaving a restaurant in Studio City, California.

The Black Swan star has not been in a serious relationship since her split from Macaulay Culkin in early 2011 after eight years together.

Kutcher is estranged from his wife Demi Moore following reports that he cheated on her on their six-year wedding anniversary. He has been linked to other women including Rihanna since then, but the Bajan singer has denied a romance.

- Cover Media

Kate Hudson, SJP join Glee cast

Kate Hudson and Sarah Jessica Parker will appear in the next season of Glee.

The Hollywood actresses were confirmed for season four of the hugely popular Fox TV series today. The network's entertainment president Kevin Reilly made the announcement in a conference call.

Hudson will reportedly feature in six episodes, while Parker has signed up to star in an episode in the fall.
No information about the actresses' characters has been revealed as yet. However, a few details were released about the set-up of the new season.

According to Reilly, Glee will focus on a "show within a show", following some of the McKinley High graduates as they attend the New York performing arts school.

The storyline will also feature "some new faces" as they switch back to Ohio.

The cast of Glee have been emotional filming the final scenes for season three. Some have broken down in tears while working on the last episodes as many of the characters are in their final year at high school and will be going to college or full-time jobs.

"There [are] a lot of tears on set, randomly. We had a rehearsal and even our choreographer had some tears," cast member Harry Shum Jr previously revealed.

"He couldn't even get through the rehearsal... We've been through a long journey."

- Cover Media

Lohan confirms Liz Taylor role

Lindsay Lohan is set to play iconic screen legend Elizabeth Taylor in a new TV movie, Lifetime Television said, confirming what Lohan has claimed for weeks as she forges ahead with her comeback from legal and personal troubles.

Lohan, 25, is the first name to be announced for Lifetime's original movie Liz & Dick, based on the true story of Taylor's passionate romance with actor Richard Burton, whom she married twice throughout her life.

Taylor, widely recognized for beauty and glamour, met Burton on the set of the 1963 film Cleopatra, and thus began a passionate and tumultuous romance that made headlines worldwide as they married and divorced twice over the years.

Lohan had talked about her role in the TV movie last month in an interview, and she posted a picture of herself dressed as Taylor as her Twitter profile. But there had been no official confirmation from the network until now.

The Mean Girls actress has been striving to turn around her bad girl image in recent months after being in and out of jail, rehab and court since 2007.

She was released in March from almost five years of formal probation stemming from a 2007 drunk driving and cocaine possession arrest. She recently returned to TV sketch comedy show Saturday Night Live and landed a guest spot on Fox's hit TV musical comedy Glee.

- Reuters


Lady Gaga denounced in Philippines

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No Doubt release new album

California pop-rock band No Doubt will be making their long-anticipated return to music this September with a new album, the band said on their website over the weekend.

The group, formed of lead singer Gwen Stefani, guitarist Tom Dumont, bassist Tony Kanal and drummer Adrian Young, will be release their first record in more than a decade following 2001's Rock Steady.

There is no title yet, but No Doubt did reveal a handful of tracks on which they'd been working in a June 2011 interview with Rolling Stone magazine, including the "party-ready reggae blast" track Steady Down and ska-pop tune "One More Summer."

The quartet from Anaheim, California, formed in 1986 and rose to fame in 1992 with their hit single Don't Speak, helping lead the ska revival of the 1990s, a musical genre originating from Caribbean dance music in Jamaica in the 1950s.

The band took a hiatus in 2004, pursuing solo projects, before reuniting for a greatest hits tour in the summer of 2009 and hitting the road for more than 50 concerts across the US and Canada, supported by acts including Katy Perry.

Lead singer Stefani also gained success as a solo artist with hits such as Hollaback Girl from her 2004 album Love. Angel. Music. Baby and Wind It Up from her second album The Sweet Escape in 2006, as well as launching a fashion career with her own clothing label.                        

- Reuters

One Direction heartthrob single

One Direction's Harry Styles is single again.

The curly-haired singer was thought to be dating UK actress Emily Atack, but his bandmate Louis Tomlinson has revealed the romance is over.

Tomlinson made the admission when discussing how much fun the band - comprising of Styles, Tomlinson, Niall Horan, Zayn Malik and Liam Payne - had when they were in New Zealand, Australia and America recently.

"Do I even need to say who?" he laughed, when asked which member romanced the most girls during the tour.

"I think it would be completely and utterly unfair to single out girls in that way, or put it like that. But... if you were to put it like that, I think it would - possibly - be... Harry. Do we keep a tally? No, we do not! That's hideous.

"No, no... [he's not dating at the moment]."

Tomlinson went on to talk about fellow British boy band The Wanted, who are also doing well in America. Both groups are relatively new and are often pitted against each other.

Tomlinson thinks such talk is silly - as his group is clearly superior.

"I think it is always blown up out of proportion, the way that just because we're two boy bands there's massive rivalry," he is quoted as saying by British newspaper The Mirror.

"But we are hoping that they'll still get on with us. Because, you know, there is potentially a spot on our arena tour for them to support us."

- Cover Media


Thursday, May 24, 2012

Blade Runner the best sci-fi film

Harrison Ford

MAN FOR THE JOB: Harrison Ford starred in three of the movies in the top 10.

Cult movie Blade Runner, a flop when first released, has been named the greatest sci-fi film of all time by film fans.

The film - starring Harrison Ford in the main role as Deckard - topped a poll of 10,000 readers compiled by SFX magazine, ahead of second-placed The Empire Strikes Back.

Blade Runner director Ridley Scott also had another of his films in the top 10, with Alien ranked at number eight. Aliens, the more popular sequel directed by James Cameron, sits at number 3.

Editor of the edition Russell Lewin said of Blade Runner: "This was a film that was both a commercial and critical failure when it was released in 1982. Since then, its reputation has slowly grown and grown. And no wonder - Ridley Scott's film is a striking work. Full of ambiguity, with complex and fascinating themes, it has stunning visuals that have been influencing sci-fi movies ever since, and rewards the viewer the more they watch it."

The top 10 are:

1. Blade Runner

2. The Empire Strikes Back

3. Aliens

4. Star Wars

5. The Lord Of The Rings: The Fellowship Of The Ring

6. The Matrix

7. Serenity

8. Alien

9. Back To The Future

10. The Dark Knight

Comments have been closed on this story.

- © Fairfax NZ News


Sarah plays Vegas

LOUISE RISK

In the week when Hamilton singer Kimbra entered the United States iTunes album chart at No3, another Hamilton-born artist has revealed she's also making musical waves Stateside.

Sarah Frances Johnston was born in Hamilton and spent the first two years of her life in Tokoroa before her family moved to Auckland and then to Samoa, where she discovered her love of singing "old school jazz".

The 21-year-old Kimbra fan also spent time living and singing in Tauranga before she made the move to Las Vegas, where she is currently earning NZ$400,000 a year performing as a torch singer in resorts, hotels and restaurants.

A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love.

"I'm possibly getting my own show this year, a speakeasy show, where people get dressed up to come along and enjoy the entertainment.

"I'm more concerned that my customers are having a good time than I am."

Johnston said her biggest career highlight so far was when legendary guitarist Carlos Santana approached her after one of her performances.

"He basically walked over to my table and asked if he could sit down," she said.

"He spoke to me for 20 minutes."

Johnston said Santana told her they both shared "gifts from God" and that she should aim to "harpoon the hearts" of her listeners.

"Ever since then I've been so focused and blessed in my performances," she said.

She was pleased to have "done things differently" from other performers who she said headed straight for Los Angeles to try to break into the United States market.

Her Auckland-based parents, Kathryn and Stephen, and her younger siblings, Cole and Mia, were moving to Las Vegas later this year to support her career.

Johnston previously enjoyed a four-month stint acting on Shortland Street.

She has also done various other modelling and acting roles, but it is hitting the singing big time that she has set her sights on.

"My goal right now is to get a record contract. Before I come back to New Zealand I want to have something definite to make New Zealand proud.

"I'm a very proud Kiwi living in Las Vegas."

- © Fairfax NZ News


Album preview: Norah Jones

Norah Jones

LITTLE BROKEN HEARTS: Norah Jones has collaborated with Brian 'Danger Mouse' Burton.

Ten years after Norah Jones broke onto the scene with her album Come Away With Me, the American singer-songwriter is back with her fifth album.

For the 12-track album Little Broken Hearts Jones teamed up with producer Brian 'Danger Mouse' Burton.

Come Away With Me, her self-described "moody little record" grew into a global phenomenon, sweeping the 2003 Grammy Awards and signalling a paradigm shift away from the prevailing synthetic pop music of the time.

The album won her five Grammy Awards in 2003 and has sold 25 million copies worldwide.

Since then, Jones has released three more critically acclaimed and commercially successful solo albums-Feels Like Home (2004), Not Too Late (2007), and The Fall (2009) - as well as two albums with her country collective The Little Willies.

The 2010 compilation ...Featuring Norah Jones showcased her collaborations with artists as diverse as Willie Nelson, Outkast, Herbie Hancock, and Foo Fighters.

Jones previously collaborated with Danger Mouse on his 2011 album Rome, a valentine to classic Italian film score music that also featured Jack White.

Norah Jones - Little Broken Hearts is out on April 27.

Tell us what you think.

- © Fairfax NZ News

Virtual Tupac to go on tour?

PAT PILCHER

The 'hologram' of Tupac Shakur that headlined the Coachella festival on Sunday may have caused many to question just what constitutes a live performance could soon be about to go on tour, according to the Wall Street Journal.

Dr Dre and Snoop Dogg are said to be engaged in discussions around the logistics involved in a joint tour that would include the animated projection of the late Tupac.

Shakur died at age 25 in a 1996 shooting.

While the music industry is abuzz with rumours surrounding the gig, the prevailing consensus is that both Dre and Snoop are looking at the possibility of touring with Eminem and 50 Cent as well.

Strictly speaking, the virtual Tupac isn't a hologram, but instead a digitally generated projected 2D image.

The technology that underlies the virtual Tupac involves a clever mix of digital image generation and lighting. The virtual Tupac was produced by Digital Domain, who have also created other advanced digital avatars for movies such as Tron: Legacy. 

The holographic effect was achieved by projecting a digital image of Tupac onto a special surface on the stage floor, which then reflected the image onto a transparent piece of Mylar. Performers who appeared to be rapping along with Tupac, were standing behind the screen.

WARNING: CONTAINS COARSE LANGUAGE

Creek reunion despite death

James Van Der Beek thinks Michelle Williams is only "so up for" a Dawson's Creek reunion because her character is dead.

The actor remains best known for playing Dawson Leery in the US teen drama, which also starred Michelle, Joshua Jackson and Katie Holmes. The group are continually asked if they will ever reunite for a modern version of the programme.

"You know what I love most about that?" James said. "That Michelle is always so up for it when they ask. Well, of course she is, her character died."

Dawson was self-absorbed and over-analytical and for a long time James felt he had to be the same way. He is glad he can finally let his true personality show, having shot some comedy clips which have been posted online.

"Yeah, I've always had a dark sense of humour," he told British newspaper The Independent.

"When I was filming Dawson's I felt awkward about letting that be seen. There was always a sense that you were representing the show and you had to take the material seriously and show a level of respect

"But you know one of the funniest things about doing this show and the videos I've done recently was my mother said to me: 'It's so nice to be able to see you showing your sense of humour.' So she was obviously worried."

- Cover Media

Nanny sues Sharon Stone

A former nanny for Sharon Stone is suing the actress claiming the Oscar-winner repeatedly insulted her Filipino heritage and fired her after discovering she had been paid overtime.

Erlinda T Elemen's harassment lawsuit claims Stone insulted her accent, her religion and other aspects of her culture in the final months of her employment. Elemen worked for Stone for more than four years and was promoted to head nanny, a live-in position, but was fired after the actress discovered the overtime payments, the lawsuit claims.

The suit also claims Stone, who was nominated for an Oscar for her role in Casino, forbade Elemen from reading the Bible in the actress' home.

Stone's accountants issued the payments because the nanny worked on vacations and holidays, but the actress did not approve, the lawsuit states.

Stone's publicist Paul Bloch called Elemen a disgruntled former employee who first sought disability and worker's compensation payments after she was fired roughly 15 months ago.

"Now, she is obviously looking for another opportunity to cash in," Bloch wrote in a statement. "This is a frivolous lawsuit for absurd claims that are made-up and fabricated. Sharon Stone will be completely vindicated in court."

Elemen's spokesman, Eric Rose, said in response to Bloch's remarks, "We can't wait to see Ms. Stone in court."

The former nanny is seeking unspecified damages on harassment, wrongful termination and retaliation claims.

- AP

West of Memphis in NZ film festival

TOM CARDY
Amy Berg, Damien Wayne Echols, Lorri Davis and Peter Jackson

PREMIERE: Director and screenwriter Amy Berg, producers Damien Wayne Echols, Lorri Davis and Peter Jackson pose at the premiere of West of Memphis at the Sundance Film Festival.

Sir Peter Jackson's feature length documentary on three American teenagers convicted for murder will screen in this year's New Zealand International Film Festival in Wellington.

West of Memphis, produced by Jackson and partner Fran Walsh and directed by Amy Berg, revisits the 1994 case. Supporters of the three men have campaigned for their release, saying their convictions for the murder of three eight-year-old boys were based on an implausible confession and questionable expert testimony.

Jackson and Walsh financed the defence of the three  Damien Echols, Jason Baldwin and Jessie Misskelley  who were eventually released last year.

The festival, July 27-August 12, also announced three other films that will feature in its programme. It will include the documentaries Bully, about bullying in the United States, and First Position, about a top dance competition for young people.

The film Bernie reunites School of Rock director Richard Linklater with star Jack Black.

Veteran Kiwi director Roger Donaldson will be a guest selector at the festival's inaugural Best of New Zealand Short Film competition.

- © Fairfax NZ News

The Great Gatsby trailer revealed

GILES HARDY

We know it was shot in Sydney but the trailer for Baz Luhrmann's The Great Gatsby quickly shows, and tells us that it is New York 1922, with shots of the Manhattan skyline and Times Square that required such complicated digital recreation it becomes clear why it was just as easy to shoot thousands of miles away.

Tobey Maguire narrates us through a genuine full length trailer - no 10 second teaser this - which is more than a third over before the titular Gatsby is shown.

Somewhat surprisingly, the sense of anticipation does build even in that short amount of time.

With title cards carefully citing Baz Luhrmann as the "Director of Romeo and Juliet and Moulin Rouge", but with no mention of Australia (the film), this short sample would appear to be a visual spectacular to rival those films yet clearly crafted with a different palate.

The footage is overwhelmingly lavish and rich and Carey Mulligan's Daisy informs us that Gatsby is "the man in the cool beautiful suits" yet we hear very little from DiCaprio as F Scott Fitzgerald's iconic American.

As Joel Edgerton emerges from behind a smoking cigar the trailer devolves into a rock music montage effort, and diminishes in appeal a little for it.

We revisit the impressive digitally recreated Times Square and a longer shot of a strikingly less convincing digital car chase that one can only hope is not a final version, letting down the effects that otherwise seem exceptional.

Ultimately this is an impressive trailer that does much to dispel concerns that this Gatsby had raised during shooting - post-Australia Baz seems to be back on form and Sydney does a good stint as 1920s New York state - yet the proof will be in the full, 3D, pudding.

What do you think of the trailer? Are you now looking forward to The Great Gatsby?

- Sydney Morning Herald

Wednesday, May 23, 2012

Kimbra album soars on US debut

Hamilton singer Kimbra's plans for US domination have started brilliantly, as she debuted at #3 on the American iTunes album chart and garnered glowing reviews.

The album, Vows, was also sitting at #19 on Amazon's hot new releases list.

The LA Times, along with the Washington Post, the Washington Times and Entertainment Weekly all sang the New Zealand songbird's praises as she sweeps through her first American tour.

Introduced to the US as the sidekick of Australian singer Gotye, on his single Somebody that I used to know, Kimbra is now being touted as a star in her own right - her record boss referring to her as ''the next Prince''.

The LA Times' August Brown wrote Kimbra had an "elastic, soulful voice".

"Sometimes she's self-consciously eccentric with her vocal tricks, but given her 1990s birthday, one can cut her slack for exploring how far she can push herself.

''Kimbra's American fame may have come on the heels of someone else's single, but there's a vision here that's entirely her own," he said.

He said people should "pity Kimbra, but just a bit", as she shot to fame on Gotye's track, but he said "that should all change with Vows... her international major-label debut that works like a more domesticated Bjiork effort.''

Allison Stewart, of the Washington Post, also compared Kimbra to Bjork, calling her a newer version of the Icelandic singer. She also drew comparisons to Nancy Sinatra.

"Kimbra's official debut, Vows, is snappy and smart, an often-great pop album with a knack for sounding more exotic than it is.
''It shoehorns in a little bit of everything: Nancy Sinatra pop, show tunes, funk, kittenish light jazz and a respectable Nina Simone cover."

The Washington Times said Vows shed misconceptions placed on her through the success of Somebody that I used to know.

"At 22 years old, Kimbra is a full decade younger than Gotye. Her grasp on pop music is seriously rare, though, making her less of a fresh-faced newcomer and more of a grown-up child prodigy," wrote Andrew Leahey.

Entertainment Weekly's Kyle Anderson said "the New Zealand sprite's bewitching wail" had the ability to "shift effortlessly" between harmonies.

"Her earnestness on the breezy Two Way Street is disarming, though Something in the Way You Are proves she's also a pro at plumbing psychological depths. But even when she's playing mind games, she's still somebody you'll want to know," he said.

Vows was released in New Zealand and Australia last year, and in its first week it charted at #3 in New Zealand and #5 in Australia.

- © Fairfax NZ News

Kimbra could be 'the new Prince'

Hamilton-born singing sensation Kimbra has the potential to be the next Prince, according to the chairman of Warner Brothers Records.

On the day her album, Vows, launches in the U.S., Kimbra has been featured in a New York Times article that is full of praise.

It describes her sashaying "on to the stage at Webster Hall, in her first bona fide concert in New York, while her band vamped on a campy movie theme".

It said she began her first song Cameo Lover and the crowd joined in.

"I always imagined my first American tour might be pretty modest," Kimbra told the Times.

"What I was really surprised about was how many people knew the words to my songs already."

Vows was released in New Zealand and Australia last year, and in its first week it charted at #3 in New Zealand and #5 in Australia.

However what brought her to wider attention in the U.S. is her chart-topping duet with Gotye on the hit, Someone That I used to Know.

Rob Cavallo, chairman of Warner Brothers Records, said the Gotye hit came well after the label had signed her, which was in June 2011.

"Kimbra's a real artist, and I envision her having a 15-to-20-year career," he said.

"She has the potential to be like Prince. That's how strong her musicality is."

The Times said she was philosophical about her sudden visibility in the U.S., especially given that she still had not had her own single on the pop charts.

"It's a good thing, because you get to build a foundation and explain what you're about," she said.

"It's difficult if you get thrust to the top with a hit single, and nobody knows anything about you."

She had always loved pop music, soul and R&B, but wanted her own songs to "take a more progressive angle, with theatrical elements".

She admired singer-songwriters, she said, who "used their voices as instruments", like Bjiork, Jeff Buckley, Rufus Wainwright and Prince.

The Times said that Kimbra was electric on stage.

"She leapt and shimmied in her flouncy dress, played a tambourine vigorously, flung her hair and sometimes did odd hand and arm motions as she sang, as if she were visualising the notes or conducting the audience.

"A high point came when she sang a cover of Nina Simone's Plain Gold Ring, with its hypnotic ostinato bass. She invested the lyrics about a woman in love with a married man a fierce sexual longing absent from Ms. Simone's bluesy lament.''

- © Fairfax NZ News

Teenager's opera takes to stage

BRIDGET JONES
love thy neighbour

STAGE DEBUT: A scene from Callum Blackmore's Love Thy Neighbour.

Not many people can say they have written an opera, and even fewer 17-year-olds can make the claim. But Callum Blackmore has done just that and it opens tonight.

Love Thy Neighbour is a tragic-comedy about a spinster gardening guru, her prize-winning turnip named Winston and her battles with a neighbouring hypochondriac.

The opera won the Under 30 category of a nationwide competition run by Auckland's Opera Factory and will open tonight for a five-night run in Newmarket alongside Open Section winner Ulla's Odyssey, composed by Anthony Young.

Blackmore started "tinkering away" at the opera at the end of 2011, first after school, before spending a few months on it during his school holidays.

The 17-year-old, who calls Wagner's operas his favourites, says this is his second attempt at creating a show, but he made sure there was no pressure to succeed this time.

"I had an attempt a couple of years ago, but I've learnt so much since then. I've honed my technique.

"It was difficult at times, the attitude I had about it was to try it out. If it doesn't work, then it doesn't matter."

Blackmore says while he was happy with what he created, it wasn't until he saw the production's dress rehearsal that he knew it was something special.

"It was just amazing. The [performers] have added so many layers that I couldn't have foreseen when I was writing it. They really become the characters, they bring the story to life, they bring the music to life - it's no longer just some notes on a page, it's a living, breathing piece of artwork."

The Selwyn College student is no stranger to accolades - Blackmore won the 2010 APO Secondary School Composers' Competition where students from around New Zealand compose original pieces for a symphony orchestra.

In 2011 Auckland Libraries commissioned him to write a new piece of music for NZ Music Month.

Blackmore has also been involved with the Opera Factory - a fringe theatre acting as a training ground for both opera performers and opera lovers - for a few years, working on his musical skills.

Operating since 1994, singers of all abilities are invited to join the company to learn and foster the skills of opera through classes and workshops.  

It is also a place for pianists, directors, costume designers and stage managers to learn their craft in an arena that mirrors a full-scale opera company.

- © Fairfax NZ News

Sam's still a Chinese bachelor

MICHELLE COOKE

Kiwi Sam Pearson may not have found love on a Chinese dating show, but he did find 1000 followers on Asia's version of Twitter.

Kiwi Sam Pearson may not have found love on a Chinese dating show, but he did find 1000 followers on Asia's version of Twitter.

And that's just the number of people who have started following him since his Sunday night appearance on the show, Fei Cheng Wu Rao, which aired to an estimated 300 million people.

A search for the former Wellingtonian's name on Baidu, China's version of Google, returns more than 70,000 results and imposters are already setting up social media accounts in his name.

Pearson, 34, was chosen to appear on China's version of The Bachelor last month.

Although at least three marriages and countless relationships have developed on the show, Pearson went home alone and missed out on a free trip to Greece because he didn't find a match.

The speed dating show saw Pearson interviewed by 24 women, who chose whether they wanted to find out more about him or had heard enough.

At the start he had signalled a girl he was interested in, but she decided not to pursue a relationship after he told the audience he was a part-time DJ and longed to return to New Zealand.

It came down to three girls, one which Pearson had to send home. He then brought the other girl back out and spoke with her on stage, trying to convince her that they would make a good match, but he couldn't.

Now he's left searching for love in a more traditional way.

But as a tall New Zealander living in the heart of China, Pearson isn't going to go unnoticed and he's going to stand out even more now his face has been plastered across TV screens nationwide.

Since the show aired neighbours have stopped him, women have sent him pictures - some, oddly, without their heads - and one woman even paid the show to give her his phone number.

"That put me off a bit. I don't think it's the best way to start a relationship with a bribe."

Pearson had never watched a dating show in his life before he was selected for Fei Cheng Wu Rao and he says it was "the strangest experience of my life".

Pearson moved to China eight years ago after a three years in Japan having previously studied Japanese, Chinese and economics at Otago University.

He works as a senior sponsorship manager for the Chinese Women's Tennis Association, which is how the famous show found him.

- © Fairfax NZ News


MasterChef top four shown mercy

BRIDGET JONES

The MasterChef judges showed the top four contestants some mercy last night - but not everyone was pleased about it.

The finalists - Ana Schwarz, Brenton Thornton, Chelsea Winter and Tony Price - were challenged to make four separate, business class quality airline meals in just two hours, to secure a seat on a flight to Singapore.

And what made it to the judging panel was a mixed bag. 

Schwarz was praised by the judges and named the best of the day with a near-perfect balance of flavours. She gained special mention for her fruit tart and salad.

She was closely followed by Thornton, who diced with disaster serving up two curry-based meals (violent curries on a long-haul flight were warned against by the judges).

He was saved by his use of delicate flavours and some MacGyver-like resourcefulness, as he whipped up a salad from leftover herbs after initially running out of time.

It was blood and guts for Winter when she sliced through her finger in the final stages of the show but managed to carry on and produce an eggplant parmigiana that judge Simon Gault proclaimed as one of the best vegetarian dishes he had ever tasted.

Price, who was adamant he would make the top three, failed to grasp the re-heating part of the challenge and served the judges lukewarm meals that massively underwhelmed.

As Price and Winter stood in the bottom two, the judges made a controversial move to give all contestants a boarding pass to Singapore - meaning no-one was sent home.

Schwarz and Thornton, who were the top two performers, seemed less than impressed with the outcome, with Schwarz saying it was unfair and she would be "pissed off" if she got kicked out in the next challenge.

Meanwhile, applications are already being sought for the next series of the cooking competition.

TVNZ is calling for wannabe chefs and budding foodies to prove they've got what it takes to follow in the footsteps of Brett McGregor, Nadia Lim and the still unknown winner of MasterChef season three. 

The show is expected to be filmed over three months, starting in August.

There are a few simple rules for applying - you have to be over 18, have never worked full-time in a kitchen as a chef, cook or in food preparation, and be an amateur cook.

To be in the running, food-lovers must answer a series of questions about their lives, career and love of food including "what personality traits annoy you", "what is your first memory of cooking", and "what is your favourite restaurant".

The show's producers say they are looking for people with "food knowledge, skill, enthusiasm, drive, love of food, and a desire to change your life".

What did you think of the judges' decision last night? Who's your pick to win?

- © Fairfax NZ News


Michael Jackson's Bad, 25 years on

Michael Jackson's Bad returns this September with new music and never-before-seen concert video in the first re-release of a full album from the King of Pop's catalogue since he died in 2009, Jackson's record company and estate says.

The Bad 25 deluxe package, released on September 18, commemorates the 25th anniversary of the original, Grammy-winning album with hits like The Way You Make Me Feel, and it will include demos and songs that didn't make the final cut of the original version.

The new songs were recorded in Jackson's studio while he was making the album, and the package also offers a DVD of Jackson's performance for Britain's Prince Charles, Lady Diana and 72,000 fans at London's Wembley Stadium in 1988.

The video was discovered in the singer's personal collection, and thought to be the only copy of the performance, taped for Jackson's own use, the estate said.

Jackson, a member of the Jackson Five family of singers and one of the best-selling pop stars of all time, died in 2009 of an overdose of the anaesthetic propofol and sedatives. His doctor at the time, Conrad Murray, is currently in jail after being convicted of involuntary manslaughter in the singer's death.

Craig Marks, editor of Popdust.com and co-author of I Want My MTV, said the Bad 25 anniversary package should highlight Jackson's legendary talents as a live performer and, perhaps, lure new fans.

"It continues to focus fans' attention on his music ... hopefully it brings to the fore what an incredible live performer he was and his songbook, given that 'Bad' was at the time considered to be very successful but was in the shadows of Thriller," Marks told Reuters.

Bad won two Grammy awards and sold more than 45 million copies around the world, fuelled by the popularity of singles such as Dirty Diana, Smooth Criminal and the album title track, Bad.

It was the singer's last collaboration with legendary producer Quincy Jones, who helmed the production on Jackson's solo album Off The Wall and the hit follow-up Thriller, one of the best-selling albums in history.

Marks believes Bad marked the end of an era for Jackson and Jones, and that Jackson used the record to explore deeper struggles following the phenomenal success of Thriller.

"The paranoid romantic hell he's in, his mini snapshots of how he felt being in the public eye so nakedly, and in some ways so alone, he wasn't able to trust many people and he felt very isolated. You can hear that in the record," said Marks.

To gear up Jackson fans ahead of September, the late singer's record company will re-release the first single from the album, I Just Can't Stop Loving You on June 5th in the US.

- Reuters

J Lo's Kiwi hip hop troupe

JESSICA TASMAN-JONES
Request Parris Goebel

STAR QUALITY: Auckland hip hop group ReQuest will dance on the American Idol stage.

An Auckland hip hop group is dancing on air with the news they've landed a gig with one of the world's most influential women on one of America's top rating shows.

Auckland's ReQuest dance crew will perform with Jennifer Lopez in the live final of American Idol, which will screen in the US on Wednesday and here on Friday.

The 42-year-old singer, actress and dancer will launch her latest single on the 11th season finale, which will be a showdown between alt-rocker Phillip Phillips and teen pop singer Jessica Sanchez.

ReQuest landed in LA last week thinking they would spend the next few weeks immersing themselves in local dance culture and perform at a hip-hop competition in San Diego.

Instead the group of nine girls have spent the past week rushing through paperwork and visas so they can grab the opportunity to dance with Lopez - who Forbes last week announced was the most powerful celebrity in the world, ahead of Oprah.

The opportunity arose through ReQuest member and founder Parris Goebel who has worked with Lopez for the past few weeks, choreographing routines for the star's impending world tour.

Goebel's father and manager Brett says the girls have been given a very short time to prepare but are "100 per cent" confident and "very excited".

"It's huge exposure. It's before 40 million people and that's just in America, that's not around the rest of the world.

"And also it's a huge endorsement of the girls when someone like Jennifer asks the girls to dance with her."

On top of the live American Idol performance, ReQuest will appear in a music video for the Lopez single.

"It's turned the whole trip upside down," Brett says.

ReQuest have won world hip hop titles, starred on season six of the America's Top Dance Crew television series and some of their YouTube videos have earned hundreds of thousands of hits.

Lopez last month announced a world tour for the northern hemisphere summer.

She was put on to Goebel through her choreographer boyfriend Casper Smart, who at 24 is almost half her age.

Smart showed her YouTube videos of the South Auckland dancer who at just 20 already owns two dance studios, one in Penrose, the other in Hamilton.

Brett says his daughter's career took off when she formed the group ReQuest in 2007.

Its current members are Parris Goebel, Malaena Eagle, Colette Eagle, Bianca Ikinofo, Ngavaine Tearea, Reimy Jones, Brooke O'Neill, Starcia O'Neill and Oriana Whaiapu.

- © Fairfax NZ News


Riverdance bids NZ farewell

BRIDGET JONES

In 1994 Michael Flatley showed the world just what you can do with no arms. Now, 18 years on Riverdance is saying goodbye with one last New Zealand tour.

The show began as a seven minute performance at the Eurovision Song Contest featuring Irish Dancing Champions Jean Butler and Michael Flatley, and less than a year later, the full-length Irish spectacular opened in Dublin.  

While Flatley is no longer involved with the show, more than 22 million people have seen Riverdance live in more than 350 cities around the world.

The show opened at Auckland's ASB Theatre last night as part of the worldwide Riverdance Farewell Tour.

A celebration of Irish music, song and dance, Riverdance tells the story of the similarities and influences on other cultures Irish dance has had.

The show features 31 performers including the Irish Troupe, the cream of Irish musicians, and an impressive array of talents from around the globe, all performing to composer Bill Whelan's Grammy Award-winning music and lyrics.

Over the show's nearly 20-year run, there have been:

- 1,500 Irish dancers in the cast
- 14,000 dance shoes used
- 12,000 costumes worn
- 228,000 litres of Gatorade consumed
- 1,650,000 show programmes sold
- 1,500 flight cases used
- 12,000 stage lighting bulbs used
- 40,000 boxes of tissues used
- 16,250 guitar, bass and fiddle strings replaced
- 284,000 t-shirts sold
- 39 marriages between company members
- 45,000 rolls of self-grip tape used by company physiotherapists
- 15,000 hours of rehearsals on tour
- 27,272 kg of chocolate consumed (for energy) by the cast

RIVERDANCE - FAREWELL TOUR 

May 22 - 27, ASB Theatre, Auckland

Tickets from $65 from The Edge

- © Fairfax NZ News

Tuesday, May 22, 2012

Why so serious, Mr Bond?

Are the new James Bond movies too serious? Ok, so I'm blogging about Bond again. I'll try not to make a habit of it.

The teaser trailer is out for Skyfall, the new Bond film released in November.

Check it out, then let's talk:

It looks as moody and serious as the previous Daniel Craig films. All the thrills and spills of a helicopter landing, coffins and a tube train derailment.

Old school Bond was always a mix of fun, cheek and grit. There was always a certain cold nastiness to Sean Connery's Bond, but it was leavened with a bit of glamour and fun.

Now it feels as though they have looked at the box office success of something like the new Batman films and thrown out all the fun and cheek in favour of a tonne of grit. They even enlisted director Sam Mendes to lend dramatic clout.

Why so serious?

I think this brilliant song sums it up perfectly. It's an alternative theme tune for Quantum of Solace:

Other action films have taken up the marketplace left by Bond's pursuit of credibility. I thought Mission Impossible: Ghost Protocol had all the pomp, invention, scale and glamour of an old-school Bond movie. It was great fun as a result.

I'm not saying classic Bond is perfect. He was a big square, mysogynist killer for the man who thinks The Beatles are a racket and wears blue towelling trunks with a matching playsuit. He is a materialistic sociopath xenophobe. Quite unpleasant.

What about this quote from Goldfinger? "My dear girl, there are some things that just aren't done, such as drinking Dom Perignon '53 above the temperature of 38 degrees Fahrenheit. That's just as bad as listening to the Beatles without earmuffs."

In short, he's a bit of a dick.

You get the feeling Bond would have been more into Wings than The Beatles, which is perhaps why Paul McCartney wrote the theme tune for Live and Let Die.

But don't get me wrong. I am not saying we should return to the Roger Moore days of hover gondolas and penny whistle sight gags. I like the idea of making Bond a little more vulnerable and gritty. One of the reasons I lked The World is Not Engough was the way he was left hanging from the Millennium Dome, having failed his opening mission. It reminded me of the way Jimmy Stewart is left hanging at the opening of Vertigo, vulnerable and flawed.

All I am saying is the grit and seriousness need to be balanced with fun and glamour. It's all part of the Bond mix. You can't have him getting drunk and weeping at the sky bar all the time.

Having said all this, I look forward to the new Skyfall. It looks classy as all hell and I'm intrigued with where they are going to take the franchise.

So, what do you think? Do you miss the light edge of Bond past, or are you happy with the new grit? What do you want from Skyfall?

What do you make of the first two Daniel Craig Bonds? I thought Casino Royale was cracking, but Quantum of Solace was a letdown.

Follow Charlie Gates on Twitter


The D-Bag: A career in (baffling) details

Recently I asked you all to put forward submissions to Right This Blog! With that in mind please welcome today's guest post from Mark H.

"History is written by the victors..." Attributed to Winston Churchill

Winston Churchill, we know him as the steadying hand of British war-time politicians, a quotable man of the people whose indomitable spirit and embodiment of the English Stiff Upper Lip has left him revered as not a man, but an icon. But there is something else to Churchill. He was an a**hole.

And as such, it pains me, as an admitted a**hole, to correct him.

No, Winston, in this case, blog history will not be written by the victor. It is to be written by the a**hole.

My name is Mark. And I am a finalist of Simon Sweetman's "Right This Blog" 2012. My topic: the mental workings of an a**hole on the internet.

"Mark," I hear you ask, "how is it that, on our daily music blog, you have rudely lifted the needle of our music player, stood above it, and taken an almighty dump all over it with this misanthropic, self-important ranting?"

First off, shut up, I'm trying to talk.

Second, I will tell you. I estimate it was around a month ago now, sitting in my office cubicle, the stink of a Marlboro light being intertwined with what must have been my third can of Monster for the day, I trolled Stuff for the something-th time, and noticed a title that, in comparison to the alternatives about cats in trees and Sally f**king Ridge, leapt and spoke at me like a meth-addled street preacher.

OASIS: LOOKING BACK IN ANGER

Some exposition: I like Oasis. I stand by my opinion that every album has at least one ear-worm that validates their spot as one of the premier bands of the last 30 years. I am not a rabid, slavering fan who will throw Morning Glory on at a party and play it until you like it. But if there is one thing you should know about an a**hole, it is that you can't not like what they like.

Sweetman committed that most cardinal of sins: HE HAD AN OPINION ON THE INTERNET.

My stomach churned with every sentence I read. I heard a disturbance in the force that screamed at me with the power of one thousand beginning guitarists butchering Wonderwall. God called to me with righteous voice and furious anger. The Sign of the A**hole aligned in the Southern Sky and manipulated me to bring the pain in the most furious, damaging way that I could with the weapons the good Lord saw to befit me with.

I replied:

Mark H   #171   10:37 am Apr 02 2012
I'd get wound up by this if it wasn't the same old "I hate everything people like" horse$#!t week after week.

In the 3.30pm haze of Monday-induced brain-halt, I replied with all the vitriol my caffeine- and work-addled brain could attack with.

At the time, my smug-a**hole meter went off the charts. I was Jack's Smirking Revenge. I was the big kid asking the poor child, "Why are you hitting yourself? Why are you hitting yourself?" I was as furiously annoying as that gurning clown on those Mantrol ads.

I was wrong. Man that was a limp-wristed comment.

I am going to give you a few seconds to recover from squirming uncomfortably at how naff that was, because it gets worse...

Riding the wave of self-righteous dickishness, I wasted no time in commenting on the next blog, titled Most Influential Album of the Past 25 Years. Oh man, Sweetman, you better call a vet for this puppy, cos it was SICK:

Mark H   #42   12:59 pm Apr 02 2012
Oasis - What's the Story (Morning Glory).
Come at me, Sweetman.

You see what I did Sweetman? Not only did I TOTALLY own you with that OH SO WITTY choice of album, I combined it with a TOTALLY bad-ass Jersey Shore reference.

(Writer's note: I am many things. A**holish, as you knew coming into this. Not as funny as I want to be, as you have learnt. My GF tells me I'm a snorer, which I maintain is hereditary and therefore Dad's fault. But I do not, cannot, and will not, so help me God, watch Jersey Shore. You can crucify me for many things, but that's not one.)

Only in the cold light of a productive workplace Friday, I can see what you do. That comment was a**holish - but not in the cool, "Oh man that dude is SUCH a badass" a**hole. No, that was a**holish in the Walter Peck from Ghostbusters way.

I'm not proud of it, which brings me to why you are potentially still reading this twaddle.

I clicked on the Right This Blog entry during a placid Saturday at my GF's parents' house, expecting a chance to unleash vitriol in between enjoying the sun and complimenting the GF's muffins (get your mind out of the gutter). Expecting a chance to hit the hat-trick of horse-sh*t I so desperately wanted, I instead got my ass kicked so hard that my future kids will say "ouch":TISM

Sweetman likes TISM.

This means nothing to you, but I was a young, skinny streak living in Geelong, Australia, during my teenage years. This was in a time when not listening to Limp Bizkit clearly outed you as any number of teen slurs.

TISM were my escape. The lyrical genius of (He'll Never Be An) Old Man River. Defecate On My Face, the only song to ever rhyme "Warsaw pact" with "Hitler's digestive tract". The infectious catchiness of Anarchy Means Crossing When It Says Don't Cross. Look up, if you can, TISM's shortest ever gig on YouTube. These guys were amongst my a**hole heroes, perhaps second to my all time hero, Bill Hicks. (Incidentally, Bill, if you can see this from wherever you are, I am so so sorry for what I am doing to comedy...)

Which brings me, in less than 1000 words to this point, why this is on your screen.

As brilliant as they were to the few of us who knew them, TISM were not a well-known band outside Australia. Most important, they knew a**hole bands have a**hole fans. So when I realised that this blogger, who had come so close to a third helping of the Technicolor bollocks known as my blog comments, not only knew of but LIKED something I liked, I had to concede - maybe, in my whole "Same three albums in the car, liking Freebird un-ironically, if it's not from the 90s it's not on my player" experience, I did not know more than someone who wrote about something for a living.

From Sweetman's  blog announcing the Right This Blog winners:

I'd also like to see the guest-blogs from #57 Mark H who said "I feel after reading this I should apologise for prior ****ishness on your blog - particularly after noticing the TISM blog I concede you know your oats. Ergo the only real blog I can touch on is being a d-bag in blog comments". Please write that Mark H.

Here I stand, Sweetman. In front of you, your readers, my parents (who upon reading this will petition for a word stronger than "shame" to be entered into the Oxford Dictionary), you have that blog.

I am prepared to be pilloried, laughed at, not with, to be shown up to perhaps not have the answers to the world's problem, and maybe even be called a slightly overweight, shaved head toolbox. And, yes, to announce that MAYBE Oasis aren't as good as we all remember

And to that I will nod, stand with my back straight, and announce with heart and voice:

At least they're not Blur...


No more House calls

Whither Dr Gregory House? Would the cantankerous hero of the Fox medical drama mend his ways or self-destruct for all time?

That was the mystery as House barrelled to its conclusion in the United States on Monday night (local time). In a recent interview, series star Hugh Laurie had teased that House was coming to the edge of a precipice eight years in the making: "Is he gonna step forward or step back? Is it life or is it death?"

Viewers were rewarded with a satisfying answer in the one-hour finale.

[Caution: Read no further if you want to preserve the surprise.]

The episode began with a typical example of House's bedside manner.

Patient: "I was in a car accident last month."

House: "I won a swimming trophy in high school. Your turn."

But this hospital encounter gave way to a House hallucination. He appeared to be in a bleak, abandoned factory loft with fire lashing around him and with that same patient, now dead, lying nearby. It was a typical example of "House" surrealism, as, intermittently through much of the hour, House debated whether to live or die while interrogated by characters from his past.

House's challenge as the episode began was how to stay out of jail. A prank he pulled on last week's episode threatened to put him in the slammer for a six-month sentence - a month longer than his best friend, Dr. James Wilson (Robert Sean Leonard), was expected to live with his terminal cancer. House was desperate to be with Wilson in those final weeks.

As everybody knows, House was a grumpy, brilliant diagnostician with a limp, a cane, buggy blue eyes and an addiction to painkillers. He was also a master manipulator. Could he hatch a successful scheme to stay free - like persuading Wilson to take the fall for his destructive prank?

"You do remember I'm dying, don't you?" Wilson responded incredulously.

"Which is why you'll never spend a day in jail," House declared. "I don't want to lose this time with you."

Wilson refused: "If I do this, I'm teaching you that your bad behaviour will always be rewarded."

Meanwhile, on the finale, could House solve the puzzle of existence?

"Every patient I've had, 70 years from now, will all be as dead as Wilson," House grumbled in his hallucination. "Everybody dies. It's meaningless."

By then, House had dropped out of sight. Wilson and other colleagues at Princeton-Plainsboro Teaching Hospital feared the worst: that the tormented House had killed himself.

Indeed, a fire raged at the real-life warehouse, where House, along with his patient, a heroin addict, had retreated to get high. House appeared to die in the raging inferno. His body was recovered and identified.

A funeral was held.

"He was a healer," said Wilson in a eulogy that quickly grew bitter: "House was an ass. ... He claimed to be on some heroic quest for the truth. But the truth is, he was a bitter jerk who liked making people miserable. And he proved that by dying selfishly, numbed by narcotics, without a thought of anyone."

But then Wilson was interrupted by a cellphone text message: "SHUT UP, YOU IDIOT."

Wilson found House sitting on a building stoop, alive and - by House's standards - well. He explained he had escaped from the back of the building, and traded dental records with the patient who had overdosed, whose body was recovered.

"I'm dead, Wilson," House told his shocked friend. "How do you want to spend your last five months?"

The two were last seen out in the countryside on their motorcycles.

"When the cancer starts getting really bad -" Wilson began, but House cut him off.

"Cancer's boring," House said and flashed a little grin. They rode off.

For House, boring had always been life's least tolerable state. The finale - the series' 177th episode - served well as a reminder: House seldom was.

- AP

World away from TV sleaze

JANE CLIFTON - TELEVIEW
Intrepid Journeys Sumatra

HEART OF GOLD: Rachel Hunter showed her goodness in Sumatra on Intrepid Journeys.

There have been so many lurid television moments lately: Target's sleazy carpet cleaner, Shortland Street's anniversary chopper crash, complete with a fugitive body part, Campbell Live's dubious jackpot on Monday, which unmasked the ACT donor racist as a creep into the bargain.

"Have you ever had sex against a tree?" the rheumy-eyed anti-Maori crusader asked the female interviewer, apropos of nothing in particular.

So it was unexpectedly relaxing – or at least a break from toe-curling embarrassment – last night to join Rachel Hunter in Sumatra, on TV One's new series of Intrepid Journeys. Lots of trees, no sex – to the point where the former cover girl was chased from the jungle by a group of orangutans who plainly wanted their privacy. "They want to do some shagging," she narrated, adding that this was fair enough. "It's their territory, not ours."

The programme initially threatened to be more annoying than stimulating, as Hunter's flat and strangely bleaty mid-Pacific accent grates even more than the incessant tooting of urban Sumatran traffic. When she waffled on and on about being at a crossroads in her life, and longing to move "in new directions", the experience threatened to be unbearable.

But all was forgiven when we saw Rachel tenderly communing with a beautiful, sad-eyed ox resting unconsidered in a village she was passing through. By the time she had paid NZ$50 to liberate an eagle, battering itself in torment against the bars of a cage, it was time to concede that, while trite of phrase, she is gold of heart.

The eagle presented an interesting dilemma which she debated with her Sumatran guides. "Westerners do not like to see this," they told her of the captive eagle. But the caged eagle was part of a trade based slyly on this Western sensibility. Westerners could be relied on to pay to set the eagle free. If they stopped paying, the eagle would stay captive till it pined to death – but maybe the cruel trade would cease.

But who could pass by and do nothing? Hunter acknowledged that she had no idea whether setting the bird free would pose it more hazards, and sure enough, the bird was immediately involved in a battle with wild eagles. But, as she said, better to be free to fight your battles than die in captivity, and the sight of the magnificent creature on the wing made it hard to argue.

As with many intrepid journeys, the trip involved hideously long and comfortless road travel. One of Hunter's rides lasted 10 hours on bad roads, punctuated by nerve-jangling tooting. But while she longed to be free of the juddering transport, the flip-side was no more welcome: a four-hour trek up a live volcano. Out of condition owing to a lengthy lay-up after back surgery, Hunter found the steep slopes the least of her worries. She was a smash hit with the local leech population.

"That's my blood – I need it!" she exclaimed with indignation as her guide detached the first sucker. As the hours of slog passed, there were small but intense tantrums about the incessant slimey hitchhikers. "Not something I had on my bucket list," she narrated grimly.

Reaching the summit for the apparently stupendous view was hardly less of a challenge to Hunter's temper. "Very peaceful – except for my moaning," she said, gazing down upon thick, view-occluding mist. "Four hours [to see] my mother's soup."

However, she rallied at the chance to see the sort of live volcanic activity that in a New Zealand tourist spot would be strenuously cordoned off.

There was a heart-warming banquet in a traditional extended-family long-house, and when it came time to camp overnight in the jungle, where the leeches brought their mates – spiders, snake and scorpions – Hunter was remarkably game. The leeches might come while she slept, "but at least they get full and they fall off at some point".

A further adventure was being welcomed in at a big wedding she happened to be passing by. "I'm not sure how I would have felt if a van-load of strangers had gate-crashed my wedding," she mused – perhaps forgetting how many paparazzi had tried on the occasion of her becoming Mrs Rod Stewart.

Swamped and trussed in a near-body-bag of white, rather like a bio-hazard officer, for her induction into a Banda Aceh mosque, she embraced the non-glamour of the situation."I'm just very happy that Sports Illustrated isn't hanging around anywhere."

Meanwhile, in the leech-free Hamptons, TV2's Revenge, Monday, was an agreeably florid double episode.

Our heroine, Amanda, who is pretending to be Emily, is secretly the daughter of a wrongly convicted terrorist merchant banker, bent on punishing the Hamptons grandees who framed her dad to cover up a massive embezzlement.

The plans were always going to unravel, but the fun of this programme is to see how twisty and turny the unravelling can get.

Best gotcha was that, from the flash-forward that featured in the pilot episode, viewers have assumed that sweet, blameless rich boy Daniel ends up getting murdered as a result of Amanda's covert web of come-uppances.

This "knowledge" has imbued her seemingly sincere love-hearty relationship with Daniel with a special vein of nastiness.

It was both a relief and rather disconcerting to learn this week that the dead bloke was actually misidentified in the flash-forward, and when the corpse is turned over, it proves to be the evil, bisexual, bipolar, fugitive but highly intelligent blackmailer Tyler.

Good job all round, you might think – but Daniel is now the prime suspect for the murder. And if he gets off, it'll be the turn of Amanda's childhood sweetheart, the equally nice and blameless Jack, who was skulking about the scene of the crime in an effort to get his flaky girlfriend (Emily, who is pretending to be Amanda) out of the frame.

But Revenge is wonderfully reliable in that the seemingly inevitable outcome of any situation always gets subverted – sometimes twice between ad breaks. Plus the frocks are fabulous.

- © Fairfax NZ News

Anger over Rhythm and Vines sales

SHANE COWLISHAW
Summer pix Jan 17

BIG SUCCESS: Girls enjoy the last sunset of 2011 at the Rhythm & Vines Music Festival.

Angry partygoers have lashed out at the organisers of Gisborne festival Rhythm and Vines after the ticket website crashed this morning.

Early bird tickets for the popular three-day event went on sale this morning via the Rhythm and Vines website.

But it was unable to handle the thousands of eager fans attempting to snap up a ticket and crashed, taking money from several people's accounts without issuing tickets.

Frustrated ticket buyers took to social media to vent their frustration, with several angry comments left on the festival's website.

Liz Gosling said she attempted to buy a $295 combo ticket for her daughter and after 20 attempts managed to log in, only to be told she had to buy a camping-only ticket.

The site then crashed several times and when it eventually came back up the price had risen to $369, she said.

Several others reported that money had been taken out of their account but no confirmation email had been received and the site still informed them they were yet to buy a ticket.

"My bank statement shows $660 going out but I still have the full amount in money available. Clear contact has been made to the bank with my credit card payment, yet no email. What a f**k up," Zac Emmerson wrote.

Rhythm and Vines sales and marketing manager Peter Hall said the "regrettable" situation had been caused by a massive underestimation in demand for the tickets.

Last year during presales about 4000 tickets had been sold but demand today had been double that, he said.

An initial error in the new ticketing system meant the site had to be shut down soon after tickets went on sale this morning, but when it was relaunched about 4000 people were trying to access the site at the same time which overloaded the server.

The demand meant that when some people had paid their credit card details were verified at a secure third-party site, but the verification was not sent back to the Rhythm and Vines site.

Hall assured ticket buyers that they would receive their ticket confirmation soon and the customer service team was working through every payment manually to confirm them.

"It's a real shame and obviously from our perspective it's extremely regrettable.

"It's not something we want to see happen to our customers and we really regret it."

The ticketing site was now working normally, he said.

- © Fairfax NZ News