Saturday, April 28, 2012

Auckland life on TV show

BBC series entices Brits to the City of Sails

JESSICA TASMAN-JONES

The global financial crisis has made life in Britain a bit grim right now and a BBC reality series is set to see if Auckland's sunny climate and city beaches might lure five British families Down Under.

Their tough decision is being filmed for BBC series Wanted Down Under, currently in its sixth series.

The prospective migrants are looking through Auckland open homes, exploring local schools and examining employment options to decide if they want to move. Each family member gets to vote on whether New Zealand life looks better than what they have at home.

An Auckland researcher has been sourcing potential new homes for each family which include locations on the North Shore, western suburbs, the Whangaparaoa Peninsula and the city's southern outskirts.

Bayleys, one of the agencies taking families through potential homes, is showing off properties in Gulf Harbour, Orewa and Stillwater, among others, ranging from $320,000 to $650,000.

Show participants compare the cost of living between the UK and their potential Auckland home.

They also consider the emotional toll of leaving behind their extended family.

Bayleys managing director Mike Bayley says the show generates publicity for Auckland worth tens of millions of dollars.

"Exposure on this scale to one of this country's key immigration markets is an incredible opportunity for the New Zealand brand.

"It's also a fantastic opportunity for those British families coming here for the filming to see firsthand just what life is like in Auckland, and what sort of homes they will be able to afford."

- © Fairfax NZ News

Possibly the worst music videos ever

LAURA GARDINER AND JULE SCHERER

The five worst music videos ever as chosen by Stuff.co.nz readers.

Earlier this week we asked you if Lisa Gail Allred had produced the worst music video ever. Many of you answered our call and proposed some works of art that could easily be classified as a visual and sonic assault.

Tirelessly, we have worked our way through your suggestions (so you don't have to) and selected arguably the five-worst music videos ever made.

1. The top spot is taken by Courtney Stodden - the 17-year-old aspiring "singer" who married 51-year-old Lost actor Doug Hutchison - with her Don't Put It On Me. Singing straight into the camera while sitting on a row-boat sporting a revealing shiny pink swim suit, this video has all the markings of the worst music video EVER.

2. Hot Problems: This is a truly terrible single made by Doubletake Studios Limited. May we add the company who made the video is "no longer trading"...

3. Jan Terri's video to Losing You is certainly one of Stuff readers' favourite. The "musician" from Chicago, Illinois, is featured in the video riding around the city in a limo and then on the back of a motorbike.

4. Kim Kardashian's mum Kris Jenner is dedicating her "hit" music video, I Love my Friends, to her famous daughter. Be prepared for some pain.

5. Let's be honest here, you just can't have a list of top-five worst music videos without Rebecca Black's infamous Friday music video!

And now go and enjoy your Friday with those beautiful tracks playing in your head.

- © Fairfax NZ News


Jackson defends movie's look

MICHAEL FIELD

Hobbit czar Peter Jackson has rejected criticism of his movie's new look after a 10 minute trailer showing in Hollywood was criticised.

Jackson, who is shooting The Hobbit: An Unexpected Journey at his Stone Street studios in Wellington, has broken with the convention of shooting 24 images or frames a second and has gone to 48.

He says it creates a more life-like picture and will be easier to watch in 3D.

But when Warner Bros. showed off 10 minutes of footage this week at CinemaCon, the annual convention for theatre owners, many complained it looked more like a movie set than the atmospheric, textured world seen in The Lord of the Rings.

Smaller theatre chains are complaining that the Hobbit's technology means they will have to upgrade projection equipment.

Jackson's told Hollywood's EW.com nobody is going to stop new technology in movies and critics will change their mind when they see the finished film.

''At first it's unusual because you've never seen a movie like this before,'' he says.

''It's literally a new experience, but you know, that doesn't last the entire experience of the film; not by any stretch, after 10 minutes or so. That's a different experience than if you see a fast-cutting montage at a technical presentation.''

What was seen in the trailer was a new experience, but it doesn't last the entire that through the whole movie.

Jackson says that at CinemaCon the critics seemed to like the trailer as it went on.

''A couple of the more negative commentators from CinemaCon said that in the Gollum and Bilbo scene [which took place later in the presentation] they didn't mind it and got used to that,'' Jackson says.

''That was the same 48 frames the rest of the reel was. I just wonder if it they were getting into the dialogue, the characters and the story. That's what happens in the movie. You settle into it.''

- © Fairfax NZ News

Film crew keeps up with the Ridges

Celebrity duo start shooting reality TV show

Sally Ridge Jaime Ridge

OUT TO LUNCH: A film crew captures Jaime, left, and Sally Ridge having lunch at SPQR in Ponsonby.

Filming for Sally and Jaime Ridge's reality TV show is believed to be underway as the pair were snapped with a film crew in Ponsonby today.

The celebrity mother and daughter duo were being filmed at swanky eatery SPQR on Ponsonby Rd with a group of girlfriends.

It's also suspected the pair may have been filming at boutique hotel Mollies, with Jaime tweeting: "Spending the day at Mollies Hotel. Makes work seem like a holiday #spoilt".

Although Sally and Jaime, 18, have not confirmed they are shooting the show, it is understood they will feature in a TV3 series similar to the E! Channel hit Keeping Up with the Kardashians.

Media Works, which owns TV3, refused to confirm or deny the show would screen.  

"There is nothing imminent along these lines, but it's not our policy to comment on what is or isn't in development," a representative said in March.

Sally became a local celebrity after marrying former All Black and New Zealand Warriors player Matthew Ridge before she switched sporting codes and took up with former Black Cap Adam Parore.

The socialite is a former interior designer and owned failed underwear company James & August.

Model Jaime was involved with hockey rep Dwayne Rowsell, then left him in favour of All Black and New Zealand heavyweight boxing champion Sonny Bill Williams but the relationship did not last long.

- © Fairfax NZ News


Actor charged with domestic violence

Former Prison Break star Lane Garrison was charged on Thursday with misdemeanour battery against his ex-girlfriend, which could violate his parole over a conviction for vehicular manslaughter.

Since his arrest on Sunday, Garrison, 31, has been held in jail without bail. His probation for the 2007 manslaughter conviction was set to expire in one week, his attorney said.

Security cameras at his ex-girlfriend's Beverly Hills apartment show a dispute on Saturday between Garrison and Ashley Mattingly in the lobby of the building.

Garrison struck Mattingly as the two were leaving an elevator, said Los Angeles deputy district attorney Elizabeth Marks. Witnesses approached the pair, and he fled the building, prosecutors said.

Video of the dispute was posted on celebrity website TMZ.com.

Garrison's Los Angeles attorney, Harland Braun, said the two were in "the process of breaking up" and were arguing over messages on their cell phones and over the devices.

"It's pretty clear he's trying to grab his phone, or she's got both phones basically," Braun said. "It's unfortunate that it happened just before he was going to terminate his parole."

In 2006, Garrison was driving a Land Rover carrying a 17-year-old Beverly Hills high school student and two teen girls when the vehicle struck a tree, resulting in one death.

Garrison in 2007 pleaded guilty to vehicular manslaughter, driving under the influence causing injury, and a misdemeanour count of providing alcohol to a minor.

A hearing will be held within two weeks to determine if Garrison violated his parole in the fight with Mattingly, said California Department of Corrections and Rehabilitation spokesman Luis Patino.

If Garrison is found to have violated his parole, Garrison could face up to 90 days in jail, Patino said.

Garrison played the character Tweener in the Fox series Prison Break, and he also appeared in 2007 film Shooter.

- Reuters

Susan Boyle chased by crazed fan

Susan Boyle is "on edge" after a crazed fan chased her and tried to break into her hotel room.

An obsessed admirer followed the Scottish singer up four flights of stairs as she tried to get into her suite at the Hope Street Hotel in Liverpool, North England, following her performance with the cast of her I Dreamed a Dream musical.

The man fled after the security team tried to detain him at the scene this week.

The scare comes just two weeks after Boyle's former gardener turned up to her home in Blackburn, West Lothian, demanding money.

"She has been a little on edge, especially with what happened at her home recently, so everybody is on high alert," a source told Scottish newspaper the Daily Record.

The witness also described the latest incident as "creepy". The 51-year-old is now making sure she is chauffeured to and from the Liverpool Empire theatre.

"Some fans waited for her in the lift but Susan decided to take the stairs," the source said.

"Susan's room was on the fourth floor so it was a fair old walk. He realised she was taking the stairs so started following her.

"She managed to get in the room safe but he then made a dash for her door saying he wanted her autograph. It was really scary for Susan - to follow someone up the stairs for four floors is creepy."

The singer has grown a large fan base since she shot to fame on Britain's Got Talent in 2009.

However, she has fallen victim to followers taking their admiration too far. In 2010, a man broke into the bedroom of her house after she returned from recording a charity single for victims of the Haiti earthquake. At the time she believed it was the same man who tried to break in the previous Christmas. The latest attack has left her "terrified and shaken", the source added.

"She absolutely loves performing but sometimes the reaction of fans is really intense."

- Cover Media

One Direction forced to change dates

One Direction have changed the dates of their 2013 New Zealand tour.

Due to ''unforeseen circumstances'', the dates of the New Zealand shows on the 2013 One Direction World Tour have moved back a week.

The Christchurch CBS Canterbury Arena show moves from Thursday, October 3, 2013 to Thursday, October 10, 2013. The Vector Arena Auckland shows move to October 12 and October 13, 2013.

All pre-ordered tickets purchased will be automatically transferred to the new dates and will remain valid.  Tickets will be printed with the rescheduled date of the show on the ticket when dispatched in 2013.

Those who have purchased a pre-ordered Ticketek ezyTicket will have their tickets automatically voided and will receive a new ticket by post next year when all tickets for the tour will be dispatched.

Those who have purchased tickets and are unable to attend the show on the rescheduled dates are asked to please contact for Auckland customer.help@ticketmaster.co.nz and Christchurch online@ticketek.co.nz to facilitate a refund no later than Friday, June 1, 2012.

Further tickets will be released for the general public to purchase at 10am today.

One Direction's 2012 tour of New Zealand sold out in just 10 minutes.

The British boy band comprising Liam Payne, Louis Tomlinson, Niall Horan, Harry Styles and Zayn Malik  gained notoriety in 2010 after appearing on The X Factor UK.

Their global smash debut album, Up All Night, is now No1 in 15 countries and has been certified triple platinum in Ireland, double platinum in the UK, Australia and New Zealand.

In six months they have sold more than 4.2 million records worldwide.

Their BRIT Award winning debut single What Makes You Beautiful entered the charts at No1 in both the UK and Ireland and is double platinum in New Zealand and four times platinum in Australia.

In the United States the group recently made chart history as the first British group ever to debut at No1 in the United States with their debut album release.

They currently have over 5 million Facebook fans; over 18 million twitter followers and over 272 million You Tube views.

- © Fairfax NZ News

Review: Fun You Can Have Dying

GRAEME TUCKETT
The Most Fun You Can Have Dying

BEAUTY AND INSIGHT: Roxane Mesquida and Matt Whelan in Kiwi film The Most Fun You Can Have Dying.

REVIEW: Michael is young, handsome, charismatic, and popular. Apart from his choice to live in Hamilton, be obnoxiously self-destructive, and unfaithful to his girlfriend whenever he has the chance, there's a lot to like about the guy.

And then, Michael is diagnosed with a terminal form of cancer.

The only possible treatment is still in the experimental stages, and it costs hundreds of thousands of dollars. But, some of Michael's family aren't short of a crust, and the money is raised.

Michael, faced with the possibility of continuing to live in Hamilton, or gapping it with cash to die alone in Europe, understandably makes a run for it.

And so begins a peculiar, and eventually likeable wee movie.

The Most Fun You Can Have Dying follows Michael to Hong Kong, where he gets a tattoo and new passport, and then on to London, where he promptly gets beaten up for hitting on the wrong girl, and comes to on the footpath to meet exactly the right one.

The film is a road trip, of sorts, a fantasy of youth and waste, and at times a thoughtful and quite incisive existential sketch of what it's like to hate yourself, when everyone around you thinks you're actually just fine.

After a shaky start, The Most Fun settles into a very watchable groove.

Matt Whelan is an undeniably talented and attractive leading man, Roxane Mesquida a perfect foil, and Kirstin Marcon directs with some moments of real beauty and insight.

I liked The Most Fun a lot. Go and have a look.

The Most Fun You Can Have Dying (94 min) (R16)

Directed by Kirstin Marcon

Starring Matt Whelan, Roxane Mesquida

- © Fairfax NZ News

Friday, April 27, 2012

Is 3D just a load of old rubbish?

Legendary film director Martin Scorsese said this week that all his future films will be made in 3D and that he wishes he had made Taxi Driver and Raging Bull in 3D.

Sorry, what? Are you talkin' to me? Taxi Driver in 3D? Can you imagine Travis Bickle's gun pointing out of the screen at you?

I'm surprised at how such a great director has embraced what feels like a fading novelty.

Correct me if I'm wrong, but isn't 3D a load of old rubbish? I've grown a bit tired of 3D over the last couple of years, but I want to know what you think.

For me, like most people, my first experience of this new wave of 3D was Avatar. I loved it. Yes, it was codswallop. Yes, it was Thundersmurfs. But, boy was it fun. James Cameron knows how to make big action sci-fi that just bludgeons away any misgivings and drags you along for the ride.

My second 3D experience was not so fun. It was Clash of the Titans, which was filmed in 2D and then retrofitted into 3D to cash in on the success of Avatar. It sucked. The fake 3D was all squiffy and made your brain hurt trying to work out what was going on. It was like a migraine headache set in ancient Greece.

Since then, a creeping disillusionment has set in. It felt as though 3D was a fading novelty that was growing ever more pointless. Even Scorsese himself couldn't make 3D feel vital. His film Hugo felt like a metaphor for 3D itself - visually sumptuous and exciting, but ultimately a little hollow.

Now, when I have the choice, I always go for the 2D option. It's cheaper, there's less fuss and you can just sit back and enjoy the film without being distracted by the 3D effects.

You see, that's the main problem. Movies are fragile spells: the slightest thing can jolt an audience into realising they are just watching a film. With 3D, you get jolted out of the story every time it tries to poke you in the eye.

It also costs a lot more. I'm not sure that paying extra for a 3D screening is really value for money.

But, what do you reckon? Are you also experiencing 3D fatigue, or do you still enjoy the thrill of being poked in the eye? Is 3D a fading novelty or here to stay?

Follow Charlie Gates on Twitter


Robin Gibb: I don't want to die

Robin Gibb has told doctors there will "never be a time" when he is ready to die.

The Bee Gees star recently woke from a coma, much to the shock of medical professionals. He has been battling colon and liver cancer and then developed pneumonia, eventually losing consciousness.

Although doctors told his family they feared the worst, Robin has woken up and is now talking to his loved ones.

His strength has amazed his wife Dwina. "The doctors asked Robin if he wanted them to do everything in their power to save his life - or if he felt the time would come when enough was enough," she told British newspaper The Sun.

"He told them, 'There will never be a time when enough is enough. I want to live no matter what.'"

Gibb was diagnosed with cancer in 2010 but was thought to have beaten the disease.

Then earlier this year he was found to have a twisted colon, a condition which was particularly poignant for the 62-year-old star.

"It was the same condition from which his twin brother Maurice died in 2003.

Gibb was in terrible pain and very frightened," Dwina recalled.

"I had to stay at the hospital with him 24/7, sleeping on a camp bed.

"At one point Robin was on an intravenous drip, when he turned pink because of an allergic reaction. I was able to call the nurses and they saved his life."

Doctors then realised the star had a perforated bowel, which needed an operation. It was decided Robin would have it even though there was only a ten per cent survival rate.

It was explained to Dwina that the first part of the surgery was the most important, and she calls those the "worst 20 minutes" of her life.
Robin pulled through and was even taken off a ventilator quicker than was expected. Soon after that he was developed pneumonia.

Family members began singing to the star and playing him music.

"As we played him his song I Started A Joke, he opened his mouth on cue to sing," Dwina said.

"But it seemed too much of a coincidence that the only time Robin opened his mouth was the exact point in the song when he would have started singing.

"We persuaded them to let us test my theory by attaching electrodes to Robin's brain and monitoring his reactions to the music."

Gibb eventually woke up when he was played Titanic Requiem, the classical piece he composed with his son RJ.

"We have to take each day as it comes. Robin has been seriously ill. Every time I go to hospital to see him, I am so happy to be there, so happy to see him with his eyes open and talking," Dwina added.

- Cover Media

Review: The Avengers

GRAEME TUCKETT
The Avengers

AVENGERS ASSEMBLE: This action flick is well above par.

A few years back I posted a very grumpy review of Iron Man. It was late, I was cold, the preview screening had been irritating as only a preview screening can be; oversold, late to start, and packed with slack-jawed knuckle-heads who only wanted to eat chips and talk loudly about every single moment of the film.

So I made my way home in a foul mood, slumped down at my laptop, and bashed out an unappreciative and ill-informed rant about exactly how much I loathed this film about an arms dealer who becomes a superhero, while the BBC intoned the latest from Fallujah and Abu Ghraib on the radio behind me.

A couple of weeks later, rested up and back to my usual cheery self, I went to take a second look at Iron Man, and, of course, loved it.  What I didn't know then, was that a grand scheme was afoot. Marvel, long time publishers of some of the most popular comic book titles ever, were planning the grand daddy of all franchises.

Any one who's read the comics knows that Iron Man doesn't exist as a solitary super-being. He has a whole gang of chums, all gifted in some odd and usually double-edged way, with whom he can make a tetchy alliance whenever the world needs saving.

And so, after Iron Man and its sequel, we had a Hulk relaunch, Thor, Captain America, and apparently very nearly a Black Widow as well, before some adenoidal oik in the film company office decided that not even Scarlett Johansen could sell a superhero movie with a woman lead character.

All of which has been leading up to this, this superhero summit meeting, and the unabashedly ambitious and sprawling two and half hour film that has to contain it.

Amazingly, really, when you consider how many characters  you can add Jeremy Renner's Hawkeye, and Samuel L Jackson's Nick Fury to the number of leads whose storylines need to be backfilled and moved on here  The Avengers works like a dream, on pretty much every level it cares to swing at.

There are great swathes of CGI action, extremely cool toys and gadgets  the flying aircraft carrier even got an appreciative ''wow'' from me - and a beauty and rigour to the film's design that speaks volumes of the passion and enthusiasm director Joss Whedon (Firefly) and his team have brought to the project.

Have a look at the way the gang's airplane lands; part Harrier Jump Jet, part praying mantis, and consider how much thought and artistry has gone into just that one detail. The Avengers is overflowing with moments like that.

But all the design and action in the world won't make a film interesting and entertaining if the writing is lacking, and it's in the writing that this one shines. The characters are well drawn, believable - within the daffy parameters of superhero yarns anyway - likeable, and quite credibly set in motion around and against each other.

A couple of early getting-to-know-you scraps between the various alpha-males might be a bit wearisome for the grown ups, but for a kid who's been wondering his whole life who might win if Hulk, Iron Man, and Thor ever had a fight, I'm guessing these scenes are pretty much a dream come true.

In fact the plot of The Avengers  the ''bad guy comes to Earth and must be stopped'' one that most superhero movies end up recycling  is just about the only let down of the film. The fact that the villainous Loki is Thor's younger brother  ''He's adopted... ''  lends a few moments of interest, but there is never any doubt exactly where the film is heading, and certainly no surprises or deviations in the narrative.

There is a climactic battle, the good guys win. This is the way of these things, and we come to judge these films not by where the get to, but on how they get there. The Avengers makes the journey with wit, pace, and real flair. Along with X Men: First Class, I don't ever think I've seen the genre done better.

The Avengers (143 min) (M)

Directed by Joss Whedon.

Starring Robert Downey Jr, Mark Ruffalo, Samuel L Jackson.

Jason Byrne's comic rollercoaster

BRIDGET JONES

Comedian Jason Byrne can't quite pin down what his style of show is about but promises props, audience involvement and more than a few laughs.

It might be his first time to New Zealand, but Irish comedian Jason Byrne reckons he's got us Kiwis sussed - almost.

"I can't match Auckland up to any other city, apart from, well it's very like Ireland. The old Australians used to be nuts and they would never follow rules, but now they do. And here it looks like they don't, so now I feel at home.

"I'm liking the way the traffic is crossing each other without indicating, pedestrians are fair game, and everyone is taking the piss out of each other and that's the Irish way. Is that the Kiwi way? Okay, I've got to get that into my head."

Byrne is in Auckland with his stand-up show People's Puppeteer for the NZ International Comedy Festival.  

The name might sound like he's doing a one-man version of The Muppets, but Byrne says all is not quite as it seems.

"It becomes a big kind of rollercoaster mish-mash. My show is so hard to explain - I have stand up, I have props, I have people come up onto the stage to help me, but I'm not a magician. I've called it People's Puppeteer but there are no puppets. And I tend to use the audience to do stuff.'

When pushed on what, exactly, he means by "stuff", Byrne is willing to let one stunt slip - playing men's testicles with xylophone sticks.  Don't worry, the whole thing is done from the outside of the trousers, but it's just a taste of what this cheeky redhead offers his audience.

"With my show you'll learn nothing, there's no deep meaning, and it's not political or heavy. It's basically just me making people laugh. And I get paranoid if people don't laugh the whole time... we need people laughing all the way."

Byrne has been on the comedy scene for 15 years, and has performed at Edinburgh Festival a mammoth 14 times.  It's no surprise then, that's where the best crowd moments have happened.

"I did a show where a girl went to the toilet.  It was 160-seater, I remember that, and she went to the toilet and I said to the audience "let's hide". We all went out the laneway where the exit was, they left their coats and bags, and we hid and I looked through the door. She came back in on her own and she was looking around the room, then she went back out again and came back in again and I opened the door and went 'surprise.'

"In that same room, about a week later, there was a heckler in the front row and he wouldn't shut up, so I just literally picked him up, I kicked open the door and threw him into the laneway.

"So be careful in this show, don't sit by an exit door."

Jason Byrne - People's Puppeteer May 1 - 5 at Rangatira at Q. Tickets $32 from the venue

- © Fairfax NZ News

Axis of Awesome hard to pin down

BRIDGET JONES

Australian musical comedy group The Axis of Awesome explain how they started and what they think about their success.

Axis of Awesome is branching out. Apparently fans of the YouTube sensations can expect lectures on farming, architecture and a bloody hunt to the death at their upcoming comedy festival shows, rather than tongue-in-cheek musical comedy they are known for.

"We end the show every night with a hunt - you could be the hunted or the hunted. So bring a truck, bring a trailer you might go home with an elk," says Jordan Raskopoulos.

The Australian trio are joking. Probably. But it's hard to pin them down on a firm answer on anything; such is the way of comedians.

And these three - Raskopoulos, Lee Naimo and Benny Davis - are funny. Their story starts at university in 2006, where Davis was studying music, Raskopoulos was working on his improv and Naimo was well, travelling the country as a jack of all trades. Again, probably.

"I was painting fences, baking, fixing fences, if there was a rooster in the hen house, I'd be the one that would have to get it out."

Whatever the real story, the trio have gone on to tour the world and release three albums of their take on the musical comedy genre. Among the songs about Harry Potter and the rubbish state of modern love ballads, it was the very clever track Four Chords - a medley of 47 songs that all use the same four chords - that shone the spotlight on the group.

While the band all have different versions of where the idea came from (Raskopoulos and Naimo say it came from some special bath-time role playing of the movies Ghost and Gladiator, while Davis is adamant he thought up the idea while in a cover band), the six-minute song has gone on to have more than 20 million hits on YouTube.

"And the great thing about YouTube is that for every one of those hits we get absolutely nothing, so that's a lot of zeros," says Raskopoulos.

While the money might not be rolling in off every watch, the song has given the band a huge launch pad to take their always funny, sometimes cynical songs to the world.

And of course, since they are in the native territory of one of the world's best known musical comedy acts, the question has to be asked - is there going to be a face off between funny song-singing groups?

"I think one of the things Flight of the Conchords really did, especially in the US and around the world, is they opened people's ears and eyes to musical comedy and I think it's really great that there are so many artists in that genre of comedy," says Raskopoulos.

Naimo says while they both sing clever songs, there are some key differences between to two groups.

"We're very different acts thought - they sit down to play, we stand up; there's two of them and three of us; they are very laid back in their approach, and I think you'll find we are very energetic." Lee.

"They don't have a hunt either," adds Raskopoulos.

It's a bloody fair point.

Axis of Awesome

April 28 to May 5 - Comedy Chamber, Auckland Town Hall

Tickets $35 from the Comedy Festival website.

- © Fairfax NZ News

Kiwi western a labour of love

JULE SCHERER

Laura Westbrook talks to director Mike Wallis and lead actress Inge Rademeyer, as the first New Zealand western is set to hit cinemas around the country.

Good for Nothing started out as a boy's fantasy. The young Mike Wallis spent most of his family holidays in Central Otago, and roaming the rugged and untamed territory he pictured himself being part of one of his beloved western movies.

Being a fan of Spaghetti Westerns, which take the stories of the Old West and shoot them half a world away in Italy, he thought to himself "wouldn't it be interesting...".

Long have sub genres of the films that immortalised Sergio Leone made their appearance: There's the Paella Western (Spain), the Noodle Western (China), the Sushi Western (Japan), and the Curry Western (India), so Wallis reckoned it was time to create the first feature Pavlova Western.

When watching this movie, bear in mind, this is not a Hollywood production with a big budget and cohorts of screen-writers and editors on the bill, this is a labour of love.

Wallis and his fiancée, actress Inge Rademeyer, had the dream of making a western, paying homage to the classical genre, but to pepper it up with some Kiwi trademark quirkiness and awkward humour and stage it on the backdrop of the stunning plains of Central Otago.

The journey took them six years, during which they put off all those 'sensible' decisions, like buying a house or actually getting married, and instead invested all their passion, enthusiasm and money into the making of Good for Nothing.

Holding down his day job as animation manager at Weta Digital, Wallis would spent his nights developing, writing and re-writing his own screenplays, and later directing and producing the self-funded film.

Although set in the States once upon a time, the story is also that of the Southern Man: A chap of few words or outward expressions.

The story-line is told quickly: An English lady, the beautiful Isabella Montgomery (Rademeyer) is emigrates out West after her father has died but is kidnapped by a rugged outlaw (Cohen Holloway).

The stroppy damsel's charm leaves it marks on 'The Man' and when he tries to rape her, he finds himself unable to perform due to a surprising bout of performance anxiety.

Without further ado he throws the struggling Isabella on his horse and starts his quest to cure his problem.

On the way he wordlessly kills scores of men, and has soon a posse on his tail, aiming to kill both him and Isabella, who is being mistaken for a whore and his accomplice.

For those who expect a deep, twisted tale of novel adaption proportions, Good For Nothing might not be the right fare.

But if you're into a good old fashioned western, with lots of shooting, a damsel in sparse clothing and dead-pan, laugh-out-loud humour, this film might be right down your alley.

Apart from the actors and attention for detail on costumes and sets (all made with the help of family and friends), the true heroes of the film are the stunningly shot scenery of Central Otago and the sweeping score.

Wallis made a great move getting John Psathas on board. The classical composer, known for his music for the opening and closing ceremonies of the Athens 2004 Olympics, is channelled Ennio Morricone's unforgotten work on the genre.  

The score, performed by the New Zealand Symphony Orchestra adds to every scene and gives the film a dirty grittiness.

Although naysayers may point out that the film is no big deal and already available on DVD in the US: It is a great achievement for an independently funded and produced film to win a run in cinemas around the country (and a limited theatrical release in the US as well).

This is a movie that should be seen on a big screen. Take in the scenery and the music and enjoy this declaration of love to the three things Mike Wallis cares for deeply: Western movies, New Zealand and his fiancĂ©e.  

Good for Nothing is opening in over 60 cinemas in New Zealand on May 3rd.

Starring: Cohen Holloway, Inge Rademeyer, Jon Pheloung, Richard Thompson

Directed by Mike Wallis

- © Fairfax NZ News

Five facts about The Avengers

It's the hottest new action film to showcase Marvel Comics' heroes and it's burning up New Zealand screens right now, but if you think you already know everything there is to know about The Avengers, you're wrong.

Here's five facts from behind the scenes of The Avengers:

THEM'S FIGHTING WORDS

Tom Hiddleston, who plays the Norse god Loki, had to learn the most fight sequences of any cast member for his battles with The Avengers. He did training in Wushu, a Chinese martial art, as well as boxing, stick and staff work, knife work and hand-to-hand combat.

He wasn't the only one put through the wringer though.

Mark Ruffalo lost 21 pounds to play Hulk, while shooting had to be rescheduled when Jeremy Renner tore a muscle from his back to his shoulder filming stunts for Hawkeye.

Scarlett Johansson also trained extensively in Wushu and weapons handling alongside fight choreographer Jonathan Eusebio and her stunt double, Heidi Moneymaker.

IT AIN'T EASY BEING GREEN

Mark Ruffalo, who replaced Edward Norton as The Hulk, says it's not a role he would usually take on, but Robert Downey Jnr and the Iron Man movies were what convinced him.

He says unlike previous incarnations of The Hulk, he doesn't change size in The Avengers and is always "about eight and a half feet tall" regardless of how angry he is.

The Avengers is the first time, in film, TV and in the comics, that Bruce Banner and The Hulk have had physical similarities. Instead of just CGI, director Joss Whedon used motion capture technology (used to create characters like Gollum from Lord of the Rings) so you can see Ruffalo's facial characteristics in The Hulk.

THE SCARLET LETTER

The usually blonde Scarlett Johansson was not Iron Man 2 director Jon Favreau's first choice to play Natasha Romanoff, aka Black Widow, who in the comics is a tall Russian redhead. But when he met with her, she had dyed her hair red so he would know she was serious about the part.

The Avengers director Whedon made it clear from the beginning that a strong female character was absolutely essential and an all-male Avengers team was unacceptable.

SAMUEL 'LEAKY' JACKSON

The Avengers is the first time Samuel L Jackson's SHIELD agent Nick Fury has stepped into a main role, instead of just cameos. But during filming, his printer was hacked and the movie script for The Avengers leaked online. Marvel sent a team of investigators to Canada to track down the person that put it up for sale online.

Nick Fury's own spin-off movie is now in the works, with Jackson predicting fellow agent Black Widow (Johansson) will also be in it.

SPYING THE SPIES DURING THE SHOOT

The first day of the 92-day shoot was on April 24, 2011, and involved a scene where Nick Fury confronts Steve Rogers in an old boxing gym with a new mission.

It wasn't until day 11 that the entire lead cast of The Avengers assembled for the first time, for a scene where they find out why Nick has rounded them up.

Movies aren't generally shot chronologically, but the last scene of the movie was also shot on the last day of production, with the film wrapping on September 5, 2011.

It was shot in Central Park in New York with the entire lead cast, but because it was a long weekend in the US, thousands of onlookers gathered to see the Avengers in costume, including Thor and Loki decked out in their Asgardian gear.

Take the poll and let us know who your favourite Avenger is?

- AAP


Shorty: vote for your favourite moments

20120427Just under a month ago, I asked you to name some of your favourite moments from NZ's top-rated soap opera, in an effort to create the Top 20 Greatest Moments in Shortland Street History (as voted by On The Box readers) - and you did: at last count, 140 of you named around 55 different standout moments from throughout the show's run.

Since we need to whittle the list down to a Top 20, I've been through all your responses (as well as a few on Facebook and Twitter) and put together a list of 33 nominees for the top spot.

This is where I need your help, so here's what I need you to do:

Have a look through the following list of 33 nominees - figure out your five favourites, and post their numbers in the comments section below. Don't worry about listing them in order, there are no prizes for weighting. The 20 moments that get the most votes will make the final list.

THE NOMINEES ARE ...

01) Joey (Johnny Barker) jumps to his death from the roof of a storage building, after Kieran (Adam Rickitt) realises he is the Ferndale Strangler, bringing one of the most successful story arcs in the shows history to a close. (2008)

02) The very first episode spawns the most famous line in the show's history: "You're not in Guatemala now, Dr Ropata," spoken by Nurse Carrie (Lisa Crittenden) to Dr Hone (Temuera Morrison). (1993)

03) Steve (Andrew Binns) and TP (Elizabeth Skeen) are killed when the car they were travelling in crashes and explodes, following an argument between Steve and Chris (Michael Galvin), as TP's partner Sam (Rene Naufahu) looks on. (1994)

04) Carmen (Theresa Healey) is injured and hospitalised after a truck crashes into the hospital, dying of a brain aneurysm mere moments after declaring her love for Guy (Craig Parker). (1995)

05) She-villain MacKenzie (Ingrid Park) blows up the clinic in an effort to kill Oscar (Christopher Brown) and escape with the money he was embezzling from the hospital. (1999)

06) Ellen (Robyn Malcolm) and David (Peter Elliott) lose baby Rose to cot death. (1997)

07) A pregnant Tiffany (Alison James) falls from the roof of a building after talking a suicidal man down; the accident leaves her brain-dead and forces Johnny (Stelios Yiakmis) to decide whether to try to save the baby by keeping her on life support. (1998)

08) Darryl (Mark Ferguson) spikes Chris's drink and locks him in a barn, following a stag night ahead of Chris's second attempt at marrying Alison (Danielle Cormack), causing Chris to miss the wedding and Alison to leave the country. (1993)

09) Nick (Karl Burnett) and Rachel (Angela Bloomfield) marry in protest against the student allowance system. (1995)

10) Stuart (Martin Henderson) stands up and declares his love for Kirsty (Angela Dotchin) at her wedding to Lionel (John Leigh) in the final episode of the year. (1994)

11) All Blacks stars Keven Mealamu, Anthony Boric and Jerome Kaino make a cameo appearance on the opening night of Rugby World Cup 2011. (2011)

12) Carla (Elisabeth Easther) kills husband Bernie (Tim Bartlett) by smacking him with a candlestick, after an earthquake strikes Ferndale - and Bernie is only dazed, not dead. Fun fact: this was the first on-screen murder on Shortland Street. (1996)

13) In the midst of their affair, Donna (Stephanie Tauevihi) and Rangi (Blair Strang) discover they are brother and sister, which causes Rangi to start drinking and Donna to leave town. (2000)

14) Jay (Jaime Passier-Armstrong) starts an affair with Dylan (Paul Glover), behind the back of her wife Maia (Anna Jullienne). (2006)

15) Lionel goes missing, presumed drowned, after mysteriously disappearing on the day of his wedding to Mackenzie. (1999)

16) Nick and Waverley (Claire Chitham) marry on their second attempt, after Fergus (Paul Ellis) ruined the first attempt by kidnapping Waverley from the registry office. (2002)

17) Dominic (Shane Cortese) burns himself to death after attempting to kill Chris as a last-ditch effort to cover up his murder of Avril (Kate Elliott). (2004)

18) Fergus is forced to flee his wedding to Waverley after the police arrive to arrest him for his involvement in an illegal immigration scam. (2001)

19) Carrie gives birth to triplets, despite expecting twins, after accepting sperm donations from Hone, Chris, Guy and Steve. (1993)

20) Darryl dies after falling overboard while attempting to murder Kirsty on board her house-boat, the Toroa; she was confronting him about faulty drugs he had provided to patients. (1995)

21) Greg (Tim Balme) and Caroline (Tandi Wright) ride off into the sunset, on the back of Greg's motorbike. (1999)

22) Kieran plunges off a cliff to his death after a drawn-out struggle against Thai gang members. (2010)

23) Shortland Street CEO Huia (Nicola Kawana) is killed by a car bomb intended for a pharmaceutical rep who was attempting to expose international drug company Scott-Spear. (2006)

24) Li Mei (Li Ming Hu) dies, a victim of the Stryker virus that caused the entire hospital to be quarantined. (2006)

25) Maia and Jay celebrate their civil union at Parnell Rose Gardens, as protesters from Serenity Church congregate nearby. (2006)

26) Dominic kills Avril by drowning her in a bath while The Chills' Pink Frost plays in the background. (2004)

27) Waverley cuts off Nick's hair while he sleeps, causing him to call off their impending nuptials. (1999)

28) Rangi tries to stop Rachel from drink-driving, but ends up pinned between the car and the wall after Rachel passes out behind the wheel, as exhaust fumes fill the air. (1996)

29) Sarah (Amanda Billing) gives birth to Tillie on the side of a country road, after going into labour during the wedding of ex-boyfriend TK (Ben Mitchell) and Roimata (Shavaughn Ruakere). (2011)

30) Shannon (Amber Curreen) reveals to Tama (David Wikaira-Paul) that she is pregnant; sadly, baby Ngakau dies of a Streptococcus B infection soon after birth. (2002)

31) Tania (Faye Smythe) and gang member Kingi (Te Kohe Tuhaka) are nearly killed after it's revealed that Kingi is a police informant and the gang tries to take retribution. (2008)

32) Tom (Adrian Keeling) goes out to get milk, disappearing for eight months and forcing Marj (Elizabeth McRae) to go on Holmes and appeal for information. (1993)

33) Jill (Natalie Medlock) is accidentally killed and Daniel (Ido Drent) badly injured after they try to stop Hunter (Lee Donoghue) from going through with a robbery at a nearby chemist. (2011)

So, over to you now: Vote for your five favourite Shortland Street moments by listing their numbers in the blog comments below. I'll be back with the Top 20 Greatest Moments in Shortland Street History (and a couple of surprises) closer to the anniversary in late May!

Make sure you like On the Box on Facebook and add Chris on Twitter.
Or, feel free to email Chris at 
otbmail@chrisphilpott.co.nz
This is a spoiler-free blog - please comment responsibly.


Thursday, April 26, 2012

Lil' Band O' Gold: A must-see live act

I was excited to hear the news that Lil' Band O' Gold is returning to New Zealand. I saw the band 18 months ago, just after they had released The Promised Land and were touring in support of both that and a superb documentary film, The Promised Land: A Swamp Pop Journey (click on that link to see the trailer). I've watched that film a few times now and I'll be reThe Promised Land turning to it before the show. It's heart-warming. And it gives a context for so much of the music - for the players in the band too.

Lil' Band O' Gold's music fills me with joy. Spoonbread and I Don't Wanna Know, to name just two songs (the opening two in fact) from The Promised Land - that'll get you started. Maybe it's not for you, but the gig was astonishing. Here are the final lines from my review of the 2010 show:

It was a magical evening of song - and it seemed that it might never end. The Lil' Band O' Gold played for close to three hours, offering a history lesson, value for money and one of the finest live sets I have ever seen.

Now it's an easy cliché to proclaim something the greatest you've ever seen but when you put it in print you have to stand by it. You might just be making sure there's not a space in the paper the next day but people will remind you of what you said. You get it right, you get it wrong - you have to live by what you said. For better and worse. And people have done so with this review - including some people who probably still have no idea what Lil' Band O' Gold sounds like. But they read that I was raving about it and wanted to make sure that I (actually) meant it.

My advice to anyone in New Zealand who loves music and is anywhere near the locations where the band is touring (see the link in the first line) is that Lil' Band O' Gold is a must-see live act. One of the finest gigs you could ever hope to get to. You really must do yourself the favour.

This "supergroup" of legends (dig Warren Storm, still playing drums and singing and rocking a mo at 75) play music that they love. It's so clear that they love it, it's infectious. And their choices. Songs by Bobby CharlCC Adcockes, oh my now there's a songwriter that'll break your heart every time.

Last time the band played Wellington they were busting out Lazy Lester's Sugar Coated Love third song in. I think my jaw hit the floor. You listen to music all your life, discover things like Lazy Lester's great Sugar Coated Love when you're sure no one else is across it and you don't ever expect that in this day and age you'll hear anything approximating the original - not by a live band. Well not only did the group nail it, there was a special reason to perform that particular song: Warren Storm was the drummer on the original recording.

I was fortunate to interview C.C. Adcock before the band played here in 2010. Click here to read my interview if you missed it last time - or for a refresher. (It covers the band's history, has a few extra links to songs and performances and there are some wonderful anecdotes about Fats Domino, Warren Storm and Robert Plant. I might say this a lot too but it was one of my favourite interviews, Adcock was certainly one of my favourite interviewees.)

Ever since that gig I've thought about how wonderful it will be for the band to return here - but I figured that an eight-piece with some members in their 70s would be unlikely to make it back here.

The Promised Land is still high on my most-played albums list. It was my favourite album of 2010 and it was probably my favourite album of 2011 too. I still play it just about every week.

The mix of country, blues and soul music - the swamp-pop or "white people playing black music" as Adcock told me wheLil Band O Goldn I spoke with him - was one thing, so seamless, but given that this supergroup comprises talented players who all have other musical projects it is bigger than just seeing and hearing one band. Steve Riley offered tunes from his Mamou Playboys set - meaning the music also embraced zydeco and Cajun styles as well as country, blues, soul and doo-wop.

The gig finished last time - nearly three hours but it flew by, so many great songs and moments within songs - and I was up to the front of the stage desperate to snatch a set-list, a take-home memento; I needed a connection to this concert beyond the memories that I will always have. I had to have something tangible. I'm no longer a collector of set-lists - that phase ended a long time ago - but the Lil' Band set-list sits above my computer, pinned to the wall where I can see it.

Every night I tap away at the keyboard. I've finished work for the day but it's time to create a post for Blog on the Tracks. I may have been to a gig so it's particularly late, or I may have time to dash out the blog-post before I go to a gig. In the weekends I write too. That's my choice. But it's also something I have to do. I'm compelled to. Sometimes I'm commissioned so the choice of it is less of an option. But you have to keep trying. You have to punch the clock. Sometimes you really do want to punch it.Set List, Wgtn, Saturday Sept 25, 2010

We moved into our new place the night before the 2010 Lil' Band O' Gold show. So the set-list has been on the wall in the office the whole time we've lived here. I stare at it every night - in the pauses, when I use double dashes - in moments when I'm thinking of something to say. (Like now.)

I see one word title-abbreviations or truncated phrases. I see the keys listed for the songs. And I relive a different part of that magical night several times a night. I can honestly say - as I am doing right now - that I've never been to a gig that I've thought about more than Lil' Band O' Gold's.

These guys are heroes. The job they are doing, the joy they are bringing. I'll be seeing them one more time. And that thought - already - pleases me very much. They are one of the greatest live bands you could ever hope to see. And again we have the chance.

I'm there.

Will you be going? Have you heard Lil' Band O' Gold? Will you give them a shot? See the movie. Buy The Promised Land. Get a ticket for the show. Prepare to experience one of the best concerts you could ever hope to see.

Keep up with Blog on the Tracks on Facebook and follow on Twitter.

And follow Off the Tracks to read 'The Vinyl Countdown' - an album-by-album review of my record collection.

You can email me with blog-topic suggestions or questions

Five female musos you should know

VICKI ANDERSON

On the eve of New Zealand Music Month, Kimbra, a girl from Hamilton has made a rare leap on to the top of the American charts. We profile five Kiwi female musicians you should know about.

KIMBRA

Middle New Zealand, still reeling from attempts to come to grips with One Direction's hold on our nation's youth, seemed bewildered this week by news reports of Kiwi songstress Kimbra's American chart success. "Where did she come from?" they wondered.

As for the song that got her there, well, it's shaping up to rival the who-owns-the-pavlova-recipe debate.

Australian artist Gotye's single Somebody That I Used To Know, featuring Kiwi Kimbra's vocals, shot to the top spot on the Billboard Hot 100 chart in the United States last week after it was covered on popular TV shows Glee and American Idol.

Gotye, aka Wouter De Backer, recorded and produced the song in his home studio for his third album, Making Mirrors, released last year.

The collaboration saw Kimbra Johnson, a 22-year-old girl from Hamilton who has been based in Melbourne since 2008, become the first Kiwi to have a No1 song on the US Billboard 100 chart since OMC's How Bizarre topped the Billboard Pop Chart in August 1997.

Somebody That I Used To Know has already been No1 in 17 countries, including New Zealand and Britain, and its video has had over 166 million views on YouTube.

Kimbra won Best Female Artist at the 2011 Aria awards, won the New Zealand Critics' Choice Award 2011 and released her debut New Zealand gold certified album Vows here last August.

She has recently featured on the new Converse campaign single Warrior alongside Mark Foster (Foster The People) and A-Trak (DuckSauce). The track was released to New Zealand radio last week.

Kimbra began writing song lyrics at 10, performing at a race meeting. She began learning to play the guitar at 12, that same year she sang the national anthem in front of 27,000 people at the NPC rugby final, and, at 14, after three years entering the competition, came second as a solo singer and guitarist in the national finals of the 2004 Smokefreerockquest.

Her second single, Simply On My Lips, won the Juice TV award for best breakthrough music video in 2007.

Her dad, Ken Johnson, says the family is delighted for her. "She has worked so hard in the music industry in New Zealand and Australia building up her audience and developing her song writing and performance skills."

Since moving to Australia at 17 she has been under the management of Mark Richardson.

"She has had the opportunity to work with amazing producers to bring her debut album, Vows, to its release last year. Warner Brothers signed her in the United States in 2011 and have worked with her on adding further songs to Vows in anticipation of its American and British release in May," Johnson says. "Through her hundreds of live performances, both as a soloist and now with her band, she has met many other artists and done collaborations with a number of these. Her collaboration with Gotye has been amazing for her as it has given her name recognition around the world and brought people to her own music."

Success hasn't changed her at all, her dad says, and while she has no immediate plans to tour New Zealand – she's on a promotional tour of Europe, tours Australia and then heads back to the US to tour with Foster The People – her proud dad hopes she'll come home soon.

"Having said that, I am sure that she will be here at some stage in 2012 whether for one-off performances or for a short tour."

RUBY FROST

Ruby Frost, aka Jane de Jong, has previously worked as the roving music correspondent on The Erin Simpson Show.

This pop star looks to the likes of Bjork and Kate Bush for inspiration.

Her parents are Mark and Chris de Jong, the founders of the Christian label behind the Parachute Music Festival which attracts around 30,000 festival-goers annually. Her childhood saw her immersed in the gospel music scene travelling the world with her parents, fostering a love of creative writing and a unique flair for programming her own beats and creating her own unique costumes.

After releasing a folk EP in 2007, Ruby Frost turned her music on its head recruiting a new band and penning synth-pop songs. Her style still has its quirk factor and intricate lyrics, but her music is now aimed at making people dance.

In 2009, she won the MTV 42Unheard Competition.

Wearing a handmade batcape with sequins, the youthful singer-songwriter and guitarist performed two original songs, and won the hearts of judges including Gin Wigmore, Ash Hughes (Kidz In Space) and Shelton Woolright (Blindspott), among others.

It resulted in her signing to Universal Music NZ, who seem to be grooming her carefully.

Last year she released the Moonlight EP, comprising four tracks: Moonlight, Moonlight (Leno Lovecraft Remix), Goodnight and Pressure. Kiwi artist Leon Lovecraft has also remixed her song Pressure. The Moonlight EP went to No3 on the NZ iTunes Album Chart.

On The Erin Simpson Show the first musician she interviewed was Evermore's Dan Hulme who, in a twist of fate, became involved in how she developed her own music.

After signing her, Universal sent Frost to Australia for a writing trip, partnering her with a variety of musicians and writers, including Hulme and Phil Buckle, who had crafted songs for John Farnham.

In 2010 Frost won the Grand Prize for the Pop category in the international 2010 John Lennon Songwriting Contest.

Frost is working with US producer Chris Zane (Passion Pit, Mumford & Sons) on her upcoming album, releasing the singles Odyssey and Porcupine last year. Expect big things.

ZOWIE

Where Universal has been grooming Ruby Frost, Sony has been doing the same with Zowie.

Zowie is Kiwi singer/songwriter/drummer Zoe Fleury. She's based in Auckland and used to perform as Bionic Pixie, sharing stages with the likes of Peaches and The Kills.

Influential blogger Perez Hilton named her as one of the top five artists to watch in 2011.

In March last year Zowie toured with Mark Ronson and The Business and, in May, joined Katy Perry on her Australasian California Dreams Tour.

Her single, Smash It, featured on the ABC TV mystery series Pretty Little Liars.

Last month the fourth official single off her upcoming album – My Calculator – was released, albeit unofficially at first.

Zowie channels all things electropop and synth-laden.

If you look up her music on iTunes, the "Listeners also bought" tag suggests you might enjoy Ke$ha.

Her debut album is tipped for release soon, also expect big things.

DEAR TIME'S WASTE

Dear Time's Waste is the Shakespearean-inspired moniker disclosing the aural meanderings of Claire Duncan and a revolving cast of companions.

Dear Time's Waste have released an EP (Room for Rent, 2009) and an album (Spells, 2010, released on Australian label Speak 'n Spell) and have performed alongside such artists as Deerhunter, Low and Woelv.

This week, Duncan posted that she had "just finished tracking a new album which will be out later this year".

Over the past year Dear Time's Waste have crafted a soundtrack to the film On The Run, directed by Veronica Crockford-Pound, and been working quietly on the follow-up album.

Duncan's music has been previously described as "akin to a morning orgasm".

Thankfully, as far as I understand, there are no labels grooming Duncan for major chart success.

ALDOUS HARDING

Hannah Harding was discovered, as the story goes, busking outside an Anika Moa gig to get enough money to get in.

Harding, the daughter of folk recording artist Lorina Harding, performs under the name Aldous Harding.

Moa and Harding met in Geraldine. Harding, who has previously performed with Christchurch band The Eastern and as a duo with Nadia Reid, had been busking in Cashel Mall on February 22 and, post-quake, fled to her mother's house in Geraldine where Moa was performing at the Geraldine Cinema.

Harding decided to busk to get enough money to see the gig and was spotted by Moa and offered the support slot at that night's gig.

Now Harding is poised to release her album, Beasts and Birds, recorded under the guidance of Moa, and which features Moa singing backing vocals.

While the album was recorded in Auckland, it was finished, and has its heart, in Christchurch.

New Zealand Music Month launch party, Tuesday from 6pm at the Rakaia Centre at CPIT, Madras St, featuring live performances from Anika Moa, Hannah Harding and Nadia Reid. The RDUnit will be there, broadcasting the event live. Free entry, cash bar and free food available.

- © Fairfax NZ News

Are you a true One Direction fan?

To commemorate the arrival of UK teen heart-throbs One Direction we have dedicated this week's entertainment quiz entirely to the fab five.

The British group - comprising Harry Styles, Niall Horan, Zayn Malik, Liam Payne and Louis Tomlinson - have taken tweeny hearts in a storm.

We're not only giving you the chance to prove that you're a true fan with our quiz, you can also win one of ten One Direction prize packs, including the Souvenir Edition album and the Up All Night: Live Tour DVD.

How to enter:

To enter the competition, send an email to competitions@stuff.co.nz with your name, address, post code and phone number before 10am on Monday, April 30 to go in the draw. Please ensure the email subject line says One Direction.

The winners will receive the One Direction prize packs when the Up All Night: Live Tour DVD when it is released on May 25.

Terms and Conditions:

Prize winners will be determined from a random draw of eligible entries received before 10am on Monday, April 30. Only one entry per person will be accepted.

Prizes cannot be exchanged for cash or other property. Winners have to provide an address in New Zealand to send the prize to.

Employees of Fairfax New Zealand's corporate office and www.stuff.co.nz, and their immediate families, are not eligible for the prize.

Fairfax New Zealand Limited's Managing Director, Publishing, will make a final determination if any matter is disputed.

Entries belong to Fairfax New Zealand Limited and may be used by the company for marketing and promotions.

- © Fairfax NZ News


Blu-ray review: Final Destination 5

CHRIS PHILPOTT

Directed by: Steven Quale
Starring: Nicholas D'Agosto, Emma Bell

There really isn't anything you can say about a film series which should have ended several iterations ago, which has been overdone to the point of exhaustion, and which can't even attract a director with his own Wikipedia entry.

Like many others, I was a fan of the original Final Destination; written by X Files scribes James Wong and Glen Morgan, the first entry in the franchise came out just prior to the current crop of splatter-horror films and used an interesting, unique premise to focus more on suspense and chills, instead of relying on gore and cheap scares to shock the audience.

An over-reliance on sickening gore and cheap scares make it seem that this fifth version only exists to gross out anyone who dares try and watch it. At least, that seems to be what everyone involved was going for.

For example, the hallmark of the Final Destination films are the death scenes in which a number of seemingly-unrelated factors fall into place to create a unique and clever sequence of events that lead to a character death.

Yet, after just a few minutes of Final Destination 5, you find yourself cringing as you wait for characters to be dispatched in the most disgusting way possible, whether it's a (needlessly graphic) fall from a bridge, a cauldron of boiling hot tar, or a bundle of metal poles through the chest ... and those three all take place in the first five minutes.

It isn't a smart film, even compared to its splatter-horror peers, and it's entirely populated by the most one-dimensional characters that might have ever been committed to film, played by a collection of terrible actors, directed by a man who doesn't appear to have the ability to draw either a decent shot out of a scene or a decent performance out of an actor.

This is easily the worst entry in the Final Destination franchise. I'd highly recommend giving it a miss.

Special Features include: Alternate Death Scenes featurette; Visual Effects of Death featurette; and Circle of Death, Your Final Destination.

- © Fairfax NZ News

That Tupac hologram? It wasn't

JAMES MANNING
Snoop Dogg, Tupac hologram

SHOW STOPPER: Snoop Dogg, left, alive, on stage with the Tupac 'hologram'.

The 'hologram' that allowed murdered rapper Tupac Shakur to steal the show at the Coachella music festival was a mere theatre trick that has existed for over 150 years.

Snoop Dogg and Dr Dre wowed the crowd as they danced and sung alongside their fallen friend last week with what was described by the projection company responsible for the stunt, AV Concepts, as holographic technology.

However, Dr Lincoln Turner of the Monash University School of Physics reveals that Tupac actually appeared via common stage-craft known as 'Pepper's Ghost'.

This illusion involves an image being projected onto a transparent sheet, known as mylar film, using high-definition video projectors, which are reflected off mirrors below the stage. As long as the stage lighting carefully avoided the plastic film, spectators were unaware that they were watching Snoop Dogg and Dr Dre through a screen.

"Tupac had as much depth as any other 2D projection - none - and the illusion only worked because the audience was too far back to see this," said Turner.

"Everything else on their website has 'holographic' splashed all over it ... they were certainly under no illusions as to how the thing actually works," Turner said.

The distinction between this illusion and real holography is that a projection will record an image, whereas a hologram will record the full wavefield of light falling upon it.

Similarly, a 3D TV merely creates the illusion of depth but lacks 'parallax' - the apparent difference of an object when observed from different viewpoints.

"Deep down your brain knows that it's getting a pretty cheesy illusion ... In a hologram, as in real life, what you see depends on where you look from," said Turner.

So why opt for a cheap trick instead of the real thing?

Holographic technology is still extremely expensive and data-intensive, despite having existed in labs and in science-fiction since the early 1960s.

"The technology works very well, but we haven't yet worked out how to build it into our digital world," said Turner.

The most obvious use for holographic technology in the future is for video calls. "Eventually it would be indistinguishable from being there," said Turner.

However, a single holographic video call on a one-square-metre portal would require a data rate of approximately 200 terabits per second.

The current world record for data transfer speed is 109 terabits per second over a single fibre optic cable, held by the National Institute of Information and Communications in Tokyo. This kind of speed is obviously extremely uncommon and still only half the speed required for a holographic video call.

But the future is not all bleak according to Turner.

"There's little doubt that as bandwidth expands, technologies such as holography will be there to make great use of it".

- Sydney Morning Herald


She made Gotye somebody we know

PATRICK O'NEIL

Gotye's "Somebody That I Used to Know" sits atop the US Billboard charts, but it has also inspired hundreds of YouTube cover versions and hundreds of millions of views.

Sometimes you just know. Melbourne filmmaker Natasha Pincus felt that serendipity the first time she heard Gotye's now chart-topping hit Somebody That I Used to Know.

''[The idea for the clip] came on the first listen. My heart dropped. I thought, this is going to be massive, this is an amazing song,'' Pincus said.

The song is now No. 1 on the US charts and has topped the pops in more than a dozen countries. The video is sprinting towards 200 million views on YouTube. It's already hit 171 million and is clocking about 2 million views a day.

By the time you've read this article, 10,000 more people will have seen it. The distinctive clip - in which Gotye, whose real name is Wally De Backer, and New Zealand chanteuse Kimbra perform naked while, through stop-motion technology, they are gradually coated in body paint - is now the world's No. 1 music video on YouTube, the most viewed Australian video ever and likely the most popular independent music video in history.

Pincus directed and produced it in a Richmond studio on a shoestring budget in three frantic days, which ended with a 26-hour marathon.

Gotye funded the video, and the distinctive imagery that appears on the singers' bodies was taken from a painting by his father, Frank.

The singer has credited the clip for helping to make his song such a success. In what ultimately proved a brilliant stroke of luck, the video was leaked before Gotye intended to release it and went viral immediately.

''It was stolen out of our system. I guess it's always wanted to get out there. Within five minutes it was everywhere,'' Pincus says.

It has since won a swag of awards, become an internet meme after being promoted on Twitter by Ashton Kutcher and Katy Perry, and spawned scores of parodies, including on US show Saturday Night Live.

Pincus is now fielding offers from Los Angeles, taking calls from New York, and recently returned from Austin, Texas, where she attended the South by Southwest international music expo, at which the clip was nominated for an award. The day we speak she has just finished an interview with US cable network VH1.

It's not a bad result for a tiny operation like Pincus' company Starkraving Productions. ''It's a two-person operation - me and my cat,'' she says.

Pincus, a former lawyer, says her true passion is making full-length films. But when an artist she respected came along with a great song she couldn't resist. ''I'm not in it for the money and doing video clips, they're kind of love projects. You've got to love the artist and love the song,'' she says.

She is now shooting a video for Missy Higgins, and hopes the exposure she's had with Gotye might lead to collaborations with other artists she admires. ''Bring on Radiohead, I say.''

- The Age

Beyonce is 'most beautiful woman'

Grammy-award winning singer and new mother Beyonce was named the world's most beautiful woman for 2012 on Wednesday by People magazine.

The 30-year-old entertainer was awarded People's top spot after she and her rapper husband Jay-Z welcomed their first child, a daughter named Blue Ivy Carter, who was born in New York in January.

"I feel more beautiful than I've ever felt because I've given birth. I have never felt so connected, never felt like I had such a purpose on this earth," the singer told the magazine.

The star's husband Jay-Z is just as excited about being a dad. So far Blue hasn't take after either of her parents when it comes to her looks.

"She looks like Blue. She's her own person," Beyoncé explained.

"The best thing about having a daughter is having a true legacy. The word 'love' means something completely different now."

Beyonce topped the magazine's annual list and joined other women who have held the title including Michelle Pfeiffer, Julia Roberts, Nicole Kidman, Halle Berry, Jennifer Aniston, Angelina Jolie and last year's winner Jennifer Lopez.

The rundown isn't all about women though, with some guys getting in the action too. Soccer star David Beckham, Ashton Kutcher and Bradley Cooper are all included.

The former Destiny's Child singer, who married Jay-Z in 2008, is preparing for her first post-baby concert in Atlantic City, New Jersey next month.

The full list can be found on www.people.com/mostbeautiful

Who would you like to see on the list?

- Reuters


Extended Hobbit trailer bombs

Expectations for The Hobbit just got smaller.

For that director Peter Jackson can blame the reaction from crowds at CinemaCon, where 10 minutes of footage of December's The Hobbit: An Unexpected Journey was screened this week. The film is the first of a two-part prequel to Jackson's Oscar-winning Lord of the Rings trilogy.

At issue? The idea - pushed by both Jackson and James Cameron - that higher frame rates is the next evolution in filmmaking.

In a taped segment, Jackson, who is in New Zealand editing the prequel, told assembled theatre owners that raising the rate at which film is projected from 24 to 48 frames per second will enhance the 3D experience. To do that, the owners will have to purchase a software upgrade for digital projectors.

"The movement feels more real, it feels smoother," Jackson said.

He also argued that by speeding things up, the 3D would be "more gentle on the eyes."

But after the screening, both the owners - who Jackson obviously wanted to convince - and movie bloggers seemed divided about what they had seen.

It should be said that much of the footage Jackson screened still needed effects work - some of it had green screens in the background - but the impact was more Spanish telenovela than Avatar.

There will be plenty for fans to savour. However, the richness of Jackson's imagery, while beautiful, was marred because the 48 frames made each scene too crisp, if that's possible. It looked more real, in fact - too real. Instead of an immersive cinematic experience, Middle Earth looked like it was captured as part of a filmed stage play.

One blogger was overheard saying that it reminded him of I, Claudius, a PBS series from the 1970s that is not renowned for its visual aesthetic.

According to Variety, one film industry insider reportedly compared the experience to when he first saw Blu-ray "in that it takes away that warm feeling of film."

But Jackson, not surprisingly, also has his defenders, including the unofficial J R R Tolkien fansite TheOneRing.net. Jackson supporters there tweeted: "I wonder what Twitter would have said about sound when it was introduced to talking pictures."

Perhaps what is currently unpleasant to the eye will be smoothed out in post-production when it is colour corrected, or maybe, like rock music or Twitter, it is a cultural shift lost on old fogies.

As for the footage itself, Jackson screened shots of epic battles, confrontations with trolls and a chilling sequence with Gollum that showed that he still has a knack for finding the narrative heart in J.R.R. Tolkien's dense mythological landscape.

Jackson, who once was only expected to produce the project, has been filming both An Unexpected Journey and The Hobbit: There and Back Again in New Zealand for the past year.

The Hobbit: An Unexpected Journey will have its world premiere in Wellington and be released nationwide on December 13.

- Reuters


Wednesday, April 25, 2012

The Barry Saunders Interview

There is a new Warratahs collection - timed to celebrate the band's 25th anniversary. I caught up with Barry Saunders, or "Barry Warratah" as he put it ("that's what I get called"), to discuss the upcoming tour, the band, the occasional threat of his solo career, country music, rock'n'roll and life as a songwriter in New Zealand.

"In some ways, and it's a bit of a cliché and it might sound trite, but it's gone quickly - 25 years." This is Saunders' opening reflection. "It's meant a lot of things but it has meant a canvas for my songs and voice and I'm extremely grateful. It's been a ticket to ride as John Lennon said. It's been perfect for us."

The Warratahs formed in the late 1980s, Saunders laughs thinking back to the initial plan, possibly wondering if there ever was one beyond "playing a few songs". "I'd had a band in Sydney, it didn't really get off the ground so we got together here as The Warratahs and decided to play some covers, amuse ourselves and maybe chuck in a couple of originals."Barry Saunders

From there the band's original bassist, John Donahue, booked two nights at The Cricketer's Arms. Saunders remembers, "it was very clear then that there was something - these songs wanted to live, wanted to carry on and we found a vibe, we found something that we just had to continue. It really just went from there." A residency at the same venue and word spread, from there the band started to visit New Zealand towns to spread its music.

In 1987 the debut album was released, The Only Game in Town. It features the band's biggest hits, Maureen and Hands of My Heart. Saunders says, "I still play them, every gig. I wouldn't not play them - band and solo, they're in there. But I'm pleased that they haven't turned cheesy, people still want to hear them and that makes it worthwhile, keeps them fresh for me. That makes them worth doing."

Saunders is known now as the band's voice - both vocally and as the songwriter - but when The Warratahs  formed he shared songwriting duties with Wayne Mason. Mason had been a member of The Fourmyula and Rockinghorse (Saunders had joined Rockinghorse as it was settling up.) Mason was ultimately unhappy at sharing the songwriting with Saunders and decided to move on from the band.

"We never wrote together," Saunders explains. "But we showed each other the songs. And we would add things. He might have three-quarters of a song and I'd add my bit or make a suggestion and sometimes the other way around but we never wrote together." He carries on, "I think Wayne didn't expect that I would have songs too - and perhaps he saw the band as his songwriting vehicle but I had these songs I'd been stockpiling. Also, Wayne wanted to make a type of music that was not related to what we wanted. He left over difficulty relating to the songs."

Mason's leaving caused the first hiatus. "And I was very sick," Saunders picks up. "I was sick with hepatitis - which I didn't know at the time. And I didn't know what I wanted to do. I recorded my solo album, Weatherman, and then the band decided to do another record. Then we got Sam Hunt on board for some touring and Alan Norman was in the band [keys and accordion] and we carried on up and down the country."

The Warratahs might be more of a part-time thing these days, the members picking and choosing when to reconvene, solo albums and side-projects filling in the space between recording and touring, but Barry says "we are still very connected. We all talk and songs are bandied about often. We are still creative too and there are new songs and ideas for songs to cover - which is why the new collection comes with an EP of unreleased songs, picked for their performances."

And as far as Saunders is concerned the songs continue to come.

"It used to be from moving - from touring up and down and being on the road, movement brought songs with it. Now it's the complete opposite, being solitary and being alone and I get those moments to create and the songs still arrive."

He was raised on Chuck Berry and rock'n'roll as well as the commercial country music that was, as Saunders puts it, "the pop music of the day" - he namechecks Don Gibson and Johnny Cash and Jim Reeves - but one of the big ones for Barry was Hank Williams. "It's obvious and everyone knows who he is and what he did but he took hold of this simple form of the blues and he made it his own, so he was one of the big ones for me."

But Saunders was also a rock'n'roller and continues to be a fan of the early Who and Stones, of Chuck Berry who he calls "one of the greatest rock'n'roll poets" and from working in Australia in the early 1980s he picked up a love and respect for the Australian bands of the 1970s and 80s.

"I think the big thing I got there was the work ethic - but there were some really great bands there. The country music in Australia was never an influence but these rock bands were great workers, great showmen and they worked hard. So I learned how to handle a crowd there, how to do the time."The Warratahs

He also served an apprenticeship in the UK and Ireland where he played "the folk scene" for two years. "The music got into me, it was there genetically too of course and so that informed my views on country music when I returned to New Zealand and when I was in Australia."

In England he began "writing notes on paper, not songs as such but ideas, just thoughts, really." These were worked on in Sydney and that is where he started "putting them into songs". He adds, "life was simple, I was pretty broke. That allowed me to do it."

The Warratahs have been part of the country clique and then existed outside of it. The band has worked through a time when there was very little interest in country music - or at least in the country music that they were performing. And has carried on now, through the alt-country years, finding a younger audience as well as keeping the old fans; "we were accepted by the country fans and part of the circle, then we weren't, I think some people don't quite know what country music is but it's a form of blues, it's the white man's blues and we are always happy to have an audience. We've had audiences of country fans only and then audiences that might not listen to other country music."

Saunders says that at the end of a tour he will often think about how hard it is to keep it going.

"You wonder if you'll ever do it again. I sometimes wonder that right as a tour is ending; I wonder if that'll ever happen again, what we just did. And it's not insecurity, but it's the idea that you'll never quite repeat what you did and whether you'll get that feeling." I suggest that it's almost an instant blast of nostalgia as it happens. "Yeah, that's it. It's something like that. Exactly. And the best thing is that you do find a way to just go out there and play and you try for it again. And you know when it's at its best it's joyous, and there are just so many good aspects. So that gives you reason to want to try again.

"And," he continues, "I realise that only songs can keep it going. We won't go out if we don't have something new, so we'll always work up a new song even if it's a cover."

Saunders will include some of his solo songs with The Warratahs but only "if they suit the band. Some of them aren't right. Some are." He says he writes a lot "for better or worse" but he always has his ear out for a cover version.

His most recent solo album, Zodiac, features a sublime cover of Going Fishing by The Phoenix Foundation.

Warratahs"Well it's a great song", Saunders says simply enough. "It was a song that got under my skin. Songs do that. And one of the wonders of music is that people keep coming up with new ways to say something with the same notes - this supposedly finite set of ideas. You find something new. So with that song it just resonated, I loved the line 'done with all this thinking' and that was the hook for me. I knew that I could do something with that song. So I gave it a go."

And Saunders' own writing displays an almost unique ability to celebrate the New Zealand landscape without sounding cloying or desperate, without the song losing its way for the sake of a name-drop. There is also a deft understanding of the country idiom, of where country music comes from, of what it is meant to be. Saunders manages this and gets to put his spin on it, putting his voice out there. He is, to my ear, one of our greatest writers of songs about New Zealand.

"When I returned from England I just noticed how poetic some of the names are in New Zealand. A place like Taranaki - it just felt right to me to write about it. The first eight years of The Warratahs' life we travelled so much, we worked hard, the road was our home so a lot of the songs come from there. Well, they did then."

Sam Hunt has called Saunders one of New Zealand's great poets.

"Well first of all," Barry takes a pause, "Sam is just one of those people that is very generous." He leaves it there. I prompt him to pick up the thread.

"I'm very lucky to have a great friendship with Sam. We worked together on those tours and that was a great time, he had his audience and he brought so much to it and we were very lucky. And I have this friend now of 25 years - we speak to each other all the time. Although it's seldom about poetry and music these days, it's usually to share recipes or parenting tips. That sort of thing."

And speaking of 25-year friendships, the other founding Warratah who has lasted the distance is Nik Brown (fiddle player).

"In many ways he is The Warratahs," Saunders proudly states. "I mean it's my voice but in as much as it's my voice it's his voice too and Nik deserves the spotlight when he takes it. His playing is so much a part of the soul of the band and we have a great friendship."

There are sparks too. "You have to have sparks to make a band work. And there are sparks between me and Nik, we play off each other and it's not that we're competitive but we both work for the space and we both care. And that's important. You've gotta have sparks." The influence of Brown's playing has informed Barry's writing.  "I'll write now with an ear for how Nik will play a line, I'll hear his fiddle as I'm writing a song. It wasn't always that way, but that's what's happened, we've played together for so long."

Saunders says he's "really proud" of the 25-year mark, of making it the distance.

So after this tour what happens?

"Well, I really don't know. There might be another solo album. There might be more from the band. But there'll be more, I hope. There'll be more songs. I don't tend to think too far ahead."

In one of many sideline conversations, discussing The Who - the band's dynamic, its superb early work - Barry announces, "you know Substitute makes a great country cover. You just slow it down, add some steel. It works a treat."The Warratahs, Wellington, Bodega

He's talking about the steel guitar - but I like that image of Barry Saunders slowing things down, adding some steel. Taking things at his pace, determining the speed, showing grit, adding some "steel", some might say, some backbone. (And some steel guitar too.) It seems the perfect accidental metaphor for Barry's approach and career (and approach to his career). He's just slowed things down. Added some steel.

Happy 25th anniversary to The Warratahs. The tour starts next Thursday in Wellington, Bodega, May 3.

So are you a fan of the band and/or of Barry Saunders' solo career? Will you be checking out the new collection and/or seeing the band live?

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